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Author :
Release : 1899
Genre :
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Book Rating : /5 ( reviews)
Book Synopsis Theatre Complet De Alex Dumas by :
Download or read book Theatre Complet De Alex Dumas written by . This book was released on 1899. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Pierre Carlet de Chamblain de Marivaux
Release : 1946
Genre :
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Book Synopsis Théâtre Complet by : Pierre Carlet de Chamblain de Marivaux
Download or read book Théâtre Complet written by Pierre Carlet de Chamblain de Marivaux. This book was released on 1946. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Jean Racine
Release : 1980
Genre : French drama
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Book Synopsis Théâtre complet by : Jean Racine
Download or read book Théâtre complet written by Jean Racine. This book was released on 1980. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Kiki Gounaridou
Release : 2010-03-16
Genre : Performing Arts
Kind : eBook
Book Rating : 663/5 ( reviews)
Book Synopsis Text & Presentation, 2009 by : Kiki Gounaridou
Download or read book Text & Presentation, 2009 written by Kiki Gounaridou. This book was released on 2010-03-16. Available in PDF, EPUB and Kindle. Book excerpt: Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international, interdisciplinary Comparative Drama Conference. This edition includes papers from the 33rd annual conference held in Los Angeles, California. Topics covered include Bernard Shaw's use of gardens and libraries in Widowers' Houses, Northern Ireland emergency law in Brian Friel's The Freedom of the City, cannibalism and surrogation in Hamletmachine, Sergei Eisenstein's and Charlie Chaplin's use of the "montage of attraction," and adaptations of classic Greek tragedy in Mexico and Taiwan, among other topics.
Author :
Release : 2015-06-26
Genre : Performing Arts
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Book Rating : 313/5 ( reviews)
Book Synopsis Theatre Sciences by :
Download or read book Theatre Sciences written by . This book was released on 2015-06-26. Available in PDF, EPUB and Kindle. Book excerpt: Traditional theatre semiotics promoted a scientific approach to theatre studies, albeit viewing semiotics as the unique discipline of research. Theatre Sciences: A Plea for a Multidisciplinary Approach to Theatre Studies suggests instead a multi-disciplinary approach, including the following theoretical disciplines: narratology, mythology, pragmatics, ethics, theatre irony, theory of genres, aesthetics, semiotics, theory of non-verbal figures of speech, rhetoric, psychoanalysis, reception theory, history, and sociology -- with semiotics being only one among equals. These disciplines are presented from the perspective of their possible contributions to a sound methodology of theatre-texts analysis. Traditional theatre semiotics, moreover, holds the view that the actual performance on stage is the genuine text of theatre, instead of the play-script. Despite this paradigmatic shift, however, this viewpoint has failed to produce commendable analyses of such texts. The alternative presupposition put forward in this volume entails a series of novel perceptions of the theatre-text and its possible impact on the experiencing spectator, whose role in reading, interpreting and experiencing the theatre-text is not less crucial than that of the text itself. This view presupposes that the theatre-text is a description of a fictional world generated by the theatre medium. The author also contests the age-old view that a theatre/fictional-text reflects a simple narrative structure, and suggests instead a complexity that consists of seven layers: personified, mythical, praxical, naive, ironic, modal and aesthetic -- with each one of them re-structuring the previous layer. Professor Rozik also presents and describes a semiotic layer that lends communicative capacity to the description of a fictional world, and two additional metaphoric and rhetoric layers, which structure the theatre experience. The underlying purpose is to illustrate the application of the aforementioned disciplines to these fictional layers, and eventually their joint application to entire theatre / fictional texts. Organisation of the book reflects the structure of a university course.
