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The Cambridge Companion to Theatre and Science

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Release : 2020-12-03
Genre : Art
Kind : eBook
Book Rating : 52X/5 ( reviews)

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Book Synopsis The Cambridge Companion to Theatre and Science by : Kirsten E. Shepherd-Barr

Download or read book The Cambridge Companion to Theatre and Science written by Kirsten E. Shepherd-Barr. This book was released on 2020-12-03. Available in PDF, EPUB and Kindle. Book excerpt: The first ever companion to theatre and science brings together research on key topics, performances, and new areas of interest.

Theatre Sciences

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Release : 2015-06-26
Genre : Performing Arts
Kind : eBook
Book Rating : 313/5 ( reviews)

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Book Synopsis Theatre Sciences by :

Download or read book Theatre Sciences written by . This book was released on 2015-06-26. Available in PDF, EPUB and Kindle. Book excerpt: Traditional theatre semiotics promoted a scientific approach to theatre studies, albeit viewing semiotics as the unique discipline of research. Theatre Sciences: A Plea for a Multidisciplinary Approach to Theatre Studies suggests instead a multi-disciplinary approach, including the following theoretical disciplines: narratology, mythology, pragmatics, ethics, theatre irony, theory of genres, aesthetics, semiotics, theory of non-verbal figures of speech, rhetoric, psychoanalysis, reception theory, history, and sociology -- with semiotics being only one among equals. These disciplines are presented from the perspective of their possible contributions to a sound methodology of theatre-texts analysis. Traditional theatre semiotics, moreover, holds the view that the actual performance on stage is the genuine text of theatre, instead of the play-script. Despite this paradigmatic shift, however, this viewpoint has failed to produce commendable analyses of such texts. The alternative presupposition put forward in this volume entails a series of novel perceptions of the theatre-text and its possible impact on the experiencing spectator, whose role in reading, interpreting and experiencing the theatre-text is not less crucial than that of the text itself. This view presupposes that the theatre-text is a description of a fictional world generated by the theatre medium. The author also contests the age-old view that a theatre/fictional-text reflects a simple narrative structure, and suggests instead a complexity that consists of seven layers: personified, mythical, praxical, naive, ironic, modal and aesthetic -- with each one of them re-structuring the previous layer. Professor Rozik also presents and describes a semiotic layer that lends communicative capacity to the description of a fictional world, and two additional metaphoric and rhetoric layers, which structure the theatre experience. The underlying purpose is to illustrate the application of the aforementioned disciplines to these fictional layers, and eventually their joint application to entire theatre / fictional texts. Organisation of the book reflects the structure of a university course.

Theatre and Evolution from Ibsen to Beckett

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Release : 2015-03-03
Genre : Performing Arts
Kind : eBook
Book Rating : 928/5 ( reviews)

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Book Synopsis Theatre and Evolution from Ibsen to Beckett by : Kirsten E. Shepherd-Barr

Download or read book Theatre and Evolution from Ibsen to Beckett written by Kirsten E. Shepherd-Barr. This book was released on 2015-03-03. Available in PDF, EPUB and Kindle. Book excerpt: Evolutionary theory made its stage debut as early as the 1840s, reflecting a scientific advancement that was fast changing the world. Tracing this development in dozens of mainstream European and American plays, as well as in circus, vaudeville, pantomime, and "missing link" performances, Theatre and Evolution from Ibsen to Beckett reveals the deep, transformative entanglement among science, art, and culture in modern times. The stage proved to be no mere handmaiden to evolutionary science, though, often resisting and altering the ideas at its core. Many dramatists cast suspicion on the arguments of evolutionary theory and rejected its claims, even as they entertained its thrilling possibilities. Engaging directly with the relation of science and culture, this book considers the influence of not only Darwin but also Lamarck, Chambers, Spencer, Wallace, Haeckel, de Vries, and other evolutionists on 150 years of theater. It shares significant new insights into the work of Ibsen, Shaw, Wilder, and Beckett, and writes female playwrights, such as Susan Glaspell and Elizabeth Baker, into the theatrical record, unpacking their dramatic explorations of biological determinism, gender essentialism, the maternal instinct, and the "cult of motherhood." It is likely that more people encountered evolution at the theater than through any other art form in the late nineteenth and early twentieth centuries. Considering the liveliness and immediacy of the theater and its reliance on a diverse community of spectators and the power that entails, this book is a key text for grasping the extent of the public's adaptation to the new theory and the legacy of its representation on the perceived legitimacy (or illegitimacy) of scientific work.

Science & Theatre

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Release : 2022-08-11
Genre : Performing Arts
Kind : eBook
Book Rating : 424/5 ( reviews)

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Book Synopsis Science & Theatre by : Emma Weitkamp

Download or read book Science & Theatre written by Emma Weitkamp. This book was released on 2022-08-11. Available in PDF, EPUB and Kindle. Book excerpt: Weitkamp and Almeida enter into the space where museums, universities and research centres operate, as well as the space of theatre practitioners, they explore the richness and plurality of this universe, combining theory and practice, as well as presenting context, knowledge gaps and new data.

An Introduction to Theatre, Performance and the Cognitive Sciences

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Release : 2019-09-05
Genre : Performing Arts
Kind : eBook
Book Rating : 821/5 ( reviews)

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Book Synopsis An Introduction to Theatre, Performance and the Cognitive Sciences by : John Lutterbie

Download or read book An Introduction to Theatre, Performance and the Cognitive Sciences written by John Lutterbie. This book was released on 2019-09-05. Available in PDF, EPUB and Kindle. Book excerpt: This is the first textbook designed for students, practitioners and scholars of the performing arts who are curious about the power of the cognitive sciences to throw light on the processes of performance. It equips readers with a clear understanding of how research in cognitive neuroscience has illuminated and expanded traditional approaches to thinking about topics such as the performer, the spectator, space and time, culture, and the text. Each chapter considers four layers of performance: conventional forms of theatre, performance art, and everyday life, offering an expansive vision of the impact of the cognitive sciences on performance in the widest sense. Written in an approachable style, An Introduction to Theatre, Performance and the Cognitive Sciences weaves together case studies of a wide range of performances with scientific evidence and post-structural theory. Artists such as Robert Wilson, Societas Raffaello Sanzio, Ariane Mnouchkine, Bertolt Brecht, and Antonin Artaud are brought into conversation with theories of Gilles Deleuze, Shaun Gallagher, Alva Noë, Tim Ingold and the science of V. S. Ramachandran, Vittorio Gallese, and Antonio Damasio. John Lutterbie offers a complex understanding of not only the act of performing but the forces that mark the place of theatre in contemporary society. In drawing on a variety of scientific articles, Lutterbie provides readers with an accessible account of significant research in areas in the field and reveals how the sciences can help us understand the experience of art.

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