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The Cambridge History of Fifteenth-Century Music

2015-07-16 Music
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Release : 2015-07-16
Genre : Music
Kind : eBook
Book Rating : 299/5 ( reviews)

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Book Synopsis The Cambridge History of Fifteenth-Century Music by : Anna Maria Busse Berger

Download or read book The Cambridge History of Fifteenth-Century Music written by Anna Maria Busse Berger. This book was released on 2015-07-16. Available in PDF, EPUB and Kindle. Book excerpt: Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.

The Cambridge History of Medieval Music

2018-08-09 Music
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Release : 2018-08-09
Genre : Music
Kind : eBook
Book Rating : 075/5 ( reviews)

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Book Synopsis The Cambridge History of Medieval Music by : Mark Everist

Download or read book The Cambridge History of Medieval Music written by Mark Everist. This book was released on 2018-08-09. Available in PDF, EPUB and Kindle. Book excerpt: Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.

Ritual Meanings in the Fifteenth-Century Motet

2012-02-02 History
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Release : 2012-02-02
Genre : History
Kind : eBook
Book Rating : 478/5 ( reviews)

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Book Synopsis Ritual Meanings in the Fifteenth-Century Motet by : Robert Michael Nosow

Download or read book Ritual Meanings in the Fifteenth-Century Motet written by Robert Michael Nosow. This book was released on 2012-02-02. Available in PDF, EPUB and Kindle. Book excerpt: The first large-scale study of how fifteenth-century motets were used across Western Europe, dispelling the mysteries surrounding these outstanding works.

The Cambridge History of Western Music Theory

2006-04-20 Music
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Release : 2006-04-20
Genre : Music
Kind : eBook
Book Rating : 489/5 ( reviews)

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Book Synopsis The Cambridge History of Western Music Theory by : Thomas Christensen

Download or read book The Cambridge History of Western Music Theory written by Thomas Christensen. This book was released on 2006-04-20. Available in PDF, EPUB and Kindle. Book excerpt: The Cambridge History of Western Music Theory is the first comprehensive history of Western music theory to be published in the English language. A collaborative project by leading music theorists and historians, the volume traces the rich panorama of music-theoretical thought from the Ancient Greeks to the present day. Recognizing the variety and complexity of music theory as an historical subject, the volume has been organized within a flexible framework. Some chapters are defined chronologically within a restricted historical domain, whilst others are defined conceptually and span longer historical periods. Together the thirty-one chapters present a synthetic overview of the fascinating and complex subject that is historical music theory. Richly enhanced with illustrations, graphics, examples and cross-citations as well as being thoroughly indexed and supplemented by comprehensive bibliographies of the most important primary and secondary literature, this book will be an invaluable resource for students and scholars alike.

The Cambridge History of Eighteenth-Century Music

2009-09-10 Music
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Release : 2009-09-10
Genre : Music
Kind : eBook
Book Rating : 199/5 ( reviews)

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Book Synopsis The Cambridge History of Eighteenth-Century Music by : Simon P. Keefe

Download or read book The Cambridge History of Eighteenth-Century Music written by Simon P. Keefe. This book was released on 2009-09-10. Available in PDF, EPUB and Kindle. Book excerpt: The eighteenth century arguably boasts a more remarkable group of significant musical figures, and a more engaging combination of genres, styles and aesthetic orientations than any century before or since, yet huge swathes of its musical activity remain under-appreciated. This History provides a comprehensive survey of eighteenth-century music, examining little-known repertories, works and musical trends alongside more familiar ones. Rather than relying on temporal, periodic and composer-related phenomena to structure the volume, it is organized by genre; chapters are grouped according to the traditional distinctions of music for the church, music for the theatre and music for the concert room that conditioned so much thinking, activity and output in the eighteenth century. A valuable summation of current research in this area, the volume also encourages the readers to think of eighteenth-century music less in terms of overtly teleological developments than of interacting and mutually stimulating musical cultures and practices.

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