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The Cambridge History of Western Music Theory

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Release : 2006-04-20
Genre : Music
Kind : eBook
Book Rating : 489/5 ( reviews)

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Book Synopsis The Cambridge History of Western Music Theory by : Thomas Christensen

Download or read book The Cambridge History of Western Music Theory written by Thomas Christensen. This book was released on 2006-04-20. Available in PDF, EPUB and Kindle. Book excerpt: The Cambridge History of Western Music Theory is the first comprehensive history of Western music theory to be published in the English language. A collaborative project by leading music theorists and historians, the volume traces the rich panorama of music-theoretical thought from the Ancient Greeks to the present day. Recognizing the variety and complexity of music theory as an historical subject, the volume has been organized within a flexible framework. Some chapters are defined chronologically within a restricted historical domain, whilst others are defined conceptually and span longer historical periods. Together the thirty-one chapters present a synthetic overview of the fascinating and complex subject that is historical music theory. Richly enhanced with illustrations, graphics, examples and cross-citations as well as being thoroughly indexed and supplemented by comprehensive bibliographies of the most important primary and secondary literature, this book will be an invaluable resource for students and scholars alike.

The Cambridge History of Medieval Music

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Release : 2018-08-09
Genre : Music
Kind : eBook
Book Rating : 075/5 ( reviews)

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Book Synopsis The Cambridge History of Medieval Music by : Mark Everist

Download or read book The Cambridge History of Medieval Music written by Mark Everist. This book was released on 2018-08-09. Available in PDF, EPUB and Kindle. Book excerpt: Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.

The Cambridge History of Sixteenth-Century Music

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Release : 2019-01-24
Genre : Music
Kind : eBook
Book Rating : 276/5 ( reviews)

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Book Synopsis The Cambridge History of Sixteenth-Century Music by : Iain Fenlon

Download or read book The Cambridge History of Sixteenth-Century Music written by Iain Fenlon. This book was released on 2019-01-24. Available in PDF, EPUB and Kindle. Book excerpt: Part of the seminal Cambridge History of Music series, this volume departs from standard histories of early modern Western music in two important ways. First, it considers music as something primarily experienced by people in their daily lives, whether as musicians or listeners, and as something that happened in particular locations, and different intellectual and ideological contexts, rather than as a story of genres, individual counties, and composers and their works. Second, by constraining discussion within the limits of a 100-year timespan, the music culture of the sixteenth century is freed from its conventional (and tenuous) absorption within the abstraction of 'the Renaissance', and is understood in terms of recent developments in the broader narrative of this turbulent period of European history. Both an original take on a well-known period in early music and a key work of reference for scholars, this volume makes an important contribution to the history of music.

The Cambridge History of World Music

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Release : 2013-12-12
Genre : Music
Kind : eBook
Book Rating : 667/5 ( reviews)

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Book Synopsis The Cambridge History of World Music by : Philip V. Bohlman

Download or read book The Cambridge History of World Music written by Philip V. Bohlman. This book was released on 2013-12-12. Available in PDF, EPUB and Kindle. Book excerpt: Scholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages and nations throughout world history. The chapters in this History take readers to foundational historical moments – in Europe, Oceania, China, India, the Muslim world, North and South America – in search of the connections provided by a truly world music. Historically, world music emerged from ritual and religion, labor and life-cycles, which occupy chapters on Native American musicians, religious practices in India and Indonesia, and nationalism in Argentina and Portugal. The contributors critically examine music in cultural encounter and conflict, and as the critical core of scientific theories from the Arabic Middle Ages through the Enlightenment to postmodernism. Overall, the book contains the histories of the music of diverse cultures, which increasingly become the folk, popular and classical music of our own era.

Structural and Ornamental Diatonic Harmony in Western Music, c.1700 – 1880

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Release : 2020-12-01
Genre : Music
Kind : eBook
Book Rating : 243/5 ( reviews)

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Book Synopsis Structural and Ornamental Diatonic Harmony in Western Music, c.1700 – 1880 by : Zelda Potgieter

Download or read book Structural and Ornamental Diatonic Harmony in Western Music, c.1700 – 1880 written by Zelda Potgieter. This book was released on 2020-12-01. Available in PDF, EPUB and Kindle. Book excerpt: This book provides first-year university students majoring in western art music with a thorough study of both structural and ornamental diatonic harmony in the Common Practice Period (c.1700 until the late 1800s). It provides one of the most comprehensive coverages of the topic of ornamental diatonic harmony published to date, and offers ample musical examples to illustrate the concepts explained, as well as exercises in creative four-part writing, analysis, aural development and keyboard harmony to practice the application of these concepts. Understanding the difference between the way chords act at the structural level and the ornamental level explains why rules that apply to one do not necessarily apply to the other, providing novel insights into the interplay between harmony and melody and renewed appreciation for the ingenious ways in which composers throughout the Common Practice Period exploited these techniques.

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