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Surrealism and the Occult

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Release : 1992-10
Genre : Art
Kind : eBook
Book Rating : 735/5 ( reviews)

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Book Synopsis Surrealism and the Occult by : Nadia Choucha

Download or read book Surrealism and the Occult written by Nadia Choucha. This book was released on 1992-10. Available in PDF, EPUB and Kindle. Book excerpt: "Searching for a deeper understanding of the power and influence of surrealist art, Nadia Choucha clearly confirms that many surrealists and their predecessors were steeped in magical ideas. The Theosophical involvement of Kandinsky, the visionary paintings of Salvador Dali, the alchemy of Pablo Picasso, and the shamanism of Max Ernst and Leonora Carrington all demonstrate the fundamental and dynamic impact of magic and mysticism on surrealism. Surrealist artists believed that society had much to learn from the unconditioned, spontaneous forms of art produced by spiritual mediums, children, untutored artists, and the insane. In their attempt to tap the unconscious regions of the mind, the surrealists borrowed imagery from alchemy, the Tarot, Gnosticism, Tantra, and other esoteric traditions and sought inspiration from ancient myths, 'irrational' thought, and ethnic art. Enhanced by both color and black-and-white reproductions of fine art, Choucha's account explains the intimate connections between occult and surrealist philosophies and provides an essential key to the mysteries of the surrealist movement and the forces that give it life" --Back cover.

The Esoteric Secrets of Surrealism

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Release : 2014-04-24
Genre : Body, Mind & Spirit
Kind : eBook
Book Rating : 764/5 ( reviews)

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Book Synopsis The Esoteric Secrets of Surrealism by : Patrick Lepetit

Download or read book The Esoteric Secrets of Surrealism written by Patrick Lepetit. This book was released on 2014-04-24. Available in PDF, EPUB and Kindle. Book excerpt: A profound understanding of the surrealists’ connections with alchemists and secret societies and the hermetic aspirations revealed in their works • Explains how surrealist paintings and poems employed mythology, gnostic principles, tarot, voodoo, alchemy, and other hermetic sciences to seek out unexplored regions of the mind and recover lost “psychic” and magical powers • Provides many examples of esoteric influence in surrealism, such as how Picasso’s Demoiselles d’Avignon was originally titled The Bath of the Philosophers Not merely an artistic or literary movement as many believe, the surrealists rejected the labels of artist and author bestowed upon them by outsiders, accepting instead the titles of magician, alchemist, or--in the case of Leonora Carrington and Remedios Varo--witch. Their paintings, poems, and other works were created to seek out unexplored regions of the mind and recover lost “psychic” and magical powers. They used creative expression as the vehicle to attain what André Breton called the “supreme point,” the point at which all opposites cease to be perceived as contradictions. This supreme point is found at the heart of all esoteric doctrines, including the Great Work of alchemy, and enables communication with higher states of being. Drawing on an extensive range of writings by the surrealists and those in their circle of influence, Patrick Lepetit shows how the surrealists employed mythology, gnostic principles, tarot, voodoo, and alchemy not simply as reference points but as significant elements of their ongoing investigations into the fundamental nature of consciousness. He provides many specific examples of esoteric influence among the surrealists, such as how Picasso’s famous Demoiselles d’Avignon was originally titled The Bath of the Philosophers, how painter Victor Brauner drew from his father’s spiritualist vocation as well as the Kabbalah and tarot, and how doctor and surrealist author Pierre Mabille was a Freemason focused on finding initiatory paths where “it is possible to feel a new system connecting man with the universe.” Lepetit casts new light on the connection between key figures of the movement and the circle of adepts gathered around Fulcanelli. He also explores the relationship between surrealists and Freemasonry, Martinists, and the Elect Cohen as well as the Grail mythos and the Arthurian brotherhood.

Surrealism And The Sacred

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Release : 2002-04-14
Genre : Art
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Surrealism And The Sacred by : Celia Rabinovitch

Download or read book Surrealism And The Sacred written by Celia Rabinovitch. This book was released on 2002-04-14. Available in PDF, EPUB and Kindle. Book excerpt: A vital new interpretation of the personalities, historical forces and intellectual paradigms that created Surrealist art

Surrealism, Occultism and Politics

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Release : 2017-10-16
Genre : Art
Kind : eBook
Book Rating : 02X/5 ( reviews)

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Book Synopsis Surrealism, Occultism and Politics by : Tessel M. Bauduin

Download or read book Surrealism, Occultism and Politics written by Tessel M. Bauduin. This book was released on 2017-10-16. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines the relationship between occultism and Surrealism, specifically exploring the reception and appropriation of occult thought, motifs, tropes and techniques by Surrealist artists and writers in Europe and the Americas, from the 1920s through the 1960s. Its central focus is the specific use of occultism as a site of political and social resistance, ideological contestation, subversion and revolution. Additional focus is placed on the ways occultism was implicated in Surrealist discourses on identity, gender, sexuality, utopianism and radicalism.

Max Ernst and Alchemy

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Release : 2013-05-01
Genre : Art
Kind : eBook
Book Rating : 542/5 ( reviews)

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Book Synopsis Max Ernst and Alchemy by : M. E. Warlick

Download or read book Max Ernst and Alchemy written by M. E. Warlick. This book was released on 2013-05-01. Available in PDF, EPUB and Kindle. Book excerpt: Surrealist artist Max Ernst defined collage as the "alchemy of the visual image." Students of his work have often dismissed this comment as simply a metaphor for the transformative power of using found images in a new context. Taking a wholly different perspective on Ernst and alchemy, however, M. E. Warlick persuasively demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career. A revival of interest in alchemy swept the artistic, psychoanalytic, historical, and scientific circles of the late nineteenth and early twentieth centuries, and Warlick sets Ernst's work squarely within this movement. Looking at both his art (many of the works she discusses are reproduced in the book) and his writings, she reveals how thoroughly alchemical philosophy and symbolism pervade his early Dadaist experiments, his foundational work in surrealism, and his many collages and paintings of women and landscapes, whose images exemplify the alchemical fusing of opposites. This pioneering research adds an essential key to understanding the multilayered complexity of Ernst's works, as it affirms his standing as one of Germany's most significant artists of the twentieth century.

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