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Schumann's Dichterliebe and Early Romantic Poetics

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Release : 2002
Genre : Music
Kind : eBook
Book Rating : 799/5 ( reviews)

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Book Synopsis Schumann's Dichterliebe and Early Romantic Poetics by : Beate Julia Perrey

Download or read book Schumann's Dichterliebe and Early Romantic Poetics written by Beate Julia Perrey. This book was released on 2002. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a theory of Romantic song by re-evaluating Schumann's Dichterliebe of 1840, one of the most enigmatic works of the repertoire. It investigates the poetics of Early Romanticism in order to understand the mysterious magnetism and singular imaginative energy that imbues Schumann's musical language. The Romantics rejected the ideal of a coherent and organic whole and cherished the suggestive openness of the Romantic fragment, the disconcerting tone of Romantic irony and the endlessness of Romantic reflection - thereby realizing an aesthetic of fragmentation. Close readings of many songs from Dichterliebe show the singer's intense involvement with the piano's voice, suggesting a 'split Self' and the presence of the 'Other'. Seeing Schumann as the 'second poet of the poem' - here of Heine's famous Lyrisches Intermezzo - this book considers essential issues of musico-poetic intertextuality, introducing into musicology a hermeneutic that seeks to synthesize philosophical, literary-critical, music-analytical and psycho-analytical modes of thought.

Fragmentation of Desire

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Release : 1996
Genre :
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Fragmentation of Desire by : Beate Perrey

Download or read book Fragmentation of Desire written by Beate Perrey. This book was released on 1996. Available in PDF, EPUB and Kindle. Book excerpt:

Fragmentation of Desire

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Author :
Release : 1996
Genre :
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Fragmentation of Desire by : Beate Perrey

Download or read book Fragmentation of Desire written by Beate Perrey. This book was released on 1996. Available in PDF, EPUB and Kindle. Book excerpt:

German Lieder in the Nineteenth Century

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Release : 2009-09-10
Genre : Art
Kind : eBook
Book Rating : 580/5 ( reviews)

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Book Synopsis German Lieder in the Nineteenth Century by : Rufus Hallmark

Download or read book German Lieder in the Nineteenth Century written by Rufus Hallmark. This book was released on 2009-09-10. Available in PDF, EPUB and Kindle. Book excerpt: German Lieder in the Nineteenth-Century provides a detailed introduction to the German lied. Beginning with its origin in the literary and musical culture of Germany in the nineteenth-century, the book covers individual composers, including Shubert, Schumann, Brahms, Strauss, Mahler and Wolf, the literary sources of lieder, the historical and conceptual issues of song cycles, and issues of musical technique and style in performance practice. Written by eminent music scholars in the field, each chapter includes detailed musical examples and analysis. The second edition has been revised and updated to include the most recent research of each composer and additional musical examples.

German Song Onstage

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Release : 2020-05-05
Genre : Music
Kind : eBook
Book Rating : 021/5 ( reviews)

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Book Synopsis German Song Onstage by : Natasha Loges

Download or read book German Song Onstage written by Natasha Loges. This book was released on 2020-05-05. Available in PDF, EPUB and Kindle. Book excerpt: A singer in an evening dress, a grand piano. A modest-sized audience, mostly well-dressed and silver-haired, equipped with translation booklets. A program consisting entirely of songs by one or two composers. This is the way of the Lieder recital these days. While it might seem that this style of performance is a long-standing tradition, German Song Onstage demonstrates that it is not. For much of the 19th century, the songs of Beethoven, Schubert, Schumann, and Brahms were heard in the home, salon, and, no less significantly, on the concert platform alongside orchestral and choral works. A dedicated program was rare, a dedicated audience even more so. The Lied was a genre with both more private and more public associations than is commonly recalled. The contributors to this volume explore a broad range of venues, singers, and audiences in distinct places and time periods—including the United States, the United Kingdom, Russia, and Germany—from the mid-19th century through the early 20th century. These historical case studies are set alongside reflections from a selection of today's leading musicians, offering insights on current Lied practices that will inform future generations of performers, scholars, and connoisseurs. Together these case studies unsettle narrow and elitist assumptions about what it meant and still means to present German song onstage by providing a transnational picture of historical Lieder performance, and opening up discussions about the relationship between history and performance today.

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