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Fragments of Desire

1999 American poetry
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Release : 1999
Genre : American poetry
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Fragments of Desire by : Johanna Dehler

Download or read book Fragments of Desire written by Johanna Dehler. This book was released on 1999. Available in PDF, EPUB and Kindle. Book excerpt: Tracing the influence of Sappho's fragmented literary legacy on three 20th-century women writers - H.D., Judy Grahn, and Monique Wittig - this book discusses Sapphic fiction as a genre that emerged throughout the 20th century. H.D., Grahn, and Wittig represent three movements that have shaped the approach to the sexual subject and her desires: modernism, cultural feminism, and poststructuralism respectively. H.D. responds to Sappho with an imagistic style that resembles Sappho's terse and clipped lines. Grahn recreates the idea of Lesbos as a model for a women-centered society. Wittig, writing from a poststructuralist background, alludes to Sappho in her fierce critique of myth and language. This study draws on recent debates about the history of sexuality, the body, and the construction of the self, and is meant as a contribution to the ongoing debate on how gender is constructed in modernist and postmodernist discourse.

Schumann's Dichterliebe and Early Romantic Poetics

2002 Music
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Release : 2002
Genre : Music
Kind : eBook
Book Rating : 799/5 ( reviews)

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Book Synopsis Schumann's Dichterliebe and Early Romantic Poetics by : Beate Julia Perrey

Download or read book Schumann's Dichterliebe and Early Romantic Poetics written by Beate Julia Perrey. This book was released on 2002. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a theory of Romantic song by re-evaluating Schumann's Dichterliebe of 1840, one of the most enigmatic works of the repertoire. It investigates the poetics of Early Romanticism in order to understand the mysterious magnetism and singular imaginative energy that imbues Schumann's musical language. The Romantics rejected the ideal of a coherent and organic whole and cherished the suggestive openness of the Romantic fragment, the disconcerting tone of Romantic irony and the endlessness of Romantic reflection - thereby realizing an aesthetic of fragmentation. Close readings of many songs from Dichterliebe show the singer's intense involvement with the piano's voice, suggesting a 'split Self' and the presence of the 'Other'. Seeing Schumann as the 'second poet of the poem' - here of Heine's famous Lyrisches Intermezzo - this book considers essential issues of musico-poetic intertextuality, introducing into musicology a hermeneutic that seeks to synthesize philosophical, literary-critical, music-analytical and psycho-analytical modes of thought.

Fragmentation of Desire

1996
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Release : 1996
Genre :
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Fragmentation of Desire by : Beate Perrey

Download or read book Fragmentation of Desire written by Beate Perrey. This book was released on 1996. Available in PDF, EPUB and Kindle. Book excerpt:

Fragmentation of Desire

1996
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Author :
Release : 1996
Genre :
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Fragmentation of Desire by : Beate Perrey

Download or read book Fragmentation of Desire written by Beate Perrey. This book was released on 1996. Available in PDF, EPUB and Kindle. Book excerpt:

The Fragment

2004 Literary form
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Release : 2004
Genre : Literary form
Kind : eBook
Book Rating : 703/5 ( reviews)

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Book Synopsis The Fragment by : Camelia Elias

Download or read book The Fragment written by Camelia Elias. This book was released on 2004. Available in PDF, EPUB and Kindle. Book excerpt: This monograph is an interdisciplinary study of the concept of 'fragment' in literature and in critical and literary theory. It discusses the fragment's performativity and function within a historical perspective, stretching from Heraclitus, via the German Romantics and European writers of the Modernist period, to American postmodern manifestations of the fragment. This is the first history of the fragment to appear in English, and it is also the first attempt at producing a consistent taxonomy of literary and critical fragments. The fragments are categorised according to function, not author intention, and the study addresses a number of questions: What constitutes the fragment, when the fragment can only be defined a posteriori? Does the fragment begin on its own, or is it begun by others, writers and critics? Does it acquire a name of its own, or is it labelled by others? All these questions revolve around issues of agency, and they are best discussed in terms of performativity, which means seeing fragments as acts: acts of literature, acts of reading, acts of writing. The book demonstrates how a poetics of the fragment as a performative genre can be created, situating the fragment both as literature and as a phenomenon within postmodern criticism against the background of philosophy, art history, and theology.

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