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Author : Wayne Glenn Marshall
Release : 2007
Genre : Hip-hop
Kind : eBook
Book Rating : /5 ( reviews)
Book Synopsis Routes, Rap, Reggae by : Wayne Glenn Marshall
Download or read book Routes, Rap, Reggae written by Wayne Glenn Marshall. This book was released on 2007. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Kevin O'Brien Chang
Release : 1998
Genre : History
Kind : eBook
Book Rating : 295/5 ( reviews)
Book Synopsis Reggae Routes by : Kevin O'Brien Chang
Download or read book Reggae Routes written by Kevin O'Brien Chang. This book was released on 1998. Available in PDF, EPUB and Kindle. Book excerpt: Jamaican music can be roughly divided into four eras, each with a distinctive beat - ska, rocksteady, reggae and dancehall. Ska dates from about 1960 to mid-1966, rocksteady from 1966 to 1968, while from 1969 to 1983 reggae was the popular beat. The reggae era had two phases, 'early reggae' up to 1974 and 'roots reggae' up to 1983. Since 1983 dancehall has been the prevalent sound. The authors describe each stage in the development of the music, identifying the most popular songs and artists, highlighting the significant social, political and economic issues as they affected the musical scene. While they write from a Jamaican perspective, the intended audience is 'any person, local or foreign, interested in an intelligent discussion of reggae music and Jamaica.'.
Author : Deborah Pacini Hernandez
Release : 2010-01-25
Genre : Music
Kind : eBook
Book Rating : 914/5 ( reviews)
Book Synopsis Oye Como Va! by : Deborah Pacini Hernandez
Download or read book Oye Como Va! written by Deborah Pacini Hernandez. This book was released on 2010-01-25. Available in PDF, EPUB and Kindle. Book excerpt: Latino music as an amalgam of American cultures.
Author : Michael Veal
Release : 2013-08-15
Genre : Music
Kind : eBook
Book Rating : 422/5 ( reviews)
Book Synopsis Dub by : Michael Veal
Download or read book Dub written by Michael Veal. This book was released on 2013-08-15. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the ARSC’s Award for Best Research (History) in Folk, Ethnic, or World Music (2008) When Jamaican recording engineers Osbourne “King Tubby” Ruddock, Errol Thompson, and Lee “Scratch” Perry began crafting “dub” music in the early 1970s, they were initiating a musical revolution that continues to have worldwide influence. Dub is a sub-genre of Jamaican reggae that flourished during reggae’s “golden age” of the late 1960s through the early 1980s. Dub involves remixing existing recordings—electronically improvising sound effects and altering vocal tracks—to create its unique sound. Just as hip-hop turned phonograph turntables into musical instruments, dub turned the mixing and sound processing technologies of the recording studio into instruments of composition and real-time improvisation. In addition to chronicling dub’s development and offering the first thorough analysis of the music itself, author Michael Veal examines dub’s social significance in Jamaican culture. He further explores the “dub revolution” that has crossed musical and cultural boundaries for over thirty years, influencing a wide variety of musical genres around the globe. Ebook Edition Note: Seven of the 25 illustrations have been redacted.
Author : Raquel Z. Rivera
Release : 2009-04-24
Genre : Music
Kind : eBook
Book Rating : 321/5 ( reviews)
Book Synopsis Reggaeton by : Raquel Z. Rivera
Download or read book Reggaeton written by Raquel Z. Rivera. This book was released on 2009-04-24. Available in PDF, EPUB and Kindle. Book excerpt: A hybrid of reggae and rap, reggaeton is a music with Spanish-language lyrics and Caribbean aesthetics that has taken Latin America, the United States, and the world by storm. Superstars—including Daddy Yankee, Don Omar, and Ivy Queen—garner international attention, while aspiring performers use digital technologies to create and circulate their own tracks. Reggaeton brings together critical assessments of this wildly popular genre. Journalists, scholars, and artists delve into reggaeton’s local roots and its transnational dissemination; they parse the genre’s aesthetics, particularly in relation to those of hip-hop; and they explore the debates about race, nation, gender, and sexuality generated by the music and its associated cultural practices, from dance to fashion. The collection opens with an in-depth exploration of the social and sonic currents that coalesced into reggaeton in Puerto Rico during the 1990s. Contributors consider reggaeton in relation to that island, Panama, Jamaica, and New York; Cuban society, Miami’s hip-hop scene, and Dominican identity; and other genres including reggae en español, underground, and dancehall reggae. The reggaeton artist Tego Calderón provides a powerful indictment of racism in Latin America, while the hip-hop artist Welmo Romero Joseph discusses the development of reggaeton in Puerto Rico and his refusal to embrace the upstart genre. The collection features interviews with the DJ/rapper El General and the reggae performer Renato, as well as a translation of “Chamaco’s Corner,” the poem that served as the introduction to Daddy Yankee’s debut album. Among the volume’s striking images are photographs from Miguel Luciano’s series Pure Plantainum, a meditation on identity politics in the bling-bling era, and photos taken by the reggaeton videographer Kacho López during the making of the documentary Bling’d: Blood, Diamonds, and Hip-Hop. Contributors. Geoff Baker, Tego Calderón, Carolina Caycedo, Jose Davila, Jan Fairley, Juan Flores, Gallego (José Raúl González), Félix Jiménez, Kacho López, Miguel Luciano, Wayne Marshall, Frances Negrón-Muntaner, Alfredo Nieves Moreno, Ifeoma C. K. Nwankwo, Deborah Pacini Hernandez, Raquel Z. Rivera, Welmo Romero Joseph, Christoph Twickel, Alexandra T. Vazquez
