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Power and Propaganda in the Large Imperial Cameos of the Early Roman Empire

2024-04-10 Art
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Release : 2024-04-10
Genre : Art
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Book Rating : 359/5 ( reviews)

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Book Synopsis Power and Propaganda in the Large Imperial Cameos of the Early Roman Empire by : Julia C. Fischer

Download or read book Power and Propaganda in the Large Imperial Cameos of the Early Roman Empire written by Julia C. Fischer. This book was released on 2024-04-10. Available in PDF, EPUB and Kindle. Book excerpt: This study examines the five extant large Imperial cameos of the Early Roman Empire as a coherent whole, revealing that these gemstones were a referential group with complex interrelationships. Power and Propaganda in the Large Imperial Cameos of the Early Roman Empire offers a feminist theory that explains why large Imperial cameos were in dialogue and why the medium appears with Octavian and disappears by the Flavian dynasty: female Imperial family members commissioned them to advance their husbands and sons. This volume is an introduction to large Imperial cameos and reveals their importance for the understanding of Roman art and iconography and the implications of its theorized Imperial female patronage. The book will be of interest to scholars working in art history, classics, and archaeology.

Private Propaganda

2014
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Release : 2014
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Book Synopsis Private Propaganda by : Julia Claire Fischer

Download or read book Private Propaganda written by Julia Claire Fischer. This book was released on 2014. Available in PDF, EPUB and Kindle. Book excerpt: The contribution of this dissertation to the field of Roman art is threefold. First, this dissertation examines exclusively the iconography of large Roman Imperial cameos. While previous scholars have thoroughly examined individual Roman Imperial cameos and their iconography, I address the cameos as a coherent group. In this way, I reveal how large Imperial cameos are in conversation with one another and are referential. That is, the Gemma Augustea is a response to the Tazza Farnese and the Grand Camee is a response to the Gemma Augustea. Second, my study of the iconography of Roman Imperial cameos reveals a language of private propaganda that is different from the public art seen by the general population. In particular, I analyze the iconography of large Imperial cameos for what the private symbolism says about Octavian/Augustus, and the Julio-Claudians. For example, in cameos emperors and members of the Imperial family had the freedom to present themselves, and their family members, how they truly wished to be viewed, versus art in the public sphere in which the emperor and his family had to adhere to certain criteria. Finally, this study will illuminate the importance of these Roman Imperial cameos in understanding the development of Roman Imperial art. The iconography of Roman Imperial cameos follows Goran Hermeren's four stages of the development of symbols. In these four stages of development, Imperial cameos experiment with transmitting new Imperial messages that will become common in subsequent dynasties. In other words, the Tazza Farnese, Gemma Augustea, and Grand Camee de France serve as an iconographic testing ground for the Julio-Claudians. Furthermore, perhaps the most important contribution of this dissertation is that these large Imperial cameos, which are for all intents and purposes private works of art, actually address a broad cultural sphere. In other words, the style and iconography of the Tazza Farnese, Gemma Augustea, and Grand Camee de France are Hellenistic and Imperial in orientation rather than being very limited in their scope.

Art and Modernism in Socialist China

2024-06-06 Art
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Release : 2024-06-06
Genre : Art
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Book Rating : 531/5 ( reviews)

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Book Synopsis Art and Modernism in Socialist China by : Shuyu Kong

Download or read book Art and Modernism in Socialist China written by Shuyu Kong. This book was released on 2024-06-06. Available in PDF, EPUB and Kindle. Book excerpt: This edited volume will be the first book examining the art history of China’s socialist period from the perspective of modernism, modernity, and global interactions. The majority of chapters are based on newly available archival materials and fresh critical frameworks/concepts. By shifting the frame of interpretation from socialist realism to socialist modernity, this study reveals the plurality of the historical process of developing modernity in China, the autonomy of artistic agency, and the complexity of an art world conditioned, yet not completely confined, by its surrounding political and ideological apparatus. The unexpected global exchanges examined by many of the authors in this study and the divergent approaches, topics, and genres they present add new sources and insights to this research field, revealing an art history that is heterogeneous, pluralistic, and multi-layered. The book will be of interest to scholars working in art history, art and politics, and Chinese studies.

Art, Music, and Mysticism at the Fin de Siècle

2024-07-29 Art
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Release : 2024-07-29
Genre : Art
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Book Rating : 888/5 ( reviews)

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Book Synopsis Art, Music, and Mysticism at the Fin de Siècle by : Corrinne Chong

Download or read book Art, Music, and Mysticism at the Fin de Siècle written by Corrinne Chong. This book was released on 2024-07-29. Available in PDF, EPUB and Kindle. Book excerpt: This edited volume explores the dialogue between art and music with that of mystical currents at the turn of the twentieth century. The volume draws on the most current research from both art historians and musicologists to present an interdisciplinary approach to the study of mysticism’s historical importance. The chapters in this edited volume gauge the scope of different interpretations of mysticism and illuminate how an exchange between the sister arts unveil an underlying stream of metaphysical, supernatural, and spiritual ideas over the course of the century. Case studies include Charles Tournemire, Joseph Péladan, Erik Satie, Hilma af Klint, Jean Sibelius, František Kupka, and Wassily Kandinsky. The contributors’ unique theoretical perspectives and disciplinary methodologies offer expert insight on both the rewards and inevitable aesthetic complications that arise when one artform meets another. The book will be of interest to scholars working in art history, musicology, visual culture, and mysticism.

Art Collecting and Middle Class Culture from London to Brighton, 1840–1914

2024-06-28 Art
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Release : 2024-06-28
Genre : Art
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Book Rating : 169/5 ( reviews)

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Book Synopsis Art Collecting and Middle Class Culture from London to Brighton, 1840–1914 by : David Adelman

Download or read book Art Collecting and Middle Class Culture from London to Brighton, 1840–1914 written by David Adelman. This book was released on 2024-06-28. Available in PDF, EPUB and Kindle. Book excerpt: This study explores the interplay between money, status, politics and art collecting in the public and private lives of members of the wealthy trading classes in Brighton during the period 1840–1914. Chapters focus on the collecting practices of five rich and upwardly mobile Victorians: William Coningham (1815–84), Henry Hill (1813–82), Henry Willett (1823–1905) and Harriet Trist (1816–96) and her husband John Hamilton Trist (1812–91). The book examines the relationship between the wealth of these would-be members of the Brighton bourgeoisie and the social and political meanings of their art collections paid for out of fortunes made from sugar, tailoring, beer and wine. It explores their luxury lifestyles and civic activities including the making of Brighton museum and art gallery, which reflected a paradoxical mix of patrician and liberal views, of aristocratic aspiration and radical rhetoric. It also highlights the centrality of the London art world to their collecting facilitated by the opening of the London to Brighton railway line in 1841. The book will be of interest to scholars working in art history, museum studies and British history.

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