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Nineteenth-century Music and the German Romantic Ideology

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Release : 1993
Genre : Music
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Nineteenth-century Music and the German Romantic Ideology by : John Daverio

Download or read book Nineteenth-century Music and the German Romantic Ideology written by John Daverio. This book was released on 1993. Available in PDF, EPUB and Kindle. Book excerpt:

Programming the Absolute

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Release : 2021-03-09
Genre : Music
Kind : eBook
Book Rating : 56X/5 ( reviews)

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Book Synopsis Programming the Absolute by : Berthold Hoeckner

Download or read book Programming the Absolute written by Berthold Hoeckner. This book was released on 2021-03-09. Available in PDF, EPUB and Kindle. Book excerpt: Programming the Absolute discusses the notorious opposition between absolute and program music as a true dialectic that lies at the heart of nineteenth-century German music. Beginning with Beethoven, Berthold Hoeckner traces the aesthetic problem of musical meaning in works by Schumann, Wagner, Liszt, Mahler, and Schoenberg, whose private messages and public predicaments are emblematic for the cultural legacy of this rich repertory. After Romanticism had elevated music as a language "beyond" language, the ineffable spurred an unprecedented proliferation of musical analysis and criticism. Taking his cue from Adorno, Hoeckner develops the idea of a "hermeneutics of a moment," which holds that musical meaning crystallizes only momentarily--in a particular passage, a progression, even a single note. And such moments can signify as little as a fleeting personal memory or as much as the whole of German music. Although absolute music emerged with a matrix of values--the integrity of the subject, the aesthetic autonomy of art, and the intrinsic worth of high culture--that are highly contested in musicology today, Hoeckner argues that we should not completely discard the ideal of a music that continues to offer moments of transcendence and liberation. Passionately and artfully written, Hoeckner's quest for an "essayistic musicology" displays an original intelligence willing to take interpretive risks. It is a provocative contribution to our knowledge about some of Europe's most important music--and to contemporary controversies over how music should be understood and experienced.

German Lieder in the Nineteenth Century

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Release : 2009-09-10
Genre : Art
Kind : eBook
Book Rating : 580/5 ( reviews)

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Book Synopsis German Lieder in the Nineteenth Century by : Rufus Hallmark

Download or read book German Lieder in the Nineteenth Century written by Rufus Hallmark. This book was released on 2009-09-10. Available in PDF, EPUB and Kindle. Book excerpt: German Lieder in the Nineteenth-Century provides a detailed introduction to the German lied. Beginning with its origin in the literary and musical culture of Germany in the nineteenth-century, the book covers individual composers, including Shubert, Schumann, Brahms, Strauss, Mahler and Wolf, the literary sources of lieder, the historical and conceptual issues of song cycles, and issues of musical technique and style in performance practice. Written by eminent music scholars in the field, each chapter includes detailed musical examples and analysis. The second edition has been revised and updated to include the most recent research of each composer and additional musical examples.

Musical Genre and Romantic Ideology

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Release : 2022-09-30
Genre : History
Kind : eBook
Book Rating : 926/5 ( reviews)

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Book Synopsis Musical Genre and Romantic Ideology by : Matthew Gelbart

Download or read book Musical Genre and Romantic Ideology written by Matthew Gelbart. This book was released on 2022-09-30. Available in PDF, EPUB and Kindle. Book excerpt: European Romanticism gave rise to a powerful discourse equating genres to constrictive rules and forms that great art should transcend; and yet without the categories and intertextual references we hold in our minds, "music" would be meaningless noise. Musical Genre and Romantic Ideology teases out that paradox, charting the workings and legacies of Romantic artistic values such as originality and anti-commercialism in relation to musical genre. Genre's persistent power was amplified by music's inevitably practical social, spatial, and institutional frames. Furthermore, starting in the nineteenth century, all music, even the most anti-commercial, was stamped by its relationship to the marketplace, entrenching associations between genres and target publics (whether based on ideas of nation, gender, class, or more subtle aspects of identity). These newly strengthened correlations made genre, if anything, more potent rather than less, despite Romantic claims. In case studies from across nineteenth-century Europe engaging with canonical music by Bizet, Chopin, Verdi, Wagner, and Brahms, alongside representative genres such as opéra-comique and the piano ballade, Matthew Gelbart explores the processes through which composers, performers, critics, and listeners gave sounds, and themselves, a sense of belonging. He examines genre vocabulary and discourse, the force of generic titles, how avant-garde music is absorbed through and into familiar categories, and how interpretation can be bolstered or undercut by genre agreements. Even in a modern world where transcription and sound recording can take any music into an infinite array of new spatial and social situations, we are still locked in the Romantics' ambivalent tussle with genre.

Music Theory in the Age of Romanticism

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Release : 1996-08-28
Genre : Music
Kind : eBook
Book Rating : 021/5 ( reviews)

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Book Synopsis Music Theory in the Age of Romanticism by : Ian Bent

Download or read book Music Theory in the Age of Romanticism written by Ian Bent. This book was released on 1996-08-28. Available in PDF, EPUB and Kindle. Book excerpt: Twelve brilliant historians of theory probe the mind of the Romantic era in its thinking about music.

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