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Musical Genre and Romantic Ideology

2022-09-30 History
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Release : 2022-09-30
Genre : History
Kind : eBook
Book Rating : 926/5 ( reviews)

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Book Synopsis Musical Genre and Romantic Ideology by : Matthew Gelbart

Download or read book Musical Genre and Romantic Ideology written by Matthew Gelbart. This book was released on 2022-09-30. Available in PDF, EPUB and Kindle. Book excerpt: European Romanticism gave rise to a powerful discourse equating genres to constrictive rules and forms that great art should transcend; and yet without the categories and intertextual references we hold in our minds, "music" would be meaningless noise. Musical Genre and Romantic Ideology teases out that paradox, charting the workings and legacies of Romantic artistic values such as originality and anti-commercialism in relation to musical genre. Genre's persistent power was amplified by music's inevitably practical social, spatial, and institutional frames. Furthermore, starting in the nineteenth century, all music, even the most anti-commercial, was stamped by its relationship to the marketplace, entrenching associations between genres and target publics (whether based on ideas of nation, gender, class, or more subtle aspects of identity). These newly strengthened correlations made genre, if anything, more potent rather than less, despite Romantic claims. In case studies from across nineteenth-century Europe engaging with canonical music by Bizet, Chopin, Verdi, Wagner, and Brahms, alongside representative genres such as opéra-comique and the piano ballade, Matthew Gelbart explores the processes through which composers, performers, critics, and listeners gave sounds, and themselves, a sense of belonging. He examines genre vocabulary and discourse, the force of generic titles, how avant-garde music is absorbed through and into familiar categories, and how interpretation can be bolstered or undercut by genre agreements. Even in a modern world where transcription and sound recording can take any music into an infinite array of new spatial and social situations, we are still locked in the Romantics' ambivalent tussle with genre.

Nineteenth-century Music and the German Romantic Ideology

1993 Music
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Release : 1993
Genre : Music
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Nineteenth-century Music and the German Romantic Ideology by : John Daverio

Download or read book Nineteenth-century Music and the German Romantic Ideology written by John Daverio. This book was released on 1993. Available in PDF, EPUB and Kindle. Book excerpt:

The Cambridge Companion to Music and Romanticism

2021-08-26 History
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Release : 2021-08-26
Genre : History
Kind : eBook
Book Rating : 434/5 ( reviews)

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Book Synopsis The Cambridge Companion to Music and Romanticism by : Benedict Taylor

Download or read book The Cambridge Companion to Music and Romanticism written by Benedict Taylor. This book was released on 2021-08-26. Available in PDF, EPUB and Kindle. Book excerpt: A stimulating new approach to understanding the relationship between music and culture in the long nineteenth century.

The Singer-Songwriter in Europe

2016-03-22 Music
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Release : 2016-03-22
Genre : Music
Kind : eBook
Book Rating : 068/5 ( reviews)

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Book Synopsis The Singer-Songwriter in Europe by : Isabelle Marc

Download or read book The Singer-Songwriter in Europe written by Isabelle Marc. This book was released on 2016-03-22. Available in PDF, EPUB and Kindle. Book excerpt: The Singer-Songwriter in Europe is the first book to explore and compare the multifaceted discourses and practices of this figure within and across linguistic spaces in Europe and in dialogue with spaces beyond continental borders. The concept of the singer-songwriter is significant and much-debated for a variety of reasons. Many such musicians possess large and zealous followings, their output often esteemed politically and usually held up as the nearest popular music gets to high art, such facets often yielding sizeable economic benefits. Yet this figure, per se, has been the object of scant critical discussion, with individual practitioners celebrated for their isolated achievements instead. In response to this lack of critical knowledge, this volume identifies and interrogates the musical, linguistic, social and ideological elements that configure the singer-songwriter and its various equivalents in Europe, such as the French auteur-compositeur-interprète and the Italian cantautore, since the late 1940s. Particular attention is paid to the emergence of this figure in the post-war period, how and why its contours have changed over time and space subsequently, cross-cultural influences, and the transformative agency of this figure as regards party and identity politics in lyrics and music, often by means of individual case studies. The book's polycentric approach endeavours to redress the hitherto Anglophone bias in scholarship on the singer-songwriter in the English-speaking world, drawing on the knowledge of scholars from across Europe and from a variety of academic disciplines, including modern language studies, musicology, sociology, literary studies and history.

Sonic Overload

2020-12-29 Music
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Release : 2020-12-29
Genre : Music
Kind : eBook
Book Rating : 275/5 ( reviews)

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Book Synopsis Sonic Overload by : Peter J. Schmelz

Download or read book Sonic Overload written by Peter J. Schmelz. This book was released on 2020-12-29. Available in PDF, EPUB and Kindle. Book excerpt: Sonic Overload offers a new, music-centered cultural history of the late Soviet Union. It focuses on polystylism in music as a response to the information overload swamping listeners in the Soviet Union during its final decades. It traces the ways in which leading composers Alfred Schnittke and Valentin Silvestrov initially embraced popular sources before ultimately rejecting them. Polystylism first responded to the utopian impulses of Soviet ideology with utopian impulses to encompass all musical styles, from "high" to "low". But these initial all-embracing aspirations were soon followed by retreats to alternate utopias founded on carefully selecting satisfactory borrowings, as familiar hierarchies of culture, taste, and class reasserted themselves. Looking at polystylism in the late USSR tells us about past and present, near and far, as it probes the musical roots of the overloaded, distracted present. Based on archival research, oral historical interviews, and other overlooked primary materials, as well as close listening and thorough examination of scores and recordings, Sonic Overload presents a multilayered and comprehensive portrait of late-Soviet polystylism and cultural life, and of the music of Silvestrov and Schnittke. Sonic Overload is intended for musicologists and Soviet, Russian, and Ukrainian specialists in history, the arts, film, and literature, as well as readers interested in twentieth- and twenty-first century music; modernism and postmodernism; quotation and collage; the intersections of "high" and "low" cultures; and politics and the arts.

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