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Hugo Riemann and the Birth of Modern Musical Thought

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Release : 2003-05
Genre : Music
Kind : eBook
Book Rating : 738/5 ( reviews)

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Book Synopsis Hugo Riemann and the Birth of Modern Musical Thought by : Alexander Rehding

Download or read book Hugo Riemann and the Birth of Modern Musical Thought written by Alexander Rehding. This book was released on 2003-05. Available in PDF, EPUB and Kindle. Book excerpt: Generally acknowledged as the most important German musicologist of his age, Hugo Riemann (1849-1919) shaped the ideas of generations of music scholars, not least because his work coincided with the institutionalisation of academic musicology around the turn of the last century. This influence, however, belies the contentious idea at the heart of his musical thought, an idea he defended for most of his career - harmonic dualism. By situating Riemann's musical thought within turn-of-the-century discourses about the natural sciences, German nationhood and modern technology, this book reconstructs the cultural context in which Riemann's ideas not only 'made sense' but advanced an understanding of the tonal tradition as both natural and German. Riemann's musical thought - from his considerations of acoustical properties to his aesthetic and music-historical views - thus regains the coherence and cultural urgency that it once possessed.

The Oxford Handbook of Neo-Riemannian Music Theories

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Release : 2011-12-22
Genre : Music
Kind : eBook
Book Rating : 332/5 ( reviews)

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Book Synopsis The Oxford Handbook of Neo-Riemannian Music Theories by : Edward Gollin

Download or read book The Oxford Handbook of Neo-Riemannian Music Theories written by Edward Gollin. This book was released on 2011-12-22. Available in PDF, EPUB and Kindle. Book excerpt: In recent years neo-Riemannian theory has established itself as the leading approach of our time, and has proven particularly adept at explaining features of chromatic music. The Oxford Handbook of Neo-Riemannian Music Theories assembles an international group of leading music theory scholars in an exploration of the music-analytical, theoretical, and historical aspects of this new field.

Return to Riemann

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Release : 2024-02-16
Genre : Music
Kind : eBook
Book Rating : 415/5 ( reviews)

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Book Synopsis Return to Riemann by : J. P. E. Harper-Scott

Download or read book Return to Riemann written by J. P. E. Harper-Scott. This book was released on 2024-02-16. Available in PDF, EPUB and Kindle. Book excerpt: This book is a music-theoretical and critical-theoretical study of late tonal music, and, in particular, of the music of Wagner’s Götterdämmerung. First, in terms of music theory, it proposes a new theory of tonal function that returns to the theories of Hugo Riemann to rediscover a development of his thought that has been covered over by the recent project of neo-Riemannian theory. Second, in terms of its philosophical approach, it reawakens the critical-theoretical examination of the relation between music and the late capitalist society that is sedimented in the musical materials themselves, and which the music, in turn, subjects to aesthetically embodied critique. The music, the theory, and the listeners and critics who respond to them are all radically reimagined. This book will be of interest to professional music theorists, undergraduates, and technically inclined musicians and listeners, that is, anyone who is fascinated by the chromatic magic of late-nineteenth-century music.

The Psychophysical Ear

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Release : 2012-11-16
Genre : Science
Kind : eBook
Book Rating : 038/5 ( reviews)

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Book Synopsis The Psychophysical Ear by : Alexandra Hui

Download or read book The Psychophysical Ear written by Alexandra Hui. This book was released on 2012-11-16. Available in PDF, EPUB and Kindle. Book excerpt: An examination of how the scientific study of sound sensation became increasingly intertwined with musical aesthetics in nineteenth-century Germany and Austria. In the middle of the nineteenth century, German and Austrian concertgoers began to hear new rhythms and harmonies as non-Western musical ensembles began to make their way to European cities and classical music introduced new compositional trends. At the same time, leading physicists, physiologists, and psychologists were preoccupied with understanding the sensory perception of sound from a psychophysical perspective, seeking a direct and measurable relationship between physical stimulation and physical sensation. These scientists incorporated specific sounds into their experiments—the musical sounds listened to by upper middle class, liberal Germans and Austrians. In The Psychophysical Ear, Alexandra Hui examines this formative historical moment, when the worlds of natural science and music coalesced around the psychophysics of sound sensation, and new musical aesthetics were interwoven with new conceptions of sound and hearing. Hui, a historian and a classically trained musician, describes the network of scientists, musicians, music critics, musicologists, and composers involved in this redefinition of listening. She identifies a source of tension for the psychophysicists: the seeming irreconcilability between the idealist, universalizing goals of their science and the increasingly undeniable historical and cultural contingency of musical aesthetics. The convergence of the respective projects of the psychophysical study of sound sensation and the aesthetics of music was, however, fleeting. By the beginning of the twentieth century, with the professionalization of such fields as experimental psychology and ethnomusicology and the proliferation of new and different kinds of music, the aesthetic dimension of psychophysics began to disappear.

Metrical Claims and Poetic Experience

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Release : 2022-09-22
Genre : Literary Criticism
Kind : eBook
Book Rating : 311/5 ( reviews)

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Book Synopsis Metrical Claims and Poetic Experience by : Hannah Vandegrift Eldridge

Download or read book Metrical Claims and Poetic Experience written by Hannah Vandegrift Eldridge. This book was released on 2022-09-22. Available in PDF, EPUB and Kindle. Book excerpt: This volume contributes to the fields of lyric poetry and poetics (especially poetic form), aesthetics, and German literature by intervening in debates on the social functions, cognitive and emotional effects, and the value of poetry. It builds on, and moves beyond, previous theories of rhythm to tie meter more particularly to the specificities of poetic language in blending of embodied responses, cultural situations, and linguistic particularities. The book examines the German-language tradition across three centuries, arguing that the interdisciplinarity and richness of metrical theory and practice emerge in the heterogeneity of poetry and its defenders in their specific historical moments. Focusing on Friedrich Gottlieb Klopstock, Friedrich Nietzsche, and Durs Grünbein, the book contextualizes each in the metrical and aesthetic debates of his epoch, showing how questions of meter are linked with overarching poetic goals such as the relationship between form and meaning, the adaptation of the Classical past for German literature, and the ways poetry's sounds work in the body. It argues that Klopstock's, Nietzsche's, and Grünbein's metrical theory and practice offer valuable insights for thinking about the ways poetry works and why it matters.

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