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French Orientalist Literature in Algeria, 1845–1882

2018-03-06 Literary Criticism
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Release : 2018-03-06
Genre : Literary Criticism
Kind : eBook
Book Rating : 738/5 ( reviews)

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Book Synopsis French Orientalist Literature in Algeria, 1845–1882 by : Sage Goellner

Download or read book French Orientalist Literature in Algeria, 1845–1882 written by Sage Goellner. This book was released on 2018-03-06. Available in PDF, EPUB and Kindle. Book excerpt: This book applies the growing theoretical field of hauntology to a body of literature which has previously been examined through the lenses of Orientalism and exoticism. Through a chronological study and close readings of the writings of Théophile Gautier, Eugène Fromentin, Gustave Flaubert, and Pierre Loti, the project identifies haunting echoes within the texts which demonstrate an ambivalence of attitudes towards colonialism and which undermine any claim towards a monolithic imperialist French ideology. Whereas hauntological theory has be used to illuminate literature from the Francophone post-colonial period, it has not yet been applied to texts produced during the French colonial period. The originality of this project thus lies in the application of Derridean hauntological theory to works from an earlier period, each of which in one way or another addresses the theme of colonial violence. By revisiting four classic works of colonial Orientalism with haunting as a principal theme, this analysis provides a critical witnessing of France’s violent colonization of Algeria that demonstrates France’s latent anxieties about the colonial project at the time.

Ethnic Minority Women’s Writing in France

2020-11-17 Literary Criticism
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Release : 2020-11-17
Genre : Literary Criticism
Kind : eBook
Book Rating : 305/5 ( reviews)

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Book Synopsis Ethnic Minority Women’s Writing in France by : Claire Mouflard

Download or read book Ethnic Minority Women’s Writing in France written by Claire Mouflard. This book was released on 2020-11-17. Available in PDF, EPUB and Kindle. Book excerpt: In Ethnic Minority Women’s Writing in France, Mouflard argues that the identity politics surrounding the immigration discourse of early twenty-first century France were reflected in the marketing and editing practices of the Metropole’s key publishers, specifically with regards to non-white French women’s literature. Echoing the utopic “Black-Blanc-Beur” model of integration which surfaced during the 1998 soccer World Cup, select publishers fashioned unofficial literary categories based on neocolonial racial and gender stereotypes, either lauding integrated “Beur” authors or exploiting “Black” political dissenters. Concurrently, metropolitan women writers in their autobiographies, autofictions, and manifestoes, problematized notions of French multiculturalism and literary hierarchies, thereby exposing the dangers of utopian thinking. Mouflard ultimately reveals that the absence of the Franco-Vietnamese identity from the “Black-Blanc-Beur” paradigm enabled authors of Southeastern Asian origin to establish themselves outside of the era’s reductive multicultural utopia, within a realm directly adjacent to littérature française, if not in a newly-designed, truly multicultural French literature category. Overall, Mouflard’s research highlights the discrepancies between France’s official discourse on immigration, and the actual identity formation processes created by the institutions and exploited by influential publishers, in the years leading to the historic 2005 banlieue civil unrest.

Francophone African Narratives and the Anglo-American Book Market

2021-03-01 Literary Criticism
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Release : 2021-03-01
Genre : Literary Criticism
Kind : eBook
Book Rating : 791/5 ( reviews)

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Book Synopsis Francophone African Narratives and the Anglo-American Book Market by : Vivan Steemers

Download or read book Francophone African Narratives and the Anglo-American Book Market written by Vivan Steemers. This book was released on 2021-03-01. Available in PDF, EPUB and Kindle. Book excerpt: In recent years, the material circumstances governing the production of African literature have been analyzed from a variety of angles. This study goes one step further by charting the trajectories of a corpus of francophone African (sub-Saharan) narratives subsequently translated into English. It examines the role of various institutional agents and agencies—publishers, preface writers, critics, translators, and literary award committees—involved in the value-making process that accrues visibility to these texts that eventually reach the Anglo-American book market. The author evinces that over time different types of publishers dominated, both within the original publishing space as in the foreign literary field, contingent on their specific mission—be it commercial, ideological or educational—as well as on socioeconomic and political circumstances. The study addresses the influence of the editorial paratextual framing—pandering to specific Western readerships—the potential interventionist function of the translator, and the consecrating mechanisms of literary and translation awards affecting both gender and minority representation. Drawing on the work by key sociologists and translation theorists, the author uses an innovative interdisciplinary methodology to analyze the corpus narratives.

Global Revolutionary Aesthetics and Politics after Paris ‘68

2021-02-22 Literary Criticism
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Release : 2021-02-22
Genre : Literary Criticism
Kind : eBook
Book Rating : 743/5 ( reviews)

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Book Synopsis Global Revolutionary Aesthetics and Politics after Paris ‘68 by : Martin Munro

Download or read book Global Revolutionary Aesthetics and Politics after Paris ‘68 written by Martin Munro. This book was released on 2021-02-22. Available in PDF, EPUB and Kindle. Book excerpt: The year 2018 marked the fiftieth anniversary of May ’68, a startling, by now almost mythic event which combined seriousness, courage, humor and theatrics. The contributions of this volume—based on papers presented the conference Does “la lutte continue”? The Global Afterlife of May ’68 at Florida State University in March 2019—explore the ramifications of that springtime protest in the contemporary world. What has widely become known as the movement of ‘68 consisted, in fact, of many synchronous movements in different nations that promoted a great variety of political, social, and cultural agendas. While it is impossible to write a global history of ’68, this volume presents a kaleidoscope of different perceptions, reflections, and receptions of protest in France, Italy, and other nations that share in common a global utopian imaginary as expressed, for example, in the slogan: “All power to the imagination!” The contributions of this collection show that, while all social struggles are political, many lasting changes in individual mentalities and social structures originated from utopian ideas that were realized first in artistic productions and their aesthetic reception. In this respect the various protests of May ’68 continue.

Representation of the Banlieusard in Literature, Cinema, and Performances

2024-09-15 Literary Criticism
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Release : 2024-09-15
Genre : Literary Criticism
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Book Rating : 149/5 ( reviews)

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Book Synopsis Representation of the Banlieusard in Literature, Cinema, and Performances by : Emma Chebinou

Download or read book Representation of the Banlieusard in Literature, Cinema, and Performances written by Emma Chebinou. This book was released on 2024-09-15. Available in PDF, EPUB and Kindle. Book excerpt: Representation of the Banlieusard in Literature, Cinema, and Performances: Francephobia explores the complex identity of the banlieusard within French society through literature, film and pop culture, such as rap music and stand-up comedy. The banlieue, known in English as the “inner city,” is home to underrepresented and marginalized descendants of North- and West- African immigrants as well as some white European immigrants or white French individuals. Established in tall housing estates located on the wider outskirts of Paris, the banlieue is a space constructed through the systemic disenfranchisement of working-class people across genders, ethnicities, and race and through associations with crime, unemployment, poverty, etc. In face of these challenges, the banlieusard(e) attempts to claim their Frenchness but finds oneself trapped by society’s negative perception. Similarly, they are also physically trapped in their space of high-rise buildings and in a social/economic sphere with preconceived beliefs making it difficult to integrate and contribute to French society. This book aims to emphasize resistance and the agency of the banlieusard(e) rather than pointing out their marginalization by society’s preconceptions. Therefore, the spatial arrangement of the projects where they live redefines, deconstructs, reconstructs and reverses the center/periphery dichotomy, in which the center becomes the banlieue and as a result, its outcast status is diminished. Through a varied selection of novels, films, rap and stand-up comedy, Emma Chebinou exposes the necessity in examining negative stigmas created by the institutional discourse and by space and gives a broader interpretation of the banlieue.

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