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Women in Nineteenth-century Czech Musical Culture

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Release : 2024
Genre : Music
Kind : eBook
Book Rating : 606/5 ( reviews)

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Book Synopsis Women in Nineteenth-century Czech Musical Culture by : Anja Bunzel

Download or read book Women in Nineteenth-century Czech Musical Culture written by Anja Bunzel. This book was released on 2024. Available in PDF, EPUB and Kindle. Book excerpt: "This volume focuses on the circumstances of women's music-making in the vibrant and diverse environment of the Czech lands during the nineteenth century. It sheds light on little-known women musicians, while also considering more well-known works and composers from new woman-centric perspectives. It shows how the unique environment of Habsburg Central Europe, especially Bohemia and Lower Austria, intersects with gender to reveal hitherto unexplored networks that challenge the methodological nationalism of music studies as well as the discipline's continued emphasis on singular canonical figures. The main areas of enquiry address aspects of performance and identity both within the Czech lands and abroad; women's impact on social life with a view to different private, semi-private, and public contexts and networks; and compositional aesthetics in musical works by and about women, analysed through the lens of piano works, song, choir music, and opera, always with the reception of these works in mind"--

Women in Nineteenth-Century Czech Musical Culture

Download Women in Nineteenth-Century Czech Musical Culture PDF Online Free

Author :
Release : 2024-02-23
Genre : Music
Kind : eBook
Book Rating : 608/5 ( reviews)

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Book Synopsis Women in Nineteenth-Century Czech Musical Culture by : Anja Bunzel

Download or read book Women in Nineteenth-Century Czech Musical Culture written by Anja Bunzel. This book was released on 2024-02-23. Available in PDF, EPUB and Kindle. Book excerpt: This volume focuses on the circumstances of women’s music-making in the vibrant and diverse environment of the Czech lands during the nineteenth century. It sheds light on little-known women musicians, while also considering more well-known works and composers from new woman-centric perspectives. It shows how the unique environment of Habsburg Central Europe, especially Bohemia and Lower Austria, intersects with gender to reveal hitherto unexplored networks that challenge the methodological nationalism of music studies as well as the discipline’s continued emphasis on singular canonical figures. The main areas of enquiry address aspects of performance and identity both within the Czech lands and abroad; women’s impact on social life with a view to different private, semiprivate, and public contexts and networks; and compositional aesthetics in musical works by and about women, analysed through the lens of piano works, song, choir music, and opera, always with the reception of these works in mind.

The Cambridge Companion to Women Composers

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Release : 2024-05-30
Genre : Music
Kind : eBook
Book Rating : 39X/5 ( reviews)

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Book Synopsis The Cambridge Companion to Women Composers by : Matthew Head

Download or read book The Cambridge Companion to Women Composers written by Matthew Head. This book was released on 2024-05-30. Available in PDF, EPUB and Kindle. Book excerpt: Moving beyond narratives of female suppression, and exploring the critical potential of a diverse, distinguished repertoire, this Companion transforms received understanding of women composers. Organised thematically, and ranging beyond elite, Western genres, it explores the work of diverse female composers from medieval to modern times, besides the familiar headline names. The book's prologue traces the development of scholarship on women composers over the past five decades and the category of 'woman composer' itself. The chapters that follow reveal scenes of flourishing creativity, technical innovation, and (often fleeting) recognition, challenging long-held notions around invisibility and neglect and dismissing clichés about women composers and their work. Leading scholars trace shifting ideas about composers and compositional processes, contributing to a wider understanding of how composers have functioned in history and making this volume essential reading for all students of musical history. In an epilogue, three contemporary composers reflect on their careers and identities.

Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth-Century

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Release : 2020-09-10
Genre : Music
Kind : eBook
Book Rating : 358/5 ( reviews)

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Book Synopsis Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth-Century by : Egil Bakka

Download or read book Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth-Century written by Egil Bakka. This book was released on 2020-09-10. Available in PDF, EPUB and Kindle. Book excerpt: From ‘folk devils’ to ballroom dancers, Waltzing Through Europe explores the changing reception of fashionable couple dances in Europe from the eighteenth century onwards. A refreshing intervention in dance studies, this book brings together elements of historiography, cultural memory, folklore, and dance across comparatively narrow but markedly heterogeneous localities. Rooted in investigations of often newly discovered primary sources, the essays afford many opportunities to compare sociocultural and political reactions to the arrival and practice of popular rotating couple dances, such as the Waltz and the Polka. Leading contributors provide a transnational and affective lens onto strikingly diverse topics, ranging from the evolution of romantic couple dances in Croatia, and Strauss’s visits to Hamburg and Altona in the 1830s, to dance as a tool of cultural preservation and expression in twentieth-century Finland. Waltzing Through Europe creates openings for fresh collaborations in dance historiography and cultural history across fields and genres. It is essential reading for researchers of dance in central and northern Europe, while also appealing to the general reader who wants to learn more about the vibrant histories of these familiar dance forms.

Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England

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Release : 2017-07-05
Genre : Music
Kind : eBook
Book Rating : 519/5 ( reviews)

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Book Synopsis Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England by : Philip Ross Bullock

Download or read book Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England written by Philip Ross Bullock. This book was released on 2017-07-05. Available in PDF, EPUB and Kindle. Book excerpt: Philip Ross Bullock looks at the life and works of Rosa Newmarch (1857-1940), the leading authority on Russian music and culture in late nineteenth- and early twentieth-century England. Although Newmarch's work and influence are often acknowledged - most particularly by scholars of English poetry, and of the role of women in English music - the full range of her ideas and activities has yet to be studied. As an inveterate traveller, prolific author, and polyglot friend of some of Europe's leading musicians, such as Elgar, Sibelius and Jank, Newmarch deserves to be better appreciated. On the basis of both published and archival materials, the details of Newmarch's busy life are traced in an opening chapter, followed by an overview of English interest in Russian culture around the turn of the century, a period which saw a long-standing Russophobia (largely political and military) challenged by a more passionate and well-informed interest in the arts Three chapters then deal with the features that characterize Newmarch's engagement with Russian culture and society, and - more significantly perhaps - which she also championed in her native England; nationalism; the role of the intelligentsia; and feminism. In each case, Newmarch's interest in Russia was no mere instance of ethnographic curiosity; rather, her observations about and passion for Russia were translated into a commentary on the state of contemporary English cultural and social life. Her interest in nationalism was based on the conviction that each country deserved an art of its own. Her call for artists and intellectuals to play a vital role in the cultural and social life of the country illustrated how her Russian experiences could map onto the liberal values of Victorian England. And her feminism was linked to the idea that women could exercise roles of authority and influence in society through participation in the arts. A final chapter considers how her late interest in the music of Czechoslovakia pi

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