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Twentieth- and Twenty-First-Century Song Cycles

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Release : 2020-11-23
Genre : Music
Kind : eBook
Book Rating : 763/5 ( reviews)

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Book Synopsis Twentieth- and Twenty-First-Century Song Cycles by : Gordon Sly

Download or read book Twentieth- and Twenty-First-Century Song Cycles written by Gordon Sly. This book was released on 2020-11-23. Available in PDF, EPUB and Kindle. Book excerpt: Twentieth- and Twenty-First-Century Song Cycles: Analytical Pathways Toward Performance presents analyses of fourteen song cycles composed after the turn of the twentieth century, with a focus on offering ways into the musical and poetic structure of each cycle to performers, scholars, and students alike. Ranging from familiar works of twentieth-century music by composers such as Schoenberg, Britten, Poulenc, and Shostakovich to lesser-known works by Van Wyk, Sviridov, Wheeler, and Sánchez, this collection of essays captures the diversity of the song cycle repertoire in contemporary classical music. The contributors bring their own analytical perspectives and methods, considering musical structures, the composers' selection of texts, how poetic narratives are expressed, and historical context. Informed by music history, music theory, and performance, Twentieth- and Twenty-First-Century Song Cycles offers an essential guide into the contemporary art-music song cycle for performers, scholars, students, and anyone seeking to understand this unique genre.

Franz Liszt’s Songs for Voice and Piano

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Release : 2023-11-27
Genre : Biography & Autobiography
Kind : eBook
Book Rating : 866/5 ( reviews)

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Book Synopsis Franz Liszt’s Songs for Voice and Piano by : Małgorzata Gamrat

Download or read book Franz Liszt’s Songs for Voice and Piano written by Małgorzata Gamrat. This book was released on 2023-11-27. Available in PDF, EPUB and Kindle. Book excerpt: How does a Romantic composer approach the poetry he sets: as raw material to be remade, a pretext for self-expression, a sanctified artefact, or a message to be illustrated with music? In my book, I examine Franz Liszt’s songs for voice and piano, which remain little known to scholars, artists, and music lovers alike. The objective is to present Liszt’s songs in all their complexity and diversity as well as identifying the key elements of the composer’s broadly understood song-writing technique – both those that make him unique and those that relate him to the European tradition. This approach also makes it possible to shed light on a major though previously neglected aspect of the composer’s workshop, namely, his work with the poetic text, which to Liszt was just as important as the musical setting.

The Song Cycle

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Release : 2010
Genre : Music
Kind : eBook
Book Rating : 444/5 ( reviews)

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Book Synopsis The Song Cycle by : Laura Tunbridge

Download or read book The Song Cycle written by Laura Tunbridge. This book was released on 2010. Available in PDF, EPUB and Kindle. Book excerpt: Investigates how other types of music have influenced the scope of the song cycle, from operas and symphonies to popular song --

The Lied at the Crossroads of Performance and Musicology

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Release : 2024-02-15
Genre : Music
Kind : eBook
Book Rating : 750/5 ( reviews)

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Book Synopsis The Lied at the Crossroads of Performance and Musicology by : Benjamin Binder

Download or read book The Lied at the Crossroads of Performance and Musicology written by Benjamin Binder. This book was released on 2024-02-15. Available in PDF, EPUB and Kindle. Book excerpt: There seems to be an essential relationship between the performance and the scholarship of the German Lied. Yet the process by which scholarly inquiry and performative practices mutually benefit one another can appear mysterious and undefined, in part because any dialogue between the two invariably unfolds in relatively informal environments – such as the rehearsal studio, seminar room or conference workshop. Contributions from leading musicologists and prominent Lied performers here build on and deepen these interactions to reconsider topics including Werktreue aesthetics and concert practices; the authority of the composer versus the performer; the value of lesser-known, incomplete, or compositionally modified songs; and the traditions, habits and prejudices of song recitalists regarding issues like transposition, programming and dramatic modes of presentation. The book as a whole reveals the reciprocal relevance of Lied musicology and Lied performance, thereby opening doors to fresh and exciting modes of interpretative artistry and intellectual discovery.

The Routledge Handbook of Women’s Work in Music

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Release : 2021-12-31
Genre : Music
Kind : eBook
Book Rating : 041/5 ( reviews)

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Book Synopsis The Routledge Handbook of Women’s Work in Music by : Rhiannon Mathias

Download or read book The Routledge Handbook of Women’s Work in Music written by Rhiannon Mathias. This book was released on 2021-12-31. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Handbook of Women’s Work in Music presents a unique collection of core research by academics and music practitioners from around the world, engaging with an extraordinarily wide range of topics on women’s contributions to Western and Eastern art music, popular music, world music, music education, ethnomusicology as well as in the music industries. The handbook falls into six parts. Part I serves as an introduction to the rich variety of subject matter the reader can expect to encounter in the handbook as a whole. Part II focuses on what might be termed the more traditional strand of feminist musicology – research which highlights the work of historical and/or neglected composers. Part III explores topics concerned with feminist aesthetics and music creation and Part IV focuses on questions addressing the performance and reception of music and musicians. The narrative of the handbook shifts in Part V to focus on opportunities and leadership in the music professions from a Western perspective. The final section of the handbook (Part VI) provides new frames of context for women’s positions as workers, educators, patrons, activists and promoters of music. This is a key reference work for advanced undergraduates, postgraduates and researchers in music and gender.

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