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Twelve sonatas for the piano: op. 36, no. 3 ; op. 40, no. 1 ; op. 40, no. 2 ; op. 40, no. 3 ; op. 47, no. 2

Download Twelve sonatas for the piano: op. 36, no. 3 ; op. 40, no. 1 ; op. 40, no. 2 ; op. 40, no. 3 ; op. 47, no. 2 PDF Online Free

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Release : 1896
Genre : Piano music
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Twelve sonatas for the piano: op. 36, no. 3 ; op. 40, no. 1 ; op. 40, no. 2 ; op. 40, no. 3 ; op. 47, no. 2 by : Muzio Clementi

Download or read book Twelve sonatas for the piano: op. 36, no. 3 ; op. 40, no. 1 ; op. 40, no. 2 ; op. 40, no. 3 ; op. 47, no. 2 written by Muzio Clementi. This book was released on 1896. Available in PDF, EPUB and Kindle. Book excerpt:

Twelve sonatas for the piano \: 8, op. 36, no. 3 [i.e. op. 33, no. 3] ; 9-11, op. 40, no. 1-3 ; 12, op. 47, no. 2 [i.e. op. 24, no. 2

Download Twelve sonatas for the piano \: 8, op. 36, no. 3 [i.e. op. 33, no. 3] ; 9-11, op. 40, no. 1-3 ; 12, op. 47, no. 2 [i.e. op. 24, no. 2 PDF Online Free

Author :
Release : 199?
Genre : Sonatas (Piano)
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Twelve sonatas for the piano \: 8, op. 36, no. 3 [i.e. op. 33, no. 3] ; 9-11, op. 40, no. 1-3 ; 12, op. 47, no. 2 [i.e. op. 24, no. 2 by : Muzio Clementi

Download or read book Twelve sonatas for the piano \: 8, op. 36, no. 3 [i.e. op. 33, no. 3] ; 9-11, op. 40, no. 1-3 ; 12, op. 47, no. 2 [i.e. op. 24, no. 2 written by Muzio Clementi. This book was released on 199?. Available in PDF, EPUB and Kindle. Book excerpt:

Elements of Sonata Theory

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Author :
Release : 2011-02-11
Genre : Music
Kind : eBook
Book Rating : 234/5 ( reviews)

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Book Synopsis Elements of Sonata Theory by : James Hepokoski

Download or read book Elements of Sonata Theory written by James Hepokoski. This book was released on 2011-02-11. Available in PDF, EPUB and Kindle. Book excerpt: Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.

The Beethoven Violin Sonatas

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Author :
Release : 2004
Genre : Music
Kind : eBook
Book Rating : 325/5 ( reviews)

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Book Synopsis The Beethoven Violin Sonatas by : Lewis Lockwood

Download or read book The Beethoven Violin Sonatas written by Lewis Lockwood. This book was released on 2004. Available in PDF, EPUB and Kindle. Book excerpt: "Lewis Lockwood and Mark Kroll's volume The Beethoven Violin Sonatas is the first scholarly book in English devoted exclusively to the Beethoven sonatas and deals with them in unprecedented depth. Serving readers, listeners, and performers as a companion to the sonatas, it presents seven critical and historical essays by some of the most important American and European Beethoven specialists of our time.

The Creation of Beethoven's 35 Piano Sonatas

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Release : 2017-04-05
Genre : Music
Kind : eBook
Book Rating : 09X/5 ( reviews)

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Book Synopsis The Creation of Beethoven's 35 Piano Sonatas by : Barry Cooper

Download or read book The Creation of Beethoven's 35 Piano Sonatas written by Barry Cooper. This book was released on 2017-04-05. Available in PDF, EPUB and Kindle. Book excerpt: Beethoven’s piano sonatas are a cornerstone of the piano repertoire and favourites of both the concert hall and recording studio. The sonatas have been the subject of much scholarship, but no single study gives an adequate account of the processes by which these sonatas were composed and published. With source materials such as sketches and correspondence increasingly available, the time is ripe for a close study of the history of these works. Barry Cooper, who in 2007 produced a new edition of all 35 sonatas, including three that are often overlooked, examines each sonata in turn, addressing questions such as: Why were they written? Why did they turn out as they did? How did they come into being and how did they reach their final form? Drawing on the composer’s sketches, autograph scores and early printed editions, as well as contextual material such as correspondence, Cooper explores the links between the notes and symbols found in the musical texts of the sonatas, and the environment that brought them about. The result is a biography not of the composer, but of the works themselves.

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