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Transnational Chinese Cinemas

1997-10-01 Performing Arts
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Release : 1997-10-01
Genre : Performing Arts
Kind : eBook
Book Rating : 456/5 ( reviews)

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Book Synopsis Transnational Chinese Cinemas by : Sheldon H. Lu

Download or read book Transnational Chinese Cinemas written by Sheldon H. Lu. This book was released on 1997-10-01. Available in PDF, EPUB and Kindle. Book excerpt: Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture.

Transnational Chinese Cinemas

1997-10-01 Performing Arts
Download Transnational Chinese Cinemas PDF Online Free

Author :
Release : 1997-10-01
Genre : Performing Arts
Kind : eBook
Book Rating : 294/5 ( reviews)

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Book Synopsis Transnational Chinese Cinemas by : Sheldon H. Lu

Download or read book Transnational Chinese Cinemas written by Sheldon H. Lu. This book was released on 1997-10-01. Available in PDF, EPUB and Kindle. Book excerpt: Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture.

Rethinking Transnational Chinese Cinemas

2020-11-25 History
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Release : 2020-11-25
Genre : History
Kind : eBook
Book Rating : 145/5 ( reviews)

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Book Synopsis Rethinking Transnational Chinese Cinemas by : Jeremy E. Taylor

Download or read book Rethinking Transnational Chinese Cinemas written by Jeremy E. Taylor. This book was released on 2020-11-25. Available in PDF, EPUB and Kindle. Book excerpt: The Amoy-dialect film industry emerged in the 1950s, producing cheap, b-grade films in Hong Kong for direct export to the theatres of Manila Chinatown, southern Taiwan and Singapore. Films made in Amoy dialect - a dialect of Chinese - reflected a particular period in the history of the Chinese diaspora, and have been little studied due to their ambiguous place within the wider realm of Chinese and East Asian film history. This book represents the first full length, critical study of the origin, significant rise and rapid decline of the Amoy-dialect film industry. Rather than examining the industry for its own sake, however, this book focuses on its broader cultural, political and economic significance in the region. It questions many of the assumptions currently made about the ‘recentness’ of transnationalism in Chinese cultural production, particularly when addressing Chinese cinema in the Cold War years, as well as the prominence given to ‘the nation’ and ‘transnationalism’ in studies of Chinese cinemas and of the Chinese Diaspora. By examining a cinema that did not fit many of the scholarly models of ‘transnationalism’, that was not grounded in any particular national tradition of filmmaking and that was largely unconcerned with ‘nation-building’ in post-war Southeast Asia, this book challenges the ways in which the history of Chinese cinemas has been studied in the recent past.

The Chinese Cinema Book

2020-04-30 Performing Arts
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Release : 2020-04-30
Genre : Performing Arts
Kind : eBook
Book Rating : 554/5 ( reviews)

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Book Synopsis The Chinese Cinema Book by : Song Hwee Lim

Download or read book The Chinese Cinema Book written by Song Hwee Lim. This book was released on 2020-04-30. Available in PDF, EPUB and Kindle. Book excerpt: This revised and updated new edition provides a comprehensive introduction to the history of cinema in mainland China, Hong Kong and Taiwan, as well as to disaporic and transnational Chinese film-making, from the beginnings of cinema to the present day. Chapters by leading international scholars are grouped in thematic sections addressing key historical periods, film movements, genres, stars and auteurs, and the industrial and technological contexts of cinema in Greater China.

Chinese Women’s Cinema

2011-08-30 Performing Arts
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Release : 2011-08-30
Genre : Performing Arts
Kind : eBook
Book Rating : 446/5 ( reviews)

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Book Synopsis Chinese Women’s Cinema by : Lingzhen Wang

Download or read book Chinese Women’s Cinema written by Lingzhen Wang. This book was released on 2011-08-30. Available in PDF, EPUB and Kindle. Book excerpt: The first of its kind in English, this collection explores twenty one well established and lesser known female filmmakers from mainland China, Hong Kong, Taiwan, and the Chinese diaspora. Sixteen scholars illuminate these filmmakers' negotiations of local and global politics, cinematic representation, and issues of gender and sexuality, covering works from the 1920s to the present. Writing from the disciplines of Asian, women's, film, and auteur studies, contributors reclaim the work of Esther Eng, Tang Shu Shuen, Dong Kena, and Sylvia Chang, among others, who have transformed Chinese cinematic modernity. Chinese Women's Cinema is a unique, transcultural, interdisciplinary conversation on authorship, feminist cinema, transnational gender, and cinematic agency and representation. Lingzhen Wang's comprehensive introduction recounts the history and limitations of established feminist film theory, particularly its relationship with female cinematic authorship and agency. She also reviews critiques of classical feminist film theory, along with recent developments in feminist practice, altogether remapping feminist film discourse within transnational and interdisciplinary contexts. Wang's subsequent redefinition of women's cinema, and brief history of women's cinematic practices in modern China, encourage the reader to reposition gender and cinema within a transnational feminist configuration, such that power and knowledge are reexamined among and across cultures and nation-states.

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