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Transatlantic Broadway

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Release : 2015-03-03
Genre : Performing Arts
Kind : eBook
Book Rating : 359/5 ( reviews)

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Book Synopsis Transatlantic Broadway by : M. Schweitzer

Download or read book Transatlantic Broadway written by M. Schweitzer. This book was released on 2015-03-03. Available in PDF, EPUB and Kindle. Book excerpt: Transatlantic Broadway traces the infrastructural networks and technological advances that supported the globalization of popular entertainment in the pre-World War I period, with a specific focus on the production and performance of Broadway as physical space, dream factory, and glorious machine.

Theatre Across Oceans

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Release : 2021-09-15
Genre : Performing Arts
Kind : eBook
Book Rating : 552/5 ( reviews)

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Book Synopsis Theatre Across Oceans by : Nic Leonhardt

Download or read book Theatre Across Oceans written by Nic Leonhardt. This book was released on 2021-09-15. Available in PDF, EPUB and Kindle. Book excerpt: Theatre Across Oceans: Mediators Of Transatlantic Exchange allows the reader to enter and understand the infrastructural 'backstage area' of global cultural mobility during the years between 1890 and 1925. Located within the research fields of global history and theory, the geographical focus of the book is a transatlantic one, based on the active exchange in this phase between North and South America and Europe. Emanating from a rich body of archival material, the study argues that this exchange was essentially facilitated and controlled by professional theatrical mediators (agents, brokers), who have not been sufficiently researched within theatre or historical studies. The low visibility of mediators in the scientific research is in diametrical contrast to the enormous power that they possessed in the period dealt with in this book.

Theatre Symposium, Vol. 25

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Release : 2017-10-10
Genre : Performing Arts
Kind : eBook
Book Rating : 129/5 ( reviews)

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Book Synopsis Theatre Symposium, Vol. 25 by : Karen Berman

Download or read book Theatre Symposium, Vol. 25 written by Karen Berman. This book was released on 2017-10-10. Available in PDF, EPUB and Kindle. Book excerpt: Addresses the ways that theatre both shapes cross-cultural dialogue and is itself, in turn, shaped by those forces. Globalization may strike many as a phenomenon of our own historical moment, but it is truly as old as civilization: we need only look to the ancient Silk Road linking the Far East to the Mediterranean in order to find some of the earliest recorded impacts of people and goods crossing borders. Yet, in the current cultural moment, tensions are high due to increased migration, economic unpredictability, complicated acts of local and global terror, and heightened political divisions all over the world. Thus globalization seems new and a threat to our ways of life, to our nations, and to our cultures. In what ways have theatre practitioners, educators, and scholars worked to support cross-cultural dialogue historically? And in what ways might theatre embrace the complexities and contradictions inherent in any meaningful exchange? The essays in Theatre Symposium, Volume 25 reflect on these questions. Featured in Theatre Symposium, Volume 25 “Theatre as Cultural Exchange: Stages and Studios of Learning” by Anita Gonzalez “Certain Kinds of Dances Used among Them: An Initial Inquiry into Colonial Spanish Encounters with the Areytos of the Taíno in Puerto Rico” by E. Bert Wallace “Gertrude Hoffmann’s Lawful Piracy: ‘A Vision of Salome’ and the Russian Season as Transatlantic Production Impersonations” by Sunny Stalter-Pace “Greasing the Global: Princess Lotus Blossom and the Fabrication of the ‘Orient’ to Pitch Products in the American Medicine Show” by Chase Bringardner “Dismembering Tennessee Williams: The Global Context of Lee Breuer’s A Streetcar Named Desire” by Daniel Ciba “Transformative Cross-Cultural Dialogue in Prague: Americans Creating Czech History Plays” by Karen Berman “Finding Common Ground: Lessac Training across Cultures” by Erica Tobolski and Deborah A. Kinghorn

Negotiating Copyright in the American Theatre: 1856–1951

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Release : 2022-01-06
Genre : Law
Kind : eBook
Book Rating : 353/5 ( reviews)

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Book Synopsis Negotiating Copyright in the American Theatre: 1856–1951 by : Brent S. Salter

Download or read book Negotiating Copyright in the American Theatre: 1856–1951 written by Brent S. Salter. This book was released on 2022-01-06. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on fascinating archival discoveries from the past two centuries, Brent Salter shows how copyright has been negotiated in the American theatre. Who controls the space between authors and audiences? Does copyright law actually protect playwrights and help them make a living? At the center of these negotiations are mediating businesses with extraordinary power that rapidly evolved from the mid-nineteenth to mid-twentieth centuries: agents, publishers, producers, labor associations, administrators, accountants, lawyers, government bureaucrats, and film studio executives. As these mediators asserted authority over creativity, creators organized to respond, through collective minimum contracts, informal guild expectations, and professional norms, to protect their presumed rights as authors. This institutional, relational, legal, and business history of the entertainment history in America illuminates both the historical context and the present law. An innovative new kind of intellectual property history, the book maps the relations between the different players from the ground up.

Stage women, 1900–50

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Release : 2019-04-08
Genre : History
Kind : eBook
Book Rating : 872/5 ( reviews)

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Book Synopsis Stage women, 1900–50 by : Maggie B. Gale

Download or read book Stage women, 1900–50 written by Maggie B. Gale. This book was released on 2019-04-08. Available in PDF, EPUB and Kindle. Book excerpt: This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book presents a collection of cutting-edge historical and cultural essays in the field of women, theatre and performance. The chapters explore women’s networks of professional practice in the theatre and performance industries between 1900 and 1950, with a focus on women’s sense and experience of professional agency in an industry largely controlled by men. The book is divided into two sections: ‘Female theatre workers in the social and theatrical realm’ looks at the relationship between women’s work – on and off stage – and autobiography, activism, technique, touring, education and the law. ‘Women and popular performance’ focuses on the careers of individual artists, once household names, including Lily Brayton, Ellen Terry, radio star Mabel Constanduros and Oscar-winning film star Margaret Rutherford.

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