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The Political Theatre

1980 Theater
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Release : 1980
Genre : Theater
Kind : eBook
Book Rating : 005/5 ( reviews)

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Book Synopsis The Political Theatre by : Erwin Piscator

Download or read book The Political Theatre written by Erwin Piscator. This book was released on 1980. Available in PDF, EPUB and Kindle. Book excerpt: 'The Political Theatre' is among the most important documents of the modern stage. It tells of the foundation and flowering in Weimar Germany of a new form of theatre - epic theatre - designed to bring on to the stage the real political issues of the time, and to do so with all the aids that modern technology could supply.

The Theatre of Erwin Piscator

1979 Biography & Autobiography
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Release : 1979
Genre : Biography & Autobiography
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis The Theatre of Erwin Piscator by : John Willett

Download or read book The Theatre of Erwin Piscator written by John Willett. This book was released on 1979. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book in English to cover the theatrical career of Erwin Piscator. As one of the leading authorities on 20th century German theatre, the author is well-equipped to write about this important director. Most of the text is devoted to the Weimar period and is illustrated with rare pictures and documents.

Erwin Piscator's Political Theatre

1972-09-07 Drama
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Release : 1972-09-07
Genre : Drama
Kind : eBook
Book Rating : 567/5 ( reviews)

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Book Synopsis Erwin Piscator's Political Theatre by : C. D. Innes

Download or read book Erwin Piscator's Political Theatre written by C. D. Innes. This book was released on 1972-09-07. Available in PDF, EPUB and Kindle. Book excerpt: This 1977 text was the first full study of Erwin Piscator, the German theatrical producer who was prominent in the 1920s and worked after 1945 with the writers Hochhuth, Kipphardt and Weiss. Professor Innes sketches the background of Dadaism and Expressionism from which Piscator came, and points out the differences between Piscator and the other experimenters of his time. He also gives a vivid description of Piscator's technical innovations, the modern means of communication such as film, the illumination of the stage from below and 'the treadmill', a flat moving band along which the characters walked. These turned drama into a multi-media event. Professor Innes uses Piscator's career as a focus to describe theatrical developments in the twentieth century and to discuss the role of the author, the director, and the actor in drama, the purpose of the theatre, and the involvement of the audience.

The Piscator Notebook

2012 Art
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Release : 2012
Genre : Art
Kind : eBook
Book Rating : 74X/5 ( reviews)

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Book Synopsis The Piscator Notebook by : Judith Malina

Download or read book The Piscator Notebook written by Judith Malina. This book was released on 2012. Available in PDF, EPUB and Kindle. Book excerpt: Piscator founded the Workshop after emigrating to New York, having collaborated with Brecht to create "epic theatre" in Germany. The Piscator Notebook documents the author Malina's intensive and idiosyncratic training at Piscator's school.

Staged

2018-09-11 Philosophy
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Release : 2018-09-11
Genre : Philosophy
Kind : eBook
Book Rating : 738/5 ( reviews)

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Book Synopsis Staged by : Minou Arjomand

Download or read book Staged written by Minou Arjomand. This book was released on 2018-09-11. Available in PDF, EPUB and Kindle. Book excerpt: Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term “show trials” suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by restaging the era’s great trials as shows. The Nuremberg trials, the Eichmann trial, and the Auschwitz trials were all performed multiple times, first in courts and then in theaters. Does justice require both courtrooms and stages? In Staged, Minou Arjomand draws on a rich archive of postwar German and American rehearsals and performances to reveal how theater can become a place for forms of storytelling and judgment that are inadmissible in a court of law but indispensable for public life. She unveils the affinities between dramatists like Bertolt Brecht, Erwin Piscator, and Peter Weiss and philosophers such as Hannah Arendt and Walter Benjamin, showing how they responded to the rise of fascism with a new politics of performance. Linking performance with theories of aesthetics, history, and politics, Arjomand argues that it is not subject matter that makes theater political but rather the act of judging a performance in the company of others. Staged weaves together theater history and political philosophy into a powerful and timely case for the importance of theaters as public institutions.

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