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The Sinophone Cinema of Hou Hsiao-hsien: Culture, Style, Voice, and Motion

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Release : 2016-03-25
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Kind : eBook
Book Rating : 069/5 ( reviews)

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Book Synopsis The Sinophone Cinema of Hou Hsiao-hsien: Culture, Style, Voice, and Motion by : Christopher Lupke

Download or read book The Sinophone Cinema of Hou Hsiao-hsien: Culture, Style, Voice, and Motion written by Christopher Lupke. This book was released on 2016-03-25. Available in PDF, EPUB and Kindle. Book excerpt: "Featuring rare interviews and sophisticated analysis, this book sheds light on Hou's narrative innovations and aesthetic triumphs while, along the way, unlocking some of the mysteries lurking behind one of the greatest bodies of cinematic work ever produced." -MICHAEL BERRY, University of California Santa Barbara "Lupke's book provides comprehensive coverage, detailed contextualization, and insightful analysis from Hou's earliest works to his most recent accomplishment. The narrative is particularly compelling because it weaves cultural and social contexts and filmic texts together, and it brings various formal elements (image, editing, language, music) to bear upon one another. The book also includes careful comparison with another East Asian auteur Ozu Yasujirô. The Sinophone Cinema of Hou Hsiao-hsien is a significant addition." -GUO-JUIN, HONG, Duke University "Lupke's comprehensive and original study excavates the literary inspirations of Hou's filmmaking, showing how Wu Nianzhen, Shen Congwen, and especially Zhu Tianwen shape his philosophy and aesthetic. In Lupke's convincing account, the anti-filial behaviors of their characters, which have attracted little critical attention, are the key to understanding their shared concern for the visible dissolution of the family in the modern world. In addition to its lucid analysis, this book contextualizes the filmmaking history of Hou in ways that illustrate the cultural and political significance of studying Taiwan Cinema in a global context." -HSIU-CHUANG DEPPMAN, Oberlin College "Serving both as an excellent comprehensive introduction to the filmmaker and as a series of in-depth readings, this informative, engaging, and insightful book covers the full range of Hou's work. Writing clearly and elegantly, Lupke perceptively relates Hou's films to both literary and cinematic antecedents. Aside from Hou's well-known connection to Taiwan's 'native soil' literature, Lupke highlights as well the filmmaker's debt to earlier mainland Chinese authors such as Shen Congwen, Zhang Ailing, and Hu Lancheng. Hou's singular contribution to film aesthetics, summarized as 'stasis within motion,' comes through vividly and convincingly." -JASON MCGRATH, University of Minnesota *This book includes images.

No Man an Island

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Author :
Release : 2009
Genre : Biography & Autobiography
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis No Man an Island by : James Udden

Download or read book No Man an Island written by James Udden. This book was released on 2009. Available in PDF, EPUB and Kindle. Book excerpt: This is a book-length study of Hou Hsiao-Hsien, Taiwan's famous director of movies such as 'The Puppetmaster', 'City of Sadness', 'Flowers of Shanghai', and 'Goodbye South, Goodbye'. His body of work reflects a unique film style characterized by intricate lighting, improvisational acting, and long, static shots.

Hou Hsiao-hsien and the Aesthetics of Historical Experience

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Release : 2003
Genre : Motion picture producers and directors
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Book Rating : /5 ( reviews)

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Book Synopsis Hou Hsiao-hsien and the Aesthetics of Historical Experience by : James Udden

Download or read book Hou Hsiao-hsien and the Aesthetics of Historical Experience written by James Udden. This book was released on 2003. Available in PDF, EPUB and Kindle. Book excerpt:

Hou Hsiao-hsien

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Release : 1999
Genre : Motion picture producers and directors
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Book Synopsis Hou Hsiao-hsien by : Jean-Michel Frodon

Download or read book Hou Hsiao-hsien written by Jean-Michel Frodon. This book was released on 1999. Available in PDF, EPUB and Kindle. Book excerpt: Chef de file de la Nouvelle Vague taiwanaise apparue au début des années 80, Hou Hsiao-hsien s'est affirmé depuis comme l'un des grands cinéastes contemporains. Notamment récompensé d'un Lion d'or au Festival de Venise 1989 pour La Cité des douleurs, il connaît en Occident un succès croissant, confirmé par l'accueil réservé l'an dernier aux Fleurs de Shanghai. Construit collectivement sous la direction de Jean-Michel Frodon, critique cinéma du Monde, cet ouvrage est composé d'essais consacrés à l'œuvre de Hou Hsiao-hsien, son inscription dans l'histoire du cinéma, son rapport aux arts chinois, à l'histoire de son pays. Le cinéaste a accordé, à Taipei, un long entretien inédit à Emmanuel Burdeau, critique aux Cahiers du cinéma, où il raconte son enfance, la genèse de son cinéma, analyse chacun de ses films, et parle de ses projets. Les textes sont rédigés par des auteurs français pour la plupart, mais également taiwanais, japonais et américain, afin d'offrir l'approche la plus ouverte de cette œuvre reconnue dans le monde entier. L'ouvrage est complété par une étude critique de chacun des films de Hou Hsiao-hsien. Hou Hsiao-hsien, né dans la province chinoise de Guang-dong en 1947, a réalisé quatorze films depuis 1980. Ses derniers films sont tous sortis en salles à Paris, depuis La Cité des douleurs (1989), Le Maître de Marionnettes (1993), Good Men, Good Women (1995), Goodbye South, Goodbye (1996) et Les Fleurs de Shanghai (1998). Mais on a aussi pu voir en rétrospective Un été chez grand-père (1984), Poussières dans le vent (1987), Un temps pour vivre, un temps pour mourir (1985).

The Assassin

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Release : 2019-10-23
Genre : Performing Arts
Kind : eBook
Book Rating : 699/5 ( reviews)

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Book Synopsis The Assassin by : Peng Hsiao-yen

Download or read book The Assassin written by Peng Hsiao-yen. This book was released on 2019-10-23. Available in PDF, EPUB and Kindle. Book excerpt: The Assassin tells the story of a swordswoman who refrains from killing. Hou Hsiao-hsien astonishes his audience once again by upsetting almost every convention of the wuxia (martial arts) genre in the film. This collection offers eleven readings, each as original and thought-provoking as the film itself, beginning with one given by the director himself. Contributors analyze the elliptical way of storytelling, Hou’s adaptation of the source text (a tale from the Tang dynasty, also included in this volume), the film’s appropriation of traditional Chinese visual aesthetics, as well as the concept of xia (knight-errant) that is embedded in Confucian, Daoist, and Buddhist worldviews. There are also discussions of the much-celebrated sonic design of The Assassin: the nearly exclusive use of a diegetic film score is a statement on the director’s belief in cinematic reality. Underlying all the chapters is a focus on how Hou reinvents Tang-dynasty China in contemporary culture. The meticulously recreated everyday reality of the Tang world in the film highlights the ethnic and cultural diversity of the dynasty. It was a time when Sogdian traders acted as important intermediaries between Central Asia and the Tang court, and as a result Sogdian culture permeated the society. Taking note of the vibrant hybridity of Tang culture in the film, this volume shows that the historical openness to non-Chinese elements is in fact an essential part of the Chineseness expressed in Hou’s work. The Assassin is a gateway to the remote Tang-dynasty world, but in Hou’s hands the concerns of that premodern world turn out to be highly relevant to the world of the audience. “This book promises to be a useful companion to the film The Assassin. Contributors to this collection have convincingly and compellingly elucidated some of the film’s most difficult features. The result is a rich and wide-ranging analysis of one of the most beautiful films of our time.” —Sung-Sheng Yvonne Chang, The University of Texas at Austin “This collection of essays unfolds the many layers of The Assassin by speaking to its aesthetic achievements, reinvention of genre conventions, deep historical engagement, and philosophical substance. It exceeds the sum of its individual parts by building a vibrant cross-disciplinary conversation among a diverse group of accomplished scholars, who contribute original and compelling insights on the film.” —Jean Ma, Stanford University

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