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The Satirical Gaze

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Author :
Release : 2004
Genre : Art
Kind : eBook
Book Rating : 569/5 ( reviews)

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Book Synopsis The Satirical Gaze by : Cindy McCreery

Download or read book The Satirical Gaze written by Cindy McCreery. This book was released on 2004. Available in PDF, EPUB and Kindle. Book excerpt: This is the first scholarly study to focus on satirical prints of women in the late eighteenth century. This was the golden age of graphic satire: thousands of prints were published, and they were viewed by nearly all sections of the population. These prints both reflected and sought to shape contemporary debate about the role of women in society. Cindy McCreery's study examines the beliefs and prejudices of Georgian England which they revealed.

The Satirical Gaze

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Author :
Release : 2009
Genre : American fiction
Kind : eBook
Book Rating : 584/5 ( reviews)

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Book Synopsis The Satirical Gaze by : Yanping Yi

Download or read book The Satirical Gaze written by Yanping Yi. This book was released on 2009. Available in PDF, EPUB and Kindle. Book excerpt:

Print, Visuality, and Gender in Eighteenth-century Satire

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Author :
Release : 2011
Genre : Humor
Kind : eBook
Book Rating : 829/5 ( reviews)

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Book Synopsis Print, Visuality, and Gender in Eighteenth-century Satire by : Katherine Mannheimer

Download or read book Print, Visuality, and Gender in Eighteenth-century Satire written by Katherine Mannheimer. This book was released on 2011. Available in PDF, EPUB and Kindle. Book excerpt: "This study interprets eighteenth-century satire's famous typographical obsession as a fraught response to the Enlightenment's "ocularcentric" epistemological paradigms, and to a print-cultural moment identified by book-historians as increasingly "visual"--As the first to pay widespread attention to format, layout, and visual advertising strategies. The Augustans were convinced of the ability of their texts to function as a kind of optical machinery rivaling that of the New Science, enhancing readers' physical and moral vision, while at the same time they feared the dangers of an overly-scrutinizing gaze as one that might undermine the viewer's natural faculty for candor, sympathy, delight, and desire. Mannheimer studies this distrust of the empirical gaze, and its applications in print, to the inherent gender politics and broader ethical concerns of ocularcentrism in the works of Montagu, Swift, Pope, and Fielding. These writers sought to ensure that print itself never became either a mere tool of, or an inert object for, the gaze, but rather that it remained a dynamic and interactive medium by which readers could learn both to see and to see themselves seeing"--

A Companion to Satire

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Author :
Release : 2008-04-15
Genre : Literary Criticism
Kind : eBook
Book Rating : 995/5 ( reviews)

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Book Synopsis A Companion to Satire by : Ruben Quintero

Download or read book A Companion to Satire written by Ruben Quintero. This book was released on 2008-04-15. Available in PDF, EPUB and Kindle. Book excerpt: This collection of twenty-nine original essays, surveys satire fromits emergence in Western literature to the present. Tracks satire from its first appearances in the prophetic booksof the Old Testament through the Renaissance and the Englishtradition in satire to Michael Moore’s satirical movieFahrenheit 9/11. Highlights the important influence of the Bible in the literaryand cultural development of Western satire. Focused mainly on major classical and European influences onand works of English satire, but also explores the complex andfertile cultural cross-semination within the tradition of literarysatire.

Print, Visuality, and Gender in Eighteenth-century Satire

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Author :
Release : 2011
Genre : Authors and readers
Kind : eBook
Book Rating : 625/5 ( reviews)

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Book Synopsis Print, Visuality, and Gender in Eighteenth-century Satire by : Katie Mannheimer

Download or read book Print, Visuality, and Gender in Eighteenth-century Satire written by Katie Mannheimer. This book was released on 2011. Available in PDF, EPUB and Kindle. Book excerpt: "This study interprets eighteenth-century satire's famous typographical obsession as a fraught response to the Enlightenment's "ocularcentric" epistemological paradigms, and to a print-cultural moment identified by book-historians as increasingly "visual"--As the first to pay widespread attention to format, layout, and visual advertising strategies. The Augustans were convinced of the ability of their texts to function as a kind of optical machinery rivaling that of the New Science, enhancing readers' physical and moral vision, while at the same time they feared the dangers of an overly-scrutinizing gaze as one that might undermine the viewer's natural faculty for candor, sympathy, delight, and desire. Mannheimer studies this distrust of the empirical gaze, and its applications in print, to the inherent gender politics and broader ethical concerns of ocularcentrism in the works of Montagu, Swift, Pope, and Fielding. These writers sought to ensure that print itself never became either a mere tool of, or an inert object for, the gaze, but rather that it remained a dynamic and interactive medium by which readers could learn both to see and to see themselves seeing"--

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