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Alter Icons

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Release : 2010
Genre : Art
Kind : eBook
Book Rating : 77X/5 ( reviews)

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Book Synopsis Alter Icons by : Jefferson J. A. Gatrall

Download or read book Alter Icons written by Jefferson J. A. Gatrall. This book was released on 2010. Available in PDF, EPUB and Kindle. Book excerpt: "A collection of essays by eleven scholars of Russian history, art, literature, cinema, philosophy, and theology that track key shifts in the production, circulation, and consumption of the Russian icon from Peter the Great's Enlightenment to the post-Soviet revival of the Orthodox Church"--Provided by publisher.

Russian Icons, 14th-16th Centuries

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Author :
Release : 1988
Genre : Art
Kind : eBook
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Book Synopsis Russian Icons, 14th-16th Centuries by : Gosudarstvenny I Istoricheski I Muze I

Download or read book Russian Icons, 14th-16th Centuries written by Gosudarstvenny I Istoricheski I Muze I. This book was released on 1988. Available in PDF, EPUB and Kindle. Book excerpt:

Searching for Icons in Russia

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Author :
Release : 1972
Genre : Art
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Searching for Icons in Russia by : Владимир Солоухин

Download or read book Searching for Icons in Russia written by Владимир Солоухин. This book was released on 1972. Available in PDF, EPUB and Kindle. Book excerpt:

The Russian Icon

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Author :
Release : 1927
Genre : Art
Kind : eBook
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Book Synopsis The Russian Icon by : Nikodim Pavlovich Kondakov

Download or read book The Russian Icon written by Nikodim Pavlovich Kondakov. This book was released on 1927. Available in PDF, EPUB and Kindle. Book excerpt:

The Icon and the Square

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Author :
Release : 2018-11-26
Genre : Art
Kind : eBook
Book Rating : 550/5 ( reviews)

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Book Synopsis The Icon and the Square by : Maria Taroutina

Download or read book The Icon and the Square written by Maria Taroutina. This book was released on 2018-11-26. Available in PDF, EPUB and Kindle. Book excerpt: In The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism. Focusing on the works of four different artists—Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin—Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective artistic and intellectual milieu. She also contextualizes and complements her study of the work of these artists with an examination of the activities of a number of important cultural associations and institutions over the course of several decades. As a result, The Icon and the Square gives a more complete picture of Russian modernism: one that attends to the dialogue between generations of artists, curators, collectors, critics, and theorists. The Icon and the Square retrieves a neglected but vital history that was deliberately suppressed by the atheist Soviet regime and subsequently ignored in favor of the secular formalism of mainstream modernist criticism. Taroutina’s timely study, which coincides with the centennial reassessments of Russian and Soviet modernism, is sure to invigorate conversation among scholars of art history, modernism, and Russian culture.

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