The Representation of Perpetrators in Global Documentary Film

2023 SOCIAL SCIENCE

Author :
Release : 2023
Genre : SOCIAL SCIENCE
Kind : eBook
Book Rating : 904/5 ( reviews)

Book Synopsis The Representation of Perpetrators in Global Documentary Film by :

Download or read book The Representation of Perpetrators in Global Documentary Film written by . This book was released on 2023. Available in PDF, EPUB and Kindle. Book excerpt: The present book aims to explore how the perpetrator of crimes against humanity is represented in recent documentary films in different sociocultural contexts around the world. In recent years the number of diverse forms of cultural productions focused on the figure of perpetrator has increased significantly, thus eliciting a turn toward this problematic figure. The originality of these narratives lies in the shift in point of view they propose: their protagonists, rather than being the victims of the atrocities, are instead their perpetrators. A significant number of documentary films examining crimes against humanity from the perpetrators' perspective have been released in the first two decades of this century. This current tendency together with the growing scholarly interest in the explorations of the perpetrator underscore the timeliness of the present book. It aims to explore how the perpetrator is represented in recent documentary films in different sociocultural contexts around the world. The perpetrator documentary films' objects of study in this book are contextualized in the following contexts: Indonesian, Cambodian and Rwandan genocides, Chilean and Argentine dictatorship, Spanish Civil War and its aftermaths, Israeli-Palestinian conflict, Nazi legacy, South Africa Apartheid and USA ́s state perpetrations. Among others, the documentary films analysed are as follows: The Act of Killing, The Look of Silence, S-21: The Khmer Rouge Killing Machine, National Bird, Fahrenheit 11/9, Waltz with Bashir, Z32, El Pacto de Adriana, El Color del Camaleón, 70 y Pico, and El hijo del cazador. The Representation of Perpetrators in Global Documentary Film will be a key resource for academics, researchers, and advanced students of Filmmaking, Communication Studies, Media Studies, Visual Studies, Cultural Studies, and Sociology. The chapters included in this book were originally published as a special issue of Continuum.

“The” Representation of Perpetrators in Global Documentary Film

2024

Author : Fernando Canet
Release : 2024
Genre :
Kind : eBook
Book Rating : 303/5 ( reviews)

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Book Synopsis “The” Representation of Perpetrators in Global Documentary Film by : Fernando Canet

Download or read book “The” Representation of Perpetrators in Global Documentary Film written by Fernando Canet. This book was released on 2024. Available in PDF, EPUB and Kindle. Book excerpt:

The Representation of Perpetrators in Global Documentary Film

2023-10-10 Social Science

Author : Fernando Canet
Release : 2023-10-10
Genre : Social Science
Kind : eBook
Book Rating : 879/5 ( reviews)

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Book Synopsis The Representation of Perpetrators in Global Documentary Film by : Fernando Canet

Download or read book The Representation of Perpetrators in Global Documentary Film written by Fernando Canet. This book was released on 2023-10-10. Available in PDF, EPUB and Kindle. Book excerpt: The present book aims to explore how the perpetrator of crimes against humanity is represented in recent documentary films in different sociocultural contexts around the world. In recent years the number of diverse forms of cultural productions focused on the figure of perpetrator has increased significantly, thus eliciting a turn toward this problematic figure. The originality of these narratives lies in the shift in point of view they propose: their protagonists, rather than being the victims of the atrocities, are instead their perpetrators. A significant number of documentary films examining crimes against humanity from the perpetrators’ perspective have been released in the first two decades of this century. This current tendency together with the growing scholarly interest in the explorations of the perpetrator underscore the timeliness of the present book. It aims to explore how the perpetrator is represented in recent documentary films in different sociocultural contexts around the world. The perpetrator documentary films’ objects of study in this book are contextualized in the following contexts: Indonesian, Cambodian and Rwandan genocides, Chilean and Argentine dictatorship, Spanish Civil War and its aftermaths, Israeli-Palestinian conflict, Nazi legacy, South Africa Apartheid and USA ́s state perpetrations. Among others, the documentary films analysed are as follows: The Act of Killing, The Look of Silence, S-21: The Khmer Rouge Killing Machine, National Bird, Fahrenheit 11/9, Waltz with Bashir, Z32, El Pacto de Adriana, El Color del Camaleón, 70 y Pico, and El hijo del cazador. The Representation of Perpetrators in Global Documentary Film will be a key resource for academics, researchers, and advanced students of Filmmaking, Communication Studies, Media Studies, Visual Studies, Cultural Studies, and Sociology. The chapters included in this book were originally published as a special issue of Continuum.

Perpetrator Cinema

2020-03-17 Performing Arts

Author : Raya Morag
Release : 2020-03-17
Genre : Performing Arts
Kind : eBook
Book Rating : 170/5 ( reviews)

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Book Synopsis Perpetrator Cinema by : Raya Morag

Download or read book Perpetrator Cinema written by Raya Morag. This book was released on 2020-03-17. Available in PDF, EPUB and Kindle. Book excerpt: Perpetrator Cinema explores a new trend in the cinematic depiction of genocide that has emerged in Cambodian documentary in the late twentieth- and early twenty-first centuries. While past films documenting the Holocaust and genocides in Yugoslavia, Rwanda, and elsewhere have focused on collecting and foregrounding the testimony of survivors and victims, the intimate horror of the autogenocide enables post–Khmer Rouge Cambodian documentarians to propose a direct confrontation between the first-generation survivor and the perpetrator of genocide. These films break with Western tradition and disrupt the political view that reconciliation is the only legitimate response to atrocities of the past. Rather, transcending the perpetrator’s typical denial or partial confession, this extraordinary form of “duel” documentary creates confrontational tension and opens up the possibility of a transformation in power relations, allowing viewers to access feelings of moral resentment. Raya Morag examines works by Rithy Panh, Rob Lemkin and Thet Sambath, and Lida Chan and Guillaume Suon, among others, to uncover the ways in which filmmakers endeavor to allow the survivors’ moral status and courage to guide viewers to a new, more complete understanding of the processes of coming to terms with the past. These documentaries show how moral resentment becomes a way to experience, symbolize, judge, and finally incorporate evil into a system of ethics. Morag’s analysis reveals how perpetrator cinema provides new epistemic tools and propels the recent social-cultural-psychological shift from the era of the witness to the era of the perpetrator.

Documenting World Politics

2015-02-11 Political Science

Author : Rens Van Munster
Release : 2015-02-11
Genre : Political Science
Kind : eBook
Book Rating : 544/5 ( reviews)

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Book Synopsis Documenting World Politics by : Rens Van Munster

Download or read book Documenting World Politics written by Rens Van Munster. This book was released on 2015-02-11. Available in PDF, EPUB and Kindle. Book excerpt: As a central component of contemporary culture, films mirror and shape political debate. Reflecting on this development, scholars in the field of International Relations (IR) increasingly explore the intersection of TV series, fiction film and global politics. So far, however, virtually no systematic scholarly attention has been given to documentary film within IR. This book fills this void by offering a critical companion to the subject aimed at assisting students, teachers and scholars of IR in understanding and assessing the various ways in which documentary films matter in global politics. The authors of this volume argue that much can be gained if we do not just think of documentaries as a window on or intervention in reality, but as a political epistemology that – like theories – involve particular postures, strategies and methodologies towards the world to which they provide access. This work will be of great interest to students and scholars of international relations, popular culture and world politics and media studies alike.

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