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The Renaissance Epic and the Oral Past

2012-11-27 Literary Criticism
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Release : 2012-11-27
Genre : Literary Criticism
Kind : eBook
Book Rating : 867/5 ( reviews)

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Book Synopsis The Renaissance Epic and the Oral Past by : Anthony Welch

Download or read book The Renaissance Epic and the Oral Past written by Anthony Welch. This book was released on 2012-11-27. Available in PDF, EPUB and Kindle. Book excerpt: This book explores why Renaissance epic poetry clung to fictions of song and oral performance in an age of growing literacy. Sixteenth- and seventeenth-century poets, Anthony Welch argues, came to view their written art as newly distinct from the oral cultures of their ancestors. Welch shows how the period’s writers imagined lost civilizations built on speech and song—from Homeric Greece and Celtic Britain to the Americas—and struggled to reconcile this oral inheritance with an early modern culture of the book. Welch’s wide-ranging study offers a new perspective on Renaissance Europe’s epic literature and its troubled relationship with antiquity.

The Renaissance Epic and the Oral Past

2012-11-13 Literary Criticism
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Release : 2012-11-13
Genre : Literary Criticism
Kind : eBook
Book Rating : 994/5 ( reviews)

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Book Synopsis The Renaissance Epic and the Oral Past by : Anthony Welch

Download or read book The Renaissance Epic and the Oral Past written by Anthony Welch. This book was released on 2012-11-13. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a close survey of the changing audiences, modes of reading, and cultural expectations that shaped epic writing in the sixteenth and seventeenth centuries. According to Anthony Welch, the theory and practice of epic poetry in this period—including little-known attempts by many epic poets to have their work orally recited or set to music—must be understood in the context of Renaissance musical humanism. Welch’s approach leads to a fresh perspective on a literary culture that stood on the brink of a new relationship with antiquity and on the history of music in the early modern era.

The Epic: a Very Short Introduction

2024-11-28 Literary Criticism
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Release : 2024-11-28
Genre : Literary Criticism
Kind : eBook
Book Rating : 124/5 ( reviews)

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Book Synopsis The Epic: a Very Short Introduction by : Anthony Welch

Download or read book The Epic: a Very Short Introduction written by Anthony Welch. This book was released on 2024-11-28. Available in PDF, EPUB and Kindle. Book excerpt: The epic is an ancient, diverse, and global art form. This Very Short Introduction aims to showcase the scope and variety of epic storytelling around the world. Welch takes a global approach that traces key resemblances between the European classics and traditional heroic poetry from Africa, Central Asia, and the Near East.

The Renaissance Epic

1950
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Release : 1950
Genre :
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis The Renaissance Epic by : A. E. Parsons

Download or read book The Renaissance Epic written by A. E. Parsons. This book was released on 1950. Available in PDF, EPUB and Kindle. Book excerpt:

Difficult pasts

2023-02-28 Literary Criticism
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Release : 2023-02-28
Genre : Literary Criticism
Kind : eBook
Book Rating : 888/5 ( reviews)

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Book Synopsis Difficult pasts by : Mimi Ensley

Download or read book Difficult pasts written by Mimi Ensley. This book was released on 2023-02-28. Available in PDF, EPUB and Kindle. Book excerpt: Medieval romances were widely condemned by early modern thinkers: the genre of questing knights and marvellous adventure was decried as bloody, bawdy and superstitious. Despite such proclamations, though, the Middle English romance genre remained popular across the early modern period. Difficult pasts examines the reception of Middle English romances after the Protestant Reformation in England, arguing that the genre’s popularity rested not in its violent or superstitious qualities, but in its multivocality. Incorporating insights from book history, reception history and cultural memory studies, Ensley argues that the medieval romance book became a flexible site of memory with which early modern readers could both connect with and distance themselves from the recent ‘difficult past’, a past that invited controversy and encouraged divided perspectives. Central characters in this study range from canonical authors like Geoffrey Chaucer and Edmund Spenser to less studied figures, such as printer William Copland, Elizabethan scribe Edward Banister and seventeenth-century poet and romance enthusiast, John Lane. In uniting a wide range of romance readers’ perspectives, the book complicates clear ruptures between manuscript and print, Catholic and Protestant, or medieval and Renaissance. Difficult pasts reveals how the romance book offers a new way to understand the simultaneous change and continuity that defines post-Reformation England.

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