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The Queer Composition of America's Sound

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Release : 2004-10-18
Genre : Music
Kind : eBook
Book Rating : 953/5 ( reviews)

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Book Synopsis The Queer Composition of America's Sound by : Nadine Hubbs

Download or read book The Queer Composition of America's Sound written by Nadine Hubbs. This book was released on 2004-10-18. Available in PDF, EPUB and Kindle. Book excerpt: In this vibrant and pioneering book, Nadine Hubbs shows how a gifted group of Manhattan-based gay composers were pivotal in creating a distinctive "American sound" and in the process served as architects of modern American identity. Focusing on a talented circle that included Aaron Copland, Virgil Thomson, Leonard Bernstein, Marc Blitzstein, Paul Bowles, David Diamond, and Ned Rorem, The Queer Composition of America's Sound homes in on the role of these artists' self-identification—especially with tonal music, French culture, and homosexuality—in the creation of a musical idiom that even today signifies "America" in commercials, movies, radio and television, and the concert hall.

The Queer Composition of America's Sound

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Author :
Release : 2004-10-18
Genre : Biography & Autobiography
Kind : eBook
Book Rating : 851/5 ( reviews)

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Book Synopsis The Queer Composition of America's Sound by : Nadine Hubbs

Download or read book The Queer Composition of America's Sound written by Nadine Hubbs. This book was released on 2004-10-18. Available in PDF, EPUB and Kindle. Book excerpt: This book considers the question: was the flourishing of modernism in music (and related arts) in 20th century America a phenomenon created by gay men?

Rednecks, Queers, and Country Music

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Release : 2014-03-18
Genre : Music
Kind : eBook
Book Rating : 349/5 ( reviews)

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Book Synopsis Rednecks, Queers, and Country Music by : Nadine Hubbs

Download or read book Rednecks, Queers, and Country Music written by Nadine Hubbs. This book was released on 2014-03-18. Available in PDF, EPUB and Kindle. Book excerpt: In her provocative new book Rednecks, Queers, and Country Music, Nadine Hubbs looks at how class and gender identity play out in one of America’s most culturally and politically charged forms of popular music. Skillfully weaving historical inquiry with an examination of classed cultural repertoires and close listening to country songs, Hubbs confronts the shifting and deeply entangled workings of taste, sexuality, and class politics. In Hubbs’s view, the popular phrase "I’ll listen to anything but country" allows middle-class Americans to declare inclusive "omnivore" musical tastes with one crucial exclusion: country, a music linked to low-status whites. Throughout Rednecks, Queers, and Country Music, Hubbs dissects this gesture, examining how provincial white working people have emerged since the 1970s as the face of American bigotry, particularly homophobia, with country music their audible emblem. Bringing together the redneck and the queer, Hubbs challenges the conventional wisdom and historical amnesia that frame white working folk as a perpetual bigot class. With a powerful combination of music criticism, cultural critique, and sociological analysis of contemporary class formation, Nadine Hubbs zeroes in on flawed assumptions about how country music models and mirrors white working-class identities. She particularly shows how dismissive, politically loaded middle-class discourses devalue country’s manifestations of working-class culture, politics, and values, and render working-class acceptance of queerness invisible. Lucid, important, and thought-provoking, this book is essential reading for students and scholars of American music, gender and sexuality, class, and pop culture.

Gay Artists in Modern American Culture

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Release : 2007-09-10
Genre : Social Science
Kind : eBook
Book Rating : 894/5 ( reviews)

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Book Synopsis Gay Artists in Modern American Culture by : Michael S. Sherry

Download or read book Gay Artists in Modern American Culture written by Michael S. Sherry. This book was released on 2007-09-10. Available in PDF, EPUB and Kindle. Book excerpt: Today it is widely recognized that gay men played a prominent role in defining the culture of mid-twentieth-century America, with such icons as Tennessee Williams, Edward Albee, Aaron Copland, Samuel Barber, Montgomery Clift, and Rock Hudson defining much of what seemed distinctly "American" on the stage and screen. Even though few gay artists were "out," their sexuality caused significant anxiety during a time of rampant antihomosexual attitudes. Michael Sherry offers a sophisticated analysis of the tension between the nation's simultaneous dependence on and fear of the cultural influence of gay artists. Sherry places conspiracy theories about the "homintern" (homosexual international) taking control and debasing American culture within the paranoia of the time that included anticommunism, anti-Semitism, and racism. Gay artists, he argues, helped shape a lyrical, often nationalist version of American modernism that served the nation's ambitions to create a cultural empire and win the Cold War. Their success made them valuable to the country's cultural empire but also exposed them to rising antigay sentiment voiced even at the highest levels of power (for example, by President Richard Nixon). Only late in the twentieth century, Sherry concludes, did suspicion slowly give way to an uneasy accommodation of gay artists' place in American life.

Intersecting Film, Music, and Queerness

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Release : 2016-04-08
Genre : Performing Arts
Kind : eBook
Book Rating : 210/5 ( reviews)

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Book Synopsis Intersecting Film, Music, and Queerness by : Jack Curtis Dubowsky

Download or read book Intersecting Film, Music, and Queerness written by Jack Curtis Dubowsky. This book was released on 2016-04-08. Available in PDF, EPUB and Kindle. Book excerpt: Intersecting Film, Music, and Queerness uses musicology and queer theory to uncover meaning and message in canonical American cinema. This study considers how queer readings are reinforced or nuanced through analysis of musical score. Taking a broad approach to queerness that questions heteronormative and homonormative patriarchal structures, binary relationships, gender assumptions and anxieties, this book challenges existing interpretations of what is progressive and what is retrogressive in cinema. Examined films include Bride of Frankenstein, Louisiana Story, Rudolph the Red-Nosed Reindeer, Blazing Saddles, Edward Scissorhands, Brokeback Mountain, Boys Don't Cry, Transamerica, Thelma & Louise, Go Fish and The Living End, with special attention given to films that subvert or complicate genre. Music is analyzed with concern for composition, intertextual references, absolute musical structures, song lyrics, recording, arrangement, and performance issues. This multidisciplinary work, featuring groundbreaking research, analysis, and theory, offers new close readings and a model for future scholarship.

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