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The Oxford Handbook of Timbre

2021 Music
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Release : 2021
Genre : Music
Kind : eBook
Book Rating : 226/5 ( reviews)

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Book Synopsis The Oxford Handbook of Timbre by : Emily I. Dolan

Download or read book The Oxford Handbook of Timbre written by Emily I. Dolan. This book was released on 2021. Available in PDF, EPUB and Kindle. Book excerpt: "With essays covering an array of topics including ancient Homeric texts, contemporary sound installations, violin mutes, birdsong, and cochlear implants, this volume reveals the richness of what it means to think and talk about timbre and the materiality of the experience of sound"--

The Oxford Handbook of Timbre

2021-09-15 Music
Download The Oxford Handbook of Timbre PDF Online Free

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Release : 2021-09-15
Genre : Music
Kind : eBook
Book Rating : 250/5 ( reviews)

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Book Synopsis The Oxford Handbook of Timbre by : Emily I. Dolan

Download or read book The Oxford Handbook of Timbre written by Emily I. Dolan. This book was released on 2021-09-15. Available in PDF, EPUB and Kindle. Book excerpt: Despite its importance as a central feature of musical sounds, timbre has rarely stood in the limelight. First defined in the eighteenth century, denigrated during the nineteenth, the concept of timbre came into its own during the twentieth century and its fascination with synthesizers and electronic music-or so the story goes. But in fact, timbre cuts across all the boundaries that make up musical thought-combining scientific and artistic approaches to music, material and philosophical aspects, and historical and theoretical perspectives. Timbre challenges us to fundamentally reorganize the way we think about music. The twenty-five essays that make up this collection offer a variety of engagements with music from the perspective of timbre. The boundaries are set as broad as possible: from ancient Homeric sounds to contemporary sound installations, from birdsong to cochlear implants, from Tuvan overtone singing to the tv show The Voice, from violin mutes to Moog synthesizers. What unifies the essays across this vast diversity is the material starting point of the sounding object. This focus on the listening experience is radical departure from the musical work that has traditionally dominated musical discourse since its academic inception in late-nineteenth-century Europe. Timbre remains a slippery concept that has continuously demanded more, be it more precise vocabulary, a more systematic theory, or more rigorous analysis. Rooted in the psychology of listening, timbre consistently resists pinning complete down. This collection of essays provides an invitation for further engagement with the range of fascinating questions that timbre opens up.

The Oxford Handbook of Critical Concepts in Music Theory

2019 Music
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Release : 2019
Genre : Music
Kind : eBook
Book Rating : 741/5 ( reviews)

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Book Synopsis The Oxford Handbook of Critical Concepts in Music Theory by : Alexander Rehding

Download or read book The Oxford Handbook of Critical Concepts in Music Theory written by Alexander Rehding. This book was released on 2019. Available in PDF, EPUB and Kindle. Book excerpt: Music Theory operates with a number of fundamental terms that are rarely explored in detail. This book offers in-depth reflections on key concepts from a range of philosophical and critical approaches that reflect the diversity of the contemporary music theory landscape.

The Oxford Handbook of Music Psychology

2016-01-14 Psychology
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Release : 2016-01-14
Genre : Psychology
Kind : eBook
Book Rating : 452/5 ( reviews)

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Book Synopsis The Oxford Handbook of Music Psychology by : Susan Hallam

Download or read book The Oxford Handbook of Music Psychology written by Susan Hallam. This book was released on 2016-01-14. Available in PDF, EPUB and Kindle. Book excerpt: The second edition of The Oxford Handbook of Music Psychology updates the original landmark text and provides a comprehensive review of the latest developments in this fast-growing area of research. Covering both experimental and theoretical perspectives, each of the 11 sections is edited by an internationally recognised authority in the area. The first ten parts present chapters that focus on specific areas of music psychology: the origins and functions of music; music perception, responses to music; music and the brain; musical development; learning musical skills; musical performance; composition and improvisation; the role of music in everyday life; and music therapy. In each part authors critically review the literature, highlight current issues and explore possibilities for the future. The final part examines how, in recent years, the study of music psychology has broadened to include a range of other disciplines. It considers the way that research has developed in relation to technological advances, and points the direction for further development in the field. With contributions from internationally recognised experts across 55 chapters, it is an essential resource for students and researchers in psychology and musicology.

The Oxford Handbook of Critical Concepts in Music Theory

2019-11-19 Music
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Release : 2019-11-19
Genre : Music
Kind : eBook
Book Rating : 75X/5 ( reviews)

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Book Synopsis The Oxford Handbook of Critical Concepts in Music Theory by : Alexander Rehding

Download or read book The Oxford Handbook of Critical Concepts in Music Theory written by Alexander Rehding. This book was released on 2019-11-19. Available in PDF, EPUB and Kindle. Book excerpt: Music Theory has a lot of ground to cover. Especially in introductory classes a whole range of fundamental concepts are introduced at fast pace that can never be explored in depth or detail, as other new topics become more pressing. The short time we spend with them in the classroom belies the complexity (and, in many cases, the contradictions) underlying these concepts. This book takes the time to tarry over these complexities, probe the philosophical assumptions on which these concepts rest, and shine a light on all their iridescent facets. This book presents music-theoretical concepts as a register of key terms progressing outwards from smallest detail to discussions of the music-theoretical project on the largest scale. The approaches individual authors take range from philosophical, historical, or analytical to systematic, cognitive, and critical-theorical-covering the whole diverse spectrum of contemporary music theory. In some cases authors explore concepts that have not yet been widely added to the theorist's toolkit but deserve to be included; in other cases concepts are expanded beyond their core repertory of application. This collection does not shy away from controversy. Taken in their entirety, the essays underline that music theory is on the move, exploring new questions, new repertories, and new approaches. This collection is an invitation to take stock of music theory in the early twenty-first century, to look back and to encourage discussion about its future directions. Its chapters open up a panoramic view of the contemporary music-theoretical landscape with its expanding repertories and changing guiding questions, and offers suggestions as to where music theory is headed in years to come.

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