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The Oxford Handbook of the Georgian Theatre 1737-1832

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Release : 2014
Genre : Drama
Kind : eBook
Book Rating : 309/5 ( reviews)

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Book Synopsis The Oxford Handbook of the Georgian Theatre 1737-1832 by : Julia Swindells

Download or read book The Oxford Handbook of the Georgian Theatre 1737-1832 written by Julia Swindells. This book was released on 2014. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of the Georgian Theatre 1737-1832 provides a comprehensive guide to theatre of the Georgian era across the range of dramatic forms.

The Oxford Handbook of the Georgian Theatre 1737-1832

Download The Oxford Handbook of the Georgian Theatre 1737-1832 PDF Online Free

Author :
Release : 2014-01-16
Genre : Literary Criticism
Kind : eBook
Book Rating : 201/5 ( reviews)

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Book Synopsis The Oxford Handbook of the Georgian Theatre 1737-1832 by : Julia Swindells

Download or read book The Oxford Handbook of the Georgian Theatre 1737-1832 written by Julia Swindells. This book was released on 2014-01-16. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of the Georgian Theatre 1737-1832 provides an essential guide to theatre in Britain between the passing of the Stage Licensing Act in 1737 and the Reform Act of 1832 -- a period of drama long neglected but now receiving significant scholarly attention. Written by specialists from a range of disciplines, its forty essays both introduce students and scholars to the key texts and contexts of the Georgian theatre and also push the boundaries of the field, asking questions that will animate the study of drama in the eighteenth and early nineteenth centuries for years to come. The Handbook gives equal attention to the range of dramatic forms -- not just tragedy and comedy, but the likes of melodrama and pantomime -- as they developed and overlapped across the period, and to the occasions, communities, and materialities of theatre production. It includes sections on historiography, the censorship and regulation of drama, theatre and the Romantic canon, women and the stage, and the performance of race and empire. In doing so, the Handbook shows the centrality of theatre to Georgian culture and politics, and paints a picture of a stage defined by generic fluidity and experimentation; by networks of performance that spread far beyond London; by professional women who played pivotal roles in every aspect of production; and by its complex mediation of contemporary attitudes of class, race, and gender.

The Oxford Handbook of Eighteenth-Century Satire

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Author :
Release : 2019-07-30
Genre : Literary Criticism
Kind : eBook
Book Rating : 702/5 ( reviews)

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Book Synopsis The Oxford Handbook of Eighteenth-Century Satire by : Paddy Bullard

Download or read book The Oxford Handbook of Eighteenth-Century Satire written by Paddy Bullard. This book was released on 2019-07-30. Available in PDF, EPUB and Kindle. Book excerpt: Eighteenth century Britain thought of itself as a polite, sentimental, enlightened place, but often its literature belied this self-image. This was an age of satire, and the century's novels, poems, plays, and prints resound with mockery and laughter, with cruelty and wit. The street-level invective of Grub Street pamphleteers is full of satire, and the same accents of raillery echo through the high scepticism of the period's philosophers and poets, many of whom were part-time pamphleteers themselves. The novel, a genre that emerged during the eighteenth century, was from the beginning shot through with satirical colours borrowed from popular romances and scandal sheets. This Handbook is a guide to the different kinds of satire written in English during the 'long' eighteenth century. It focuses on texts that appeared between the restoration of the Stuart monarchy in 1660 and the outbreak of the French Revolution in 1789. Outlier chapters extend the story back to first decade of the seventeenth century, and forward to the second decade of the nineteenth. The scope of the volume is not confined by genre, however. So prevalent was the satirical mode in writing of the age that this book serves as a broad and characteristic survey of its literature. The Oxford Handbook of Eighteenth-Century Satire reflects developments in historical criticism of eighteenth-century writing over the last two decades, and provides a forum in which the widening diversity of literary, intellectual, and socio-historical approaches to the period's texts can come together.

Charles Dibdin and Late Georgian Culture

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Release : 2018
Genre : Biography & Autobiography
Kind : eBook
Book Rating : 426/5 ( reviews)

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Book Synopsis Charles Dibdin and Late Georgian Culture by : Oskar Cox Jensen

Download or read book Charles Dibdin and Late Georgian Culture written by Oskar Cox Jensen. This book was released on 2018. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines Charles Dibdin's extraordinarily wide-ranging career as an actor, lyricist, composer, singer-songwriter, comedian, theatre-manager, journalist, artist, music tutor, speculator, and author, and offers fresh insights into late Georgian culture, society, and politics.

Poetics of the Pillory

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Release : 2019
Genre : Literary Criticism
Kind : eBook
Book Rating : 498/5 ( reviews)

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Book Synopsis Poetics of the Pillory by : Thomas Keymer

Download or read book Poetics of the Pillory written by Thomas Keymer. This book was released on 2019. Available in PDF, EPUB and Kindle. Book excerpt: On the lapse of the Licensing Act in 1695, Thomas Macaulay wrote in his History of England, 'English literature was emancipated, and emancipated for ever, from the control of the government'. It's certainly true that the system of prior restraint enshrined in this Restoration measure was now at an end, at least for print. Yet the same cannot be said of government control, which came to operate instead by means of post-publication retribution, not pre-publication licensing, notably for the common-law offence of seditious libel. For many of the authors affected, from Defoe to Cobbett, this new regime was a greater constraint on expression than the old, not least for its alarming unpredictability, and for the spectacular punishment--the pillory--that was sometimes entailed. Yet we may also see the constraint as an energizing force. Throughout the eighteenth century and into the Romantic period, writers developed and refined ingenious techniques for communicating dissident or otherwise contentious meanings while rendering the meanings deniable. As a work of both history and criticism, this book traces the rise and fall of seditious libel prosecution, and with it the theatre of the pillory, while arguing that the period's characteristic forms of literary complexity--ambiguity, ellipsis, indirection, irony--may be traced to the persistence of censorship in the post-licensing world. The argument proceeds through case studies of major poets and prose writers including Dryden, Defoe, Pope, Fielding, Johnson, and Southey, and also calls attention to numerous little-known satires and libels across the extended period.

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