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The Oxford Handbook of Queer Cinema

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Release : 2021
Genre : Performing Arts
Kind : eBook
Book Rating : 995/5 ( reviews)

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Book Synopsis The Oxford Handbook of Queer Cinema by : Ronald Gregg

Download or read book The Oxford Handbook of Queer Cinema written by Ronald Gregg. This book was released on 2021. Available in PDF, EPUB and Kindle. Book excerpt: "Queer media is not one thing but an ensemble of at least four moving variables: history, gender and sexuality, geography, and medium. While many scholars would pinpoint the early 1990s as marking the emergence of a cinematic movement (dubbed by B. Ruby Rich, the "new queer cinema") in the United States, films and television programs that clearly spoke to LGBTQ themes and viewers existed at many different historical moments and in many different forms. Cross-dressing, same-sex attraction, comedic drag performance: at some points, for example in 1950s television, these were not undercurrents but very prominent aspects of mainstream cultural production. Addressing "history" not as dots on a progressive spectrum but as a uneven story of struggle, writers on queer cinema in this volume stress how that queer cinema did not appear miraculously at one moment but describes currents throughout the century-long history of the medium. Likewise, while queer is an Anglophone term that has been widely circulated, it by no means names a unified or complete spectrum of sexuality and gender identity, just as the LGBTQ+ alphabet soup struggles to contain the distinctive histories, politics, and cultural productions of trans artists and genderqueer practices. Across the globe, media makers have interrogated identity and desire through the medium of cinema through rubrics that sometimes vigorously oppose the Western embrace of the pejorative term queer, instead foregrounding indigenous genders and sexualities, or those forged in the global South, or those seeking alternative epistemologies. Finally, while "cinema" is in our title, many scholars in this collection see that term as an encompassing one, referencing cinema and media in a convergent digital environment. The lively and dynamic conversations introduced here aspire to sustain further reflection as "queer cinema" shifts into new configurations"--

The Oxford Handbook of Japanese Cinema

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Release : 2014
Genre : History
Kind : eBook
Book Rating : 667/5 ( reviews)

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Book Synopsis The Oxford Handbook of Japanese Cinema by : Daisuke Miyao

Download or read book The Oxford Handbook of Japanese Cinema written by Daisuke Miyao. This book was released on 2014. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a multifaceted single-volume account of Japanese cinema. It addresses productive debates about what Japanese cinema is, where Japanese cinema is, as well as what and where Japanese cinema studies is, at the so-called period of crisis of national boundary under globalization and the so-called period of crisis of cinema under digitalization.

The Oxford Handbook of Film and Media Studies

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Release : 2008-09-11
Genre : Performing Arts
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis The Oxford Handbook of Film and Media Studies by : Robert Kolker

Download or read book The Oxford Handbook of Film and Media Studies written by Robert Kolker. This book was released on 2008-09-11. Available in PDF, EPUB and Kindle. Book excerpt: This handbook examines film and new media in the light of their convergence. It draws on leading scholars in the field to discuss traditional areas of history and theory of film and digital media. Its focus, however, is on the cycle of technologically driven arts. Film was born of a number of experiments in reproducing motion, all of which culminated in the nineteenth-century projection of short films. The creation of digital media resulted from experiments in alternative forms of representation in the early 1960s. John Whitney began creating avant-garde films from digital graphics around 1960 (and some of his ideas and methods were incorporated by Stanley Kubrick in 2001: A Space Odyssey). By the early 1990s, commercial filmmakers began to employ digital effects in their work. By the late nineties, digital arts had come fully into their own, both in the form of stand-alone or interactive artworks and films created with and for the computer. At the same time, digital effects had completely overtaken optical printing and matte painting in film. From special effects to creating "realistic" backgrounds and crowds, the digital is infiltrating all aspects of filmmaking. The infiltration is about to become a takeover, as celluloid is replaced by high definition digital recording and projection processes. Many aspects of film will change as this latest convergence takes place. Already, cultural response to film has changed as viewers begin to teach themselves about film through supplementary material on DVDs and to make their own films on home computers. But this handbook is not a technical history or manual. Quite the contrary, it is a scholarly work discussing the aesthetics, economics, and cultural results of these changes and convergences. The book balances traditional scholarship and analysis with essays addressing technological change and the concurrent changes in cultural responses to these changes, responses already acknowledged by the profession.

The Desiring-Image

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Release : 2013-07-18
Genre : Performing Arts
Kind : eBook
Book Rating : 165/5 ( reviews)

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Book Synopsis The Desiring-Image by : Nick Davis

Download or read book The Desiring-Image written by Nick Davis. This book was released on 2013-07-18. Available in PDF, EPUB and Kindle. Book excerpt: The Desiring-Image redefines queer cinema as a kind of filmmaking that conveys sexuality and desire as fundamentally fluid for all people, exceeding familiar stories and themes in many LGBT movies.

Queer Cinema in the World

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Release : 2016-11-17
Genre : Performing Arts
Kind : eBook
Book Rating : 67X/5 ( reviews)

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Book Synopsis Queer Cinema in the World by : Karl Schoonover

Download or read book Queer Cinema in the World written by Karl Schoonover. This book was released on 2016-11-17. Available in PDF, EPUB and Kindle. Book excerpt: Proposing a radical vision of cinema's queer globalism, Karl Schoonover and Rosalind Galt explore how queer filmmaking intersects with international sexual cultures, geopolitics, and aesthetics to disrupt dominant modes of world making. Whether in its exploration of queer cinematic temporality, the paradox of the queer popular, or the deviant ecologies of the queer pastoral, Schoonover and Galt reimagine the scope of queer film studies. The authors move beyond the gay art cinema canon to consider a broad range of films from Chinese lesbian drama and Swedish genderqueer documentary to Bangladeshi melodrama and Bolivian activist video. Schoonover and Galt make a case for the centrality of queerness in cinema and trace how queer cinema circulates around the globe–institutionally via film festivals, online consumption, and human rights campaigns, but also affectively in the production of a queer sensorium. In this account, cinema creates a uniquely potent mode of queer worldliness, one that disrupts normative ways of being in the world and forges revised modes of belonging.

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