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The Mobile Image from Watteau to Boucher

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Release : 2024-08-13
Genre : Art
Kind : eBook
Book Rating : 881/5 ( reviews)

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Book Synopsis The Mobile Image from Watteau to Boucher by : David Pullins

Download or read book The Mobile Image from Watteau to Boucher written by David Pullins. This book was released on 2024-08-13. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a new way of thinking about eighteenth-century French art and visual culture by prioritizing production over reception. Abandoning the ideologically driven discourse that distinguished fine from decorative art between the 1690s and 1770s, The Mobile Image reveals how the two have been inextricably bound from the earliest stages of artistic instruction through the daily life of painters’ workshops. In this study, author David Pullins defines artisanal and artistic means of learning, seeing, and making through a system of “mobile images”: motifs that were effectively engineered for mobility and designed never to be definitive, always awaiting replication and circulation. He examines the careers of Antoine Watteau, Jean-Baptiste Oudry, and François Boucher, situating them against a much broader cast of actors—such as printmakers, publishers, anonymous studio assistants, and architects, among others—to place eighteenth-century painting within a wider context of media and making.

Cut and Paste: The Mobile Image From Watteau to Robert

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Author :
Release : 2016
Genre :
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Cut and Paste: The Mobile Image From Watteau to Robert by : David Pullins

Download or read book Cut and Paste: The Mobile Image From Watteau to Robert written by David Pullins. This book was released on 2016. Available in PDF, EPUB and Kindle. Book excerpt:

Histories of Ornament

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Release : 2016-03-08
Genre : Architecture
Kind : eBook
Book Rating : 281/5 ( reviews)

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Book Synopsis Histories of Ornament by : Gülru Necipoğlu

Download or read book Histories of Ornament written by Gülru Necipoğlu. This book was released on 2016-03-08. Available in PDF, EPUB and Kindle. Book excerpt: This lavishly illustrated volume is the first major global history of ornament from the Middle Ages to today. Crossing historical and geographical boundaries in unprecedented ways and considering the role of ornament in both art and architecture, Histories of Ornament offers a nuanced examination that integrates medieval, Renaissance, baroque, and modern Euroamerican traditions with their Islamic, Indian, Chinese, and Mesoamerican counterparts. At a time when ornament has re-emerged in architectural practice and is a topic of growing interest to art and architectural historians, the book reveals how the long history of ornament illuminates its global resurgence today. Organized by thematic sections on the significance, influence, and role of ornament, the book addresses ornament's current revival in architecture, its historiography and theories, its transcontinental mobility in medieval and early modern Europe and the Middle East, and its place in the context of industrialization and modernism. Throughout, Histories of Ornament emphasizes the portability and politics of ornament, figuration versus abstraction, cross-cultural dialogues, and the constant negotiation of local and global traditions. Featuring original essays by more than two dozen scholars from around the world, this authoritative and wide-ranging book provides an indispensable reference on the histories of ornament in a global context. Contributors include: Michele Bacci (Fribourg University); Anna Contadini (University of London); Thomas B. F. Cummins (Harvard); Chanchal Dadlani (Wake Forest); Daniela del Pesco (Universita degli Studi Roma Tre); Vittoria Di Palma (USC); Anne Dunlop (University of Melbourne); Marzia Faietti (University of Bologna); María Judith Feliciano (independent scholar); Finbarr Barry Flood (NYU); Jonathan Hay (NYU); Christopher P. Heuer (Clark Art); Rémi Labrusse (Université Paris Ouest Nanterre la Défense); Gülru Necipoğlu (Harvard); Marco Rosario Nobile (University of Palermo); Oya Pancaroğlu (Bosphorus University); Spyros Papapetros (Princeton); Alina Payne (Harvard); Antoine Picon (Harvard); David Pullins (Harvard); Jennifer L. Roberts (Harvard); David J. Roxburgh (Harvard); Hashim Sarkis (MIT); Robin Schuldenfrei (Courtauld); Avinoam Shalem (Columbia); and Gerhard Wolf (KHI, Florence).

Antoine Watteau.-François Boucher

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Release : 1880
Genre :
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Antoine Watteau.-François Boucher by : Robert DOHME (Art Historian.)

Download or read book Antoine Watteau.-François Boucher written by Robert DOHME (Art Historian.). This book was released on 1880. Available in PDF, EPUB and Kindle. Book excerpt:

Exhibiting Englishness

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Author :
Release : 2013
Genre : Art
Kind : eBook
Book Rating : 689/5 ( reviews)

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Book Synopsis Exhibiting Englishness by : Rosie Dias

Download or read book Exhibiting Englishness written by Rosie Dias. This book was released on 2013. Available in PDF, EPUB and Kindle. Book excerpt: In the late 18th century, as a wave of English nationalism swept the country, the printseller John Boydell set out to create an ambitious exhibition space, one devoted to promoting and fostering a distinctly English style of history painting. With its very name, the Shakespeare Gallery signaled to Londoners that the artworks on display shared an undisputed quality and a national spirit. Exhibiting Englishness explores the responses of key artists of the period to Boydell's venture and sheds new light on the gallery's role in the larger context of British art. Tracking the shift away from academic and Continental European styles of history painting, the book analyzes the works of such artists as Joshua Reynolds, Henry Fuseli, James Northcote, Robert Smirke, Thomas Banks, and William Hamilton, laying out their diverse ways of expressing notions of individualism, humor, eccentricity, and naturalism. Exhibiting Englishness also argues that Boydell's gallery radically redefined the dynamics of display and cultural aesthetics at that time, shaping both an English school of painting and modern exhibition practices. Published for the Paul Mellon Centre for Studies in British Art

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