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The Materials and Techniques of Medieval Painting

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Release : 1956-01-01
Genre : Art
Kind : eBook
Book Rating : 270/5 ( reviews)

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Book Synopsis The Materials and Techniques of Medieval Painting by : Daniel Varney Thompson

Download or read book The Materials and Techniques of Medieval Painting written by Daniel Varney Thompson. This book was released on 1956-01-01. Available in PDF, EPUB and Kindle. Book excerpt: Sums up 20th-century knowledge: paints, binders, metals, surface preparation. Based on manuscripts and scientific investigation.

The Materials and Techniques of Medieval Painting

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Author :
Release : 2012-05-11
Genre : Art
Kind : eBook
Book Rating : 035/5 ( reviews)

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Book Synopsis The Materials and Techniques of Medieval Painting by : Daniel V. Thompson

Download or read book The Materials and Techniques of Medieval Painting written by Daniel V. Thompson. This book was released on 2012-05-11. Available in PDF, EPUB and Kindle. Book excerpt: Medieval painters built up a tremendous range of technical resources for obtaining brilliance and permanence. In this volume, an internationally known authority on medieval paint technology describes these often jealously guarded recipes, lists of materials, and processes. Based upon years of study of medieval manuscripts and enlarged by laboratory analysis of medieval paintings, this book discusses carriers and grounds, binding media, pigments, coloring materials, and metals used in painting. It describes the surfaces that the medieval artist painted upon, detailing their preparation. It analyzes binding media, discussing relative merits of glair versus gums, oil glazes, and other matters. It tells how the masters obtained their colors, how they processed them, and how they applied them. It tells how metals were prepared for use in painting, how gold powders and leaf were laid on, and dozens of other techniques. Simply written, easy to read, this book will be invaluable to art historians, students of medieval painting and civilization, and historians of culture. Although it contains few fully developed recipes, it will interest any practicing artist with its discussion of methods of brightening colors and assuring permanence. "A rich feast," The Times (London). "Enables the connoisseur, artist, and collector to obtain the distilled essence of Thompson's researches in an easily read and simple form," Nature (London). "A mine of technical information for the artist," Saturday Review of Literature.

The Materials and Techniques of Medieval Painting

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Author :
Release : 1987-01
Genre :
Kind : eBook
Book Rating : 362/5 ( reviews)

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Book Synopsis The Materials and Techniques of Medieval Painting by : D. V. Thompson

Download or read book The Materials and Techniques of Medieval Painting written by D. V. Thompson. This book was released on 1987-01. Available in PDF, EPUB and Kindle. Book excerpt:

The Materials and Techniques of Medieval Painting

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Author :
Release : 1982
Genre :
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis The Materials and Techniques of Medieval Painting by : Daniel V. Thompson

Download or read book The Materials and Techniques of Medieval Painting written by Daniel V. Thompson. This book was released on 1982. Available in PDF, EPUB and Kindle. Book excerpt:

The Materials of Medieval Painting

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Author :
Release : 2019-07-21
Genre : Art
Kind : eBook
Book Rating : 688/5 ( reviews)

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Book Synopsis The Materials of Medieval Painting by : Daniel V. Thompson

Download or read book The Materials of Medieval Painting written by Daniel V. Thompson. This book was released on 2019-07-21. Available in PDF, EPUB and Kindle. Book excerpt: 2019 Reprint of 1936 U.S. Edition. Full facsimile of the original edition, not reproduced with Optical Recognition software. Professor Thompson has written an extremely interesting and valuable book on a subject very rarely dealt with, the materials used by medieval painters, or as he calls it, " the cookery of art." In the first chapter the author discusses the various types of surfaces employed by the medieval painters, such as parchment, vellum, wood, walls, and canvas. In chapter two he deals with the different binding media that had to be used to bind the pigments to the different types of surfaces. The third and longest chapter deals with the pigments themselves. This book, written in a very pleasing style, will appeal not only to those interested in medieval painting itself, but to anyone who wishes further knowledge on various medieval plants, and on certain chemical problems of the Middle Ages.

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