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The De-definition of Art

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Author :
Release : 1972
Genre : Art
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis The De-definition of Art by : Harold Rosenberg

Download or read book The De-definition of Art written by Harold Rosenberg. This book was released on 1972. Available in PDF, EPUB and Kindle. Book excerpt:

The De-definition of Art

Download The De-definition of Art PDF Online Free

Author :
Release : 1971
Genre :
Kind : eBook
Book Rating : /5 ( reviews)

GET EBOOK


Book Synopsis The De-definition of Art by : Harold Rosenberg

Download or read book The De-definition of Art written by Harold Rosenberg. This book was released on 1971. Available in PDF, EPUB and Kindle. Book excerpt:

The De-Definition of Art

Download The De-Definition of Art PDF Online Free

Author :
Release : 1983-06-15
Genre : Art
Kind : eBook
Book Rating : 731/5 ( reviews)

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Book Synopsis The De-Definition of Art by : Harold Rosenberg

Download or read book The De-Definition of Art written by Harold Rosenberg. This book was released on 1983-06-15. Available in PDF, EPUB and Kindle. Book excerpt: "Like the great German critic Walter Benjamin, Rosenberg is a master of dialectics whose sense of art is continuous with his sense of society, and (also like Benjamin) bears no taint of compromised, out-of-work radicalism. Instead, his radicalism is very much at work, enabling him to spot and skewer fallacies, false logic and the camouflaged nudity that is a large part of the art emperor's new wardrobe. [The De-definition of Art] detects with great sensitivity the forces that are deflecting and pressuring art in the direction of esthetic and moral nullity."—Jack Kroll, Newsweek

Definitions of Art

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Author :
Release : 1991
Genre : Art
Kind : eBook
Book Rating : 940/5 ( reviews)

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Book Synopsis Definitions of Art by : Stephen Davies

Download or read book Definitions of Art written by Stephen Davies. This book was released on 1991. Available in PDF, EPUB and Kindle. Book excerpt: In the last thirty years, work in analytic philosophy of art has flourished, and it has given rise to considerably controversy. Stephen Davies describes and analyzes the definition of art as it has been discussed in Anglo-American philosophy during this period and, in the process, introduces his own perspective on ways in which we should reorient our thinking.Davies conceives of the debate as revealing two basic, conflicting approaches--the functional and the procedural--to the questions of whether art can be defined, and if so, how. As the author sees it, the functionalist believes that an object is a work of art only if it performs a particular function (usually, that of providing a rewarding aesthetic experience). By contrast the proceduralist believes that something is an artwork only if it has been created according to certain rules and procedures. Davies attempts to demonstrate the fruitfulness of viewing the debate in terms of this framework, and he develops new arguments against both points of view--although he is more critical of functional than of procedural definitions.Because it has generated so much of the recent literature, Davies starts his analysis with a discussion of Morris Weitz's germinal paper, "The Role of Theory in Aesthetics." He goes on to examine other important works by Arthur Danto, George Dickie, and Ben Tilghman and develops in his critiques original arguments on such matters of the artificiality of artworks and the relevance of artists' intentions.

The Arts and the Definition of the Human

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Release : 2008-09-10
Genre : Philosophy
Kind : eBook
Book Rating : 869/5 ( reviews)

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Book Synopsis The Arts and the Definition of the Human by : Joseph Margolis

Download or read book The Arts and the Definition of the Human written by Joseph Margolis. This book was released on 2008-09-10. Available in PDF, EPUB and Kindle. Book excerpt: The Arts and the Definition of the Human introduces a novel theory that our selves—our thoughts, perceptions, creativity, and other qualities that make us human—are determined by our place in history, and more particularly by our culture and language. Margolis rejects the idea that any concepts or truths remain fixed and objective through the flow of history and reveals that this theory of the human being (or "philosophical anthropology") as culturally determined and changing is necessary to make sense of art. He shows that a painting, sculpture, or poem cannot have a single correct interpretation because our creation and perception of art will always be mitigated by our historical and cultural contexts. Calling upon philosophers ranging from Parmenides and Plato to Kant, Hegel, and Wittgenstein, art historians from Damisch to Elkins, artists from Van Eyck to Michelangelo to Wordsworth to Duchamp, Margolis creates a philosophy of art interwoven with his philosophical anthropology which pointedly challenges prevailing views of the fine arts and the nature of personhood.

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