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Pages from The Talking Machine World

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Author :
Release : 1916
Genre : Music
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Pages from The Talking Machine World by :

Download or read book Pages from The Talking Machine World written by . This book was released on 1916. Available in PDF, EPUB and Kindle. Book excerpt:

TALKING MACHINE WORLD,

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Author :
Release : 2022
Genre :
Kind : eBook
Book Rating : 282/5 ( reviews)

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Book Synopsis TALKING MACHINE WORLD, by : UNKNOWN. AUTHOR

Download or read book TALKING MACHINE WORLD, written by UNKNOWN. AUTHOR. This book was released on 2022. Available in PDF, EPUB and Kindle. Book excerpt:

Talking Machine World Trade Directory

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Author :
Release : 1923
Genre :
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Talking Machine World Trade Directory by :

Download or read book Talking Machine World Trade Directory written by . This book was released on 1923. Available in PDF, EPUB and Kindle. Book excerpt:

TALKING MACHINE WORLD,

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Author :
Release : 2022
Genre :
Kind : eBook
Book Rating : 658/5 ( reviews)

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Book Synopsis TALKING MACHINE WORLD, by : EDWARD LYMAN. BILL

Download or read book TALKING MACHINE WORLD, written by EDWARD LYMAN. BILL. This book was released on 2022. Available in PDF, EPUB and Kindle. Book excerpt:

Segregating Sound

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Author :
Release : 2010-02-11
Genre : Music
Kind : eBook
Book Rating : 704/5 ( reviews)

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Book Synopsis Segregating Sound by : Karl Hagstrom Miller

Download or read book Segregating Sound written by Karl Hagstrom Miller. This book was released on 2010-02-11. Available in PDF, EPUB and Kindle. Book excerpt: In Segregating Sound, Karl Hagstrom Miller argues that the categories that we have inherited to think and talk about southern music bear little relation to the ways that southerners long played and heard music. Focusing on the late nineteenth century and the early twentieth, Miller chronicles how southern music—a fluid complex of sounds and styles in practice—was reduced to a series of distinct genres linked to particular racial and ethnic identities. The blues were African American. Rural white southerners played country music. By the 1920s, these depictions were touted in folk song collections and the catalogs of “race” and “hillbilly” records produced by the phonograph industry. Such links among race, region, and music were new. Black and white artists alike had played not only blues, ballads, ragtime, and string band music, but also nationally popular sentimental ballads, minstrel songs, Tin Pan Alley tunes, and Broadway hits. In a cultural history filled with musicians, listeners, scholars, and business people, Miller describes how folklore studies and the music industry helped to create a “musical color line,” a cultural parallel to the physical color line that came to define the Jim Crow South. Segregated sound emerged slowly through the interactions of southern and northern musicians, record companies that sought to penetrate new markets across the South and the globe, and academic folklorists who attempted to tap southern music for evidence about the history of human civilization. Contending that people’s musical worlds were defined less by who they were than by the music that they heard, Miller challenges assumptions about the relation of race, music, and the market.

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