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Sources for Byzantine Art History: Volume 3, The Visual Culture of Later Byzantium (1081–c.1350)

2022-04-21 History
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Release : 2022-04-21
Genre : History
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Book Synopsis Sources for Byzantine Art History: Volume 3, The Visual Culture of Later Byzantium (1081–c.1350) by : Foteini Spingou

Download or read book Sources for Byzantine Art History: Volume 3, The Visual Culture of Later Byzantium (1081–c.1350) written by Foteini Spingou. This book was released on 2022-04-21. Available in PDF, EPUB and Kindle. Book excerpt: In this book the beauty and meaning of Byzantine art and its aesthetics are for the first time made accessible through the original sources. More than 150 medieval texts are translated from nine medieval languages into English, with commentaries from over seventy leading scholars. These include theories of art, discussions of patronage and understandings of iconography, practical recipes for artistic supplies, expressions of devotion, and descriptions of cities. The volume reveals the cultural plurality and the interconnectivity of medieval Europe and the Mediterranean from the late eleventh to the early fourteenth centuries. The first part uncovers salient aspects of Byzantine artistic production and its aesthetic reception, while the second puts a spotlight on particular ways of expressing admiration and of interpreting of the visual.

The Visual Culture of Later Byzantium (c.1081-c.1350)

2021 Art and society
Download The Visual Culture of Later Byzantium (c.1081-c.1350) PDF Online Free

Author :
Release : 2021
Genre : Art and society
Kind : eBook
Book Rating : 932/5 ( reviews)

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Book Synopsis The Visual Culture of Later Byzantium (c.1081-c.1350) by : Foteini Spingou

Download or read book The Visual Culture of Later Byzantium (c.1081-c.1350) written by Foteini Spingou. This book was released on 2021. Available in PDF, EPUB and Kindle. Book excerpt: "The period encompassed by this volume of translations opens with a major crisis over the status of the icon and its veneration. Charles Barber and David Jenkins (I.1.1 in this volume) present three extensive texts related to this crisis, which began when Leo of Chalcedon objected to the imperial appropriation of materials bearing sacred images, such as the doors of the Chalkoprateia church in Constantinople. As his arguments against this act unfolded in the period from 1082- to 1095, Leo developed a theory of the image that argued for a formal, as opposed to a material, presence of Christ in his icons. Given this presence of Christ's character, Leo argued that an icon should not be destroyed and that this portrayal deserved adoration. A full account of this argument is presented in Leo's letter to his nephew Nicholas of Adrianoupolis. This letter, which perhaps dates to 1093 or 1094, shows how Leo builds his case upon a reading of the ninth-century iconophile writings of Theodore of Stoudios and other authorities, which Leo reads as offering support for a hypostatic presence in the image mediated by the visible character of the subject. A key response to Leo of Chalcedon's arguments is offered by Eustratios of Nicaea. His Syllogistic Demonstration builds upon the logical model of ninth-century iconophile thought to show that the icon only has a formal relation to the subject depicted in that object. It is a response that is notable for its precise accounts of the limits of depiction, which becomes the description of the outline, form, and dimension of the outward and sensible traits of the appearance of a person. This allows him to argue that the material and sensible icon cannot receive adoration: Christ as God is adored; Christ as God cannot be depicted; therefore, the depicted, as depicted, is not adored. So that in no way can we speak of the adoration of a manufactured icon, or of adoration in an icon"--

SOURCES FOR BYZANTINE ART HISTORY.

2021 Art and society
Download SOURCES FOR BYZANTINE ART HISTORY. PDF Online Free

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Release : 2021
Genre : Art and society
Kind : eBook
Book Rating : 056/5 ( reviews)

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Book Synopsis SOURCES FOR BYZANTINE ART HISTORY. by : Foteini Spingou

Download or read book SOURCES FOR BYZANTINE ART HISTORY. written by Foteini Spingou. This book was released on 2021. Available in PDF, EPUB and Kindle. Book excerpt: "The period encompassed by this volume of translations opens with a major crisis over the status of the icon and its veneration. Charles Barber and David Jenkins (I.1.1 in this volume) present three extensive texts related to this crisis, which began when Leo of Chalcedon objected to the imperial appropriation of materials bearing sacred images, such as the doors of the Chalkoprateia church in Constantinople. As his arguments against this act unfolded in the period from 1082- to 1095, Leo developed a theory of the image that argued for a formal, as opposed to a material, presence of Christ in his icons. Given this presence of Christ's character, Leo argued that an icon should not be destroyed and that this portrayal deserved adoration. A full account of this argument is presented in Leo's letter to his nephew Nicholas of Adrianoupolis. This letter, which perhaps dates to 1093 or 1094, shows how Leo builds his case upon a reading of the ninth-century iconophile writings of Theodore of Stoudios and other authorities, which Leo reads as offering support for a hypostatic presence in the image mediated by the visible character of the subject. A key response to Leo of Chalcedon's arguments is offered by Eustratios of Nicaea. His Syllogistic Demonstration builds upon the logical model of ninth-century iconophile thought to show that the icon only has a formal relation to the subject depicted in that object. It is a response that is notable for its precise accounts of the limits of depiction, which becomes the description of the outline, form, and dimension of the outward and sensible traits of the appearance of a person. This allows him to argue that the material and sensible icon cannot receive adoration: Christ as God is adored; Christ as God cannot be depicted; therefore, the depicted, as depicted, is not adored. So that in no way can we speak of the adoration of a manufactured icon, or of adoration in an icon"--

The Visual Culture of Later Byzantium (c.1081-c.1350)

2021 Art and society
Download The Visual Culture of Later Byzantium (c.1081-c.1350) PDF Online Free

Author :
Release : 2021
Genre : Art and society
Kind : eBook
Book Rating : 949/5 ( reviews)

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Book Synopsis The Visual Culture of Later Byzantium (c.1081-c.1350) by : Foteini Spingou

Download or read book The Visual Culture of Later Byzantium (c.1081-c.1350) written by Foteini Spingou. This book was released on 2021. Available in PDF, EPUB and Kindle. Book excerpt: "The period encompassed by this volume of translations opens with a major crisis over the status of the icon and its veneration. Charles Barber and David Jenkins (I.1.1 in this volume) present three extensive texts related to this crisis, which began when Leo of Chalcedon objected to the imperial appropriation of materials bearing sacred images, such as the doors of the Chalkoprateia church in Constantinople. As his arguments against this act unfolded in the period from 1082- to 1095, Leo developed a theory of the image that argued for a formal, as opposed to a material, presence of Christ in his icons. Given this presence of Christ's character, Leo argued that an icon should not be destroyed and that this portrayal deserved adoration. A full account of this argument is presented in Leo's letter to his nephew Nicholas of Adrianoupolis. This letter, which perhaps dates to 1093 or 1094, shows how Leo builds his case upon a reading of the ninth-century iconophile writings of Theodore of Stoudios and other authorities, which Leo reads as offering support for a hypostatic presence in the image mediated by the visible character of the subject. A key response to Leo of Chalcedon's arguments is offered by Eustratios of Nicaea. His Syllogistic Demonstration builds upon the logical model of ninth-century iconophile thought to show that the icon only has a formal relation to the subject depicted in that object. It is a response that is notable for its precise accounts of the limits of depiction, which becomes the description of the outline, form, and dimension of the outward and sensible traits of the appearance of a person. This allows him to argue that the material and sensible icon cannot receive adoration: Christ as God is adored; Christ as God cannot be depicted; therefore, the depicted, as depicted, is not adored. So that in no way can we speak of the adoration of a manufactured icon, or of adoration in an icon"--

The Visual Culture of Later Byzantium, C.1081-c.1350: Part I : Beauty: introduction: Everyday beauty ; Natural beauty ; Human beauty ; Artistic beauty ; Part II. Literature, art, and aesthetics: Counting down : inventories ; Describing, experiencing, narrating : the use of Ekphrasis ; Speaking : Ethopoiia ; Instructing and dedicating : epigrams on works of art ; Reading : book epigrams ; Inscribing : later Byzantine epigraphic culture ; Lamenting : tomb epigrams

2022 Art and society
Download The Visual Culture of Later Byzantium, C.1081-c.1350: Part I : Beauty: introduction: Everyday beauty ; Natural beauty ; Human beauty ; Artistic beauty ; Part II. Literature, art, and aesthetics: Counting down : inventories ; Describing, experiencing, narrating : the use of Ekphrasis ; Speaking : Ethopoiia ; Instructing and dedicating : epigrams on works of art ; Reading : book epigrams ; Inscribing : later Byzantine epigraphic culture ; Lamenting : tomb epigrams PDF Online Free

Author :
Release : 2022
Genre : Art and society
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis The Visual Culture of Later Byzantium, C.1081-c.1350: Part I : Beauty: introduction: Everyday beauty ; Natural beauty ; Human beauty ; Artistic beauty ; Part II. Literature, art, and aesthetics: Counting down : inventories ; Describing, experiencing, narrating : the use of Ekphrasis ; Speaking : Ethopoiia ; Instructing and dedicating : epigrams on works of art ; Reading : book epigrams ; Inscribing : later Byzantine epigraphic culture ; Lamenting : tomb epigrams by : Foteini Spingou

Download or read book The Visual Culture of Later Byzantium, C.1081-c.1350: Part I : Beauty: introduction: Everyday beauty ; Natural beauty ; Human beauty ; Artistic beauty ; Part II. Literature, art, and aesthetics: Counting down : inventories ; Describing, experiencing, narrating : the use of Ekphrasis ; Speaking : Ethopoiia ; Instructing and dedicating : epigrams on works of art ; Reading : book epigrams ; Inscribing : later Byzantine epigraphic culture ; Lamenting : tomb epigrams written by Foteini Spingou. This book was released on 2022. Available in PDF, EPUB and Kindle. Book excerpt: "In this book the beauty and meaning of Byzantine art and its aesthetics are for the first time made accessible through the original sources. More than 150 medieval texts are translated from nine medieval languages into English, with commentaries from over seventy leading scholars. These include theories of art, discussions of patronage and understandings of iconography, practical recipes for artistic supplies, expressions of devotion, and descriptions of cities. The volume reveals the cultural plurality and the interconnectivity of medieval Europe and the Mediterranean from the late eleventh to the early fourteenth centuries. The first part uncovers salient aspects of Byzantine artistic production and its aesthetic reception, while the second puts a spotlight on particular ways of expressing admiration and of interpreting of the visual"--Publisher's description.

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