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Sound in the American Horror Film

2024-07-22 Performing Arts
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Release : 2024-07-22
Genre : Performing Arts
Kind : eBook
Book Rating : 685/5 ( reviews)

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Book Synopsis Sound in the American Horror Film by : Jeffrey Bullins

Download or read book Sound in the American Horror Film written by Jeffrey Bullins. This book was released on 2024-07-22. Available in PDF, EPUB and Kindle. Book excerpt: The crack of thunder, a blood-curdling scream, creaking doors, or maybe complete silence. Sounds such as these have helped frighten and startle horror movie audiences for close to a century. Listen to a Universal classic like Dracula or Frankenstein and you will hear a very different soundtrack from contemporary horror films. So how did we get from there to here? What scared audiences then compared to now? This examination of the horror film's soundtrack builds on film sound and genre scholarship to demonstrate how horror, perhaps more than any other genre, utilizes sound to manipulate audience response. Beginning with the Universal pictures of the early 1930s and moving through the next nine decades, it explores connections and contrasts throughout the genre's technical and creative evolution. New enthusiasts or veteran fans of such varied films as The Mummy, Cat People, The Day the Earth Stood Still, Psycho, Halloween, A Nightmare on Elm Street, Scream, The Conjuring, Paranormal Activity, and A Quiet Place will find plenty to explore, and perhaps a new sonic appreciation, within these pages.

The Turn to Gruesomeness in American Horror Films, 1931-1936

2016-09-27 Performing Arts
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Release : 2016-09-27
Genre : Performing Arts
Kind : eBook
Book Rating : 743/5 ( reviews)

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Book Synopsis The Turn to Gruesomeness in American Horror Films, 1931-1936 by : Jon Towlson

Download or read book The Turn to Gruesomeness in American Horror Films, 1931-1936 written by Jon Towlson. This book was released on 2016-09-27. Available in PDF, EPUB and Kindle. Book excerpt: Critics have traditionally characterized classic horror by its use of shadow and suggestion. Yet the graphic nature of early 1930s films only came to light in the home video/DVD era. Along with gangster movies and "sex pictures," horror films drew audiences during the Great Depression with sensational content. Exploiting a loophole in the Hays Code, which made no provision for on-screen "gruesomeness," studios produced remarkably explicit films that were recut when the Code was more rigidly enforced from 1934. This led to a modern misperception that classic horror was intended to be safe and reassuring to audiences. The author examines the 1931 to 1936 "happy ending" horror in relation to industry practices and censorship. Early works like Murders in the Rue Morgue (1932) and The Raven (1935) may be more akin to The Texas Chain Saw Massacre (1974) and Hostel (2005) than many critics believe.

The Horror Film

2004 Art
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Release : 2004
Genre : Art
Kind : eBook
Book Rating : 636/5 ( reviews)

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Book Synopsis The Horror Film by : Stephen Prince

Download or read book The Horror Film written by Stephen Prince. This book was released on 2004. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on recent postmodern examples, this is a collection of essays reviewing the history of the horror film and the psychological reasons for its persistent appeal.

The Horror Film

2004-02-09 Performing Arts
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Release : 2004-02-09
Genre : Performing Arts
Kind : eBook
Book Rating : 57X/5 ( reviews)

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Book Synopsis The Horror Film by : Stephen Prince

Download or read book The Horror Film written by Stephen Prince. This book was released on 2004-02-09. Available in PDF, EPUB and Kindle. Book excerpt: In this volume, Stephen Prince has collected essays reviewing the history of the horror film and the psychological reasons for its persistent appeal, as well as discussions of the developmental responses of young adult viewers and children to the genre. The book focuses on recent postmodern examples such as The Blair Witch Project. In a daring move, the volume also examines Holocaust films in relation to horror. Part One features essays on the silent and classical Hollywood eras. Part Two covers the postWorld War II era and discusses the historical, aesthetic, and psychological characteristics of contemporary horror films. In contrast to horror during the classical Hollywood period, contemporary horror features more graphic and prolonged visualizations of disturbing and horrific imagery, as well as other distinguishing characteristics. Princes introduction provides an overview of the genre, contextualizing the readings that follow. Stephen Prince is professor of communications at Virginia Tech. He has written many film books, including Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 19301968, and has edited Screening Violence, also in the Depth of Field Series.

American Horror Film

2010-09-30 Performing Arts
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Release : 2010-09-30
Genre : Performing Arts
Kind : eBook
Book Rating : 54X/5 ( reviews)

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Book Synopsis American Horror Film by : Steffen Hantke

Download or read book American Horror Film written by Steffen Hantke. This book was released on 2010-09-30. Available in PDF, EPUB and Kindle. Book excerpt: Creatively spent and politically irrelevant, the American horror film is a mere ghost of its former self—or so goes the old saw from fans and scholars alike. Taking on this undeserved reputation, the contributors to this collection provide a comprehensive look at a decade of cinematic production, covering a wide variety of material from the last ten years with a clear critical eye. Individual essays profile the work of up-and-coming director Alexandre Aja and reassess William Malone’s much-maligned Feardotcom in the light of the torture debate at the end of President George W. Bush’s administration. Other essays look at the economic, social, and formal aspects of the genre; the globalization of the US film industry; the alleged escalation of cinematic violence; and the massive commercial popularity of the remake. Some essays examine specific subgenres—from the teenage horror flick to the serial killer film and the spiritual horror film—as well as the continuing relevance of classic directors such as George A. Romero, David Cronenberg, John Landis, and Stuart Gordon. Essays deliberate on the marketing of nostalgia and its concomitant aesthetic and on the curiously schizophrenic perspective of fans who happen to be scholars as well. Taken together, the contributors to this collection make a compelling case that American horror cinema is as vital, creative, and thought-provoking as it ever was.

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