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Sex, Violence, and the Avant-Garde

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Release : 2010-01-01
Genre : History
Kind : eBook
Book Rating : 648/5 ( reviews)

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Book Synopsis Sex, Violence, and the Avant-Garde by : Richard D. Sonn

Download or read book Sex, Violence, and the Avant-Garde written by Richard D. Sonn. This book was released on 2010-01-01. Available in PDF, EPUB and Kindle. Book excerpt: "A study of anarchism in twentieth-century France during the interwar years. Focuses on anarchist demands for personal autonomy and sexual liberation. Argues that these ideals, as well as anarchist hatred of the government, found favor with members of the artistic avant-garde, especially the surrealists"--Provided by publisher.

Sex, Violence, and the Avant-garde

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Author :
Release : 2010
Genre : Political Science
Kind : eBook
Book Rating : 63X/5 ( reviews)

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Book Synopsis Sex, Violence, and the Avant-garde by : Richard David Sonn

Download or read book Sex, Violence, and the Avant-garde written by Richard David Sonn. This book was released on 2010. Available in PDF, EPUB and Kindle. Book excerpt: Sex, Violence, and the Avant-Garde examines the French anarchist movement between the wars from a socio-cultural perspective, considering the relationship between anarchism and the artistic avant-garde and surrealism, political violence and terrorism, sexuality and sexual politics, and gender roles.

Virginia Woolf and the Bloomsbury Avant-garde

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Release : 2006-09-22
Genre : Literary Criticism
Kind : eBook
Book Rating : 786/5 ( reviews)

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Book Synopsis Virginia Woolf and the Bloomsbury Avant-garde by : Christine Froula

Download or read book Virginia Woolf and the Bloomsbury Avant-garde written by Christine Froula. This book was released on 2006-09-22. Available in PDF, EPUB and Kindle. Book excerpt: Virginia Woolf and the Bloomsbury Avant-Garde traces the dynamic emergence of Woolf's art and thought against Bloomsbury's public thinking about Europe's future in a period marked by two world wars and rising threats of totalitarianism. Educated informally in her father's library and in Bloomsbury's London extension of Cambridge, Virginia Woolf came of age in the prewar decades, when progressive political and social movements gave hope that Europe "might really be on the brink of becoming civilized," as Leonard Woolf put it. For pacifist Bloomsbury, heir to Europe's unfinished Enlightenment project of human rights, democratic self-governance, and world peace—and, in E. M. Forster's words, "the only genuine movement in English civilization"— the 1914 "civil war" exposed barbarities within Europe: belligerent nationalisms, rapacious racialized economic imperialism, oppressive class and sex/gender systems, a tragic and unnecessary war that mobilized sixty-five million and left thirty-seven million casualties. An avant-garde in the twentieth-century struggle against the violence within European civilization, Bloomsbury and Woolf contributed richly to interwar debates on Europe's future at a moment when democracy's triumph over fascism and communism was by no means assured. Woolf honed her public voice in dialogue with contemporaries in and beyond Bloomsbury— John Maynard Keynes and Roger Fry to Sigmund Freud (published by the Woolfs'Hogarth Press), Bertrand Russell, T. S. Eliot, E. M. Forster, Katherine Mansfield, and many others—and her works embody and illuminate the convergence of aesthetics and politics in post-Enlightenment thought. An ambitious history of her writings in relation to important currents in British intellectual life in the first half of the twentieth century, this book explores Virginia Woolf's narrative journey from her first novel, The Voyage Out, through her last, Between the Acts.

The Marquis de Sade and the Avant-Garde

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Release : 2020-05-26
Genre : Art
Kind : eBook
Book Rating : 614/5 ( reviews)

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Book Synopsis The Marquis de Sade and the Avant-Garde by : Alyce Mahon

Download or read book The Marquis de Sade and the Avant-Garde written by Alyce Mahon. This book was released on 2020-05-26. Available in PDF, EPUB and Kindle. Book excerpt: "This is the first book to examine the cultural history of Marquis de Sade's (1740-1814) philosophical ideas and their lasting influence on political and artistic debates. An icon of free expression, Sade lived through France's Reign of Terror, and his writings offer both a pitiless mirror on humanity and a series of subversive metaphors that allow for the exploration of political, sexual, and psychological terror. Generations of avant-garde writers and artists have responded to Sade's philosophy as a means of liberation and as a radical engagement with social politics and sexual desire, writing fiction modelled on Sade's novels, illustrating luxury editions of his works, and translating his ideas into film, photography, and painting. In The Sadean Imagination, Alyce Mahon examines how Sade used images and texts as forms that could explore and dramatize the concept of terror on political, physical, and psychic levels, and how avant-garde artists have continued to engage in a complex dialogue with his works. Studying Sade's influence on art from the French Revolution through the twentieth century, Mahon examines works ranging from Anne Desclos's The Story of O, to images, texts, and films by Man Ray, Pier Paolo Pasolini, Guillaume Apollinaire, Jean-Jacques Lebel, and Peter Brook. She also discusses writings and responses to Sade by feminist theorists including Angela Carter and Judith Butler. Throughout, she shows how Sade's work challenged traditional artistic expectations and pushed the boundaries of the body and the body politic, inspiring future artists, writers, and filmmakers to imagine and portray the unthinkable"--

Lustmord

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Release : 2020-07-21
Genre : Literary Criticism
Kind : eBook
Book Rating : 215/5 ( reviews)

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Book Synopsis Lustmord by : Maria Tatar

Download or read book Lustmord written by Maria Tatar. This book was released on 2020-07-21. Available in PDF, EPUB and Kindle. Book excerpt: In a book that confronts our society's obsession with sexual violence, Maria Tatar seeks the meaning behind one of the most disturbing images of twentieth-century Western culture: the violated female corpse. This image is so prevalent in painting, literature, film, and, most recently, in mass media, that we rarely question what is at stake in its representation. Tatar, however, challenges us to consider what is taking place--both artistically and socially--in the construction and circulation of scenes depicting sexual murder. In examining images of sexual murder (Lustmord), she produces a riveting study of how art and murder have intersected in the sexual politics of culture from Weimar Germany to the present. Tatar focuses attention on the politically turbulent Weimar Republic, often viewed as the birthplace of a transgressive avant-garde modernism, where representations of female sexual mutilation abound. Here a revealing episode in the gender politics of cultural production unfolds as male artists and writers, working in a society consumed by fear of outside threats, envision women as enemies that can be contained and mastered through transcendent artistic expression. Not only does Tatar show that male artists openly identified with real-life sexual murderers--George Grosz posed as Jack the Ripper in a photograph where his model and future wife was the target of his knife--but she also reveals the ways in which victims were disavowed and erased. Tatar first analyzes actual cases of sexual murder that aroused wide public interest in Weimar Germany. She then considers how the representation of murdered women in visual and literary works functions as a strategy for managing social and sexual anxieties, and shows how violence against women can be linked to the war trauma, to urban pathologies, and to the politics of cultural production and biological reproduction. In exploring the complex relationship between victim and agent in cases of sexual murder, Tatar explains how the roles came to be destabilized and reversed, turning the perpetrator of criminal deeds into a defenseless victim of seductive evil. Throughout the West today, the creation of similar ideological constructions still occurs in societies that have only recently begun to validate the voices of its victims. Maria Tatar's book opens up an important discussion for readers seeking to understand the forces behind sexual violence and its portrayal in the cultural media throughout this century.

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