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Screen Adaptations: Shakespeare's King Lear

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Release : 2014-09-26
Genre : Performing Arts
Kind : eBook
Book Rating : 00X/5 ( reviews)

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Book Synopsis Screen Adaptations: Shakespeare's King Lear by : Yvonne Griggs

Download or read book Screen Adaptations: Shakespeare's King Lear written by Yvonne Griggs. This book was released on 2014-09-26. Available in PDF, EPUB and Kindle. Book excerpt: This close study of film adaptations of King Lear looks at several different versions (mainstream, art-house and cinematic `offshoots') and discusses: the literary text in its historical context, key themes and dominant readings of the text, how the text is adapted for screen and how adaptations have changed our reading of the original text. There are many references to the literary text and screenplays and the book also features quotations from directors and critics. There is plenty of discursive material here to support student work on both film and literature courses.

King Lear

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Release : 2008-04-18
Genre : Literary Criticism
Kind : eBook
Book Rating : 652/5 ( reviews)

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Book Synopsis King Lear by : Jeffrey Kahan

Download or read book King Lear written by Jeffrey Kahan. This book was released on 2008-04-18. Available in PDF, EPUB and Kindle. Book excerpt: Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink

Shakespeare on Screen: King Lear

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Release : 2019-09-26
Genre : Drama
Kind : eBook
Book Rating : 921/5 ( reviews)

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Book Synopsis Shakespeare on Screen: King Lear by : Victoria Bladen

Download or read book Shakespeare on Screen: King Lear written by Victoria Bladen. This book was released on 2019-09-26. Available in PDF, EPUB and Kindle. Book excerpt: An up-to-date survey of Shakespeare's King Lear on screen and the aesthetic, social and political issues raised by screen versions.

Shakespeare's King Lear

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Kind : eBook
Book Rating : 168/5 ( reviews)

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Book Synopsis Shakespeare's King Lear by : Yvonne Griggs

Download or read book Shakespeare's King Lear written by Yvonne Griggs. This book was released on . Available in PDF, EPUB and Kindle. Book excerpt: Focusing on several film versions and adaptations, the book discusses King Lear in its historical context, key themes and dominant readings of the text, how the text is adapted for screen and how adaptations have changed our reading of the original text.

100 Shakespeare Films

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Release : 2019-07-25
Genre : Performing Arts
Kind : eBook
Book Rating : 081/5 ( reviews)

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Book Synopsis 100 Shakespeare Films by : Daniel Rosenthal

Download or read book 100 Shakespeare Films written by Daniel Rosenthal. This book was released on 2019-07-25. Available in PDF, EPUB and Kindle. Book excerpt: From Oscar-winning British classics to Hollywood musicals and Westerns, from Soviet epics to Bollywood thrillers, Shakespeare has inspired an almost infinite variety of films. Directors as diverse as Orson Welles, Akira Kurosawa, Franco Zeffirelli, Kenneth Branagh, Baz Luhrmann and Julie Taymor have transferred Shakespeare's plays from stage to screen with unforgettable results. Spanning a century of cinema, from a silent short of 'The Tempest' (1907) to Kenneth Branagh's 'As You Like It' (2006), Daniel Rosenthal's up-to-date selection takes in the most important, inventive and unusual Shakespeare films ever made. Half are British and American productions that retain Shakespeare's language, including key works such as Olivier's 'Henry V' and 'Hamlet', Welles' 'Othello' and 'Chimes at Midnight', Branagh's 'Henry V' and 'Hamlet', Luhrmann's 'Romeo + Juliet' and Taymor's 'Titus'. Alongside these original-text films are more than 30 genre adaptations: titles that aim for a wider audience by using modernized dialogue and settings and customizing Shakespeare's plots and characters, transforming 'Macbeth' into a pistol-packing gangster ('Joe Macbeth' and 'Maqbool') or reimagining 'Othello' as a jazz musician ('All Night Long'). There are Shakesepeare-based Westerns ('Broken Lance', 'King of Texas'), musicals ('West Side Story', 'Kiss Me Kate'), high-school comedies ('10 Things I Hate About You', 'She's the Man'), even a sci-fi adventure ('Forbidden Planet'). There are also films dominated by the performance of a Shakespearean play ('In the Bleak Midwinter', 'Shakespeare in Love'). Rosenthal emphasises the global nature of Shakespearean cinema, with entries on more than 20 foreign-language titles, including Kurosawa's 'Throne of Blood and Ran', Grigori Kozintsev's 'Russian Hamlet' and 'King Lear', and little-known features from as far afield as 'Madagascar' and 'Venezuela', some never released in Britain or the US. He considers the films' production and box-office history and examines the film-makers' key interpretive decisions in comparison to their Shakespearean sources, focusing on cinematography, landscape, music, performance, production design, textual alterations and omissions. As cinema plays an increasingly important role in the study of Shakespeare at schools and universities, this is a wide-ranging, entertaining and accessible guide for Shakespeare teachers, students and enthusiasts.

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