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Russian and Soviet Views of Modern Western Art, 1890s to Mid-1930s

2009-06-10 Art
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Release : 2009-06-10
Genre : Art
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Book Rating : 728/5 ( reviews)

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Book Synopsis Russian and Soviet Views of Modern Western Art, 1890s to Mid-1930s by : Ilia Dorontchenkov

Download or read book Russian and Soviet Views of Modern Western Art, 1890s to Mid-1930s written by Ilia Dorontchenkov. This book was released on 2009-06-10. Available in PDF, EPUB and Kindle. Book excerpt: From the first Modernist exhibitions in the late 1890s to the Soviet rupture with the West in the mid-1930s, Russian artists and writers came into wide contact with modern European art and ideas. Introducing a wealth of little-known material set in an illuminating interpretive context, this sourcebook presents Russian and Soviet views of Western art during this critical period of cultural transformation. The writings document complex responses to these works and ideas before the Russians lost contact with them almost entirely. Many of these writings have been unavailable to foreign readers and, until recently, were not widely known even to Russian scholars. Both an important reference and a valuable resource for classrooms, the book includes an introductory essay and shorter introductions to the individual sections.

Russian and Soviet Views of Modern Western Art

2009 Art criticism
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Release : 2009
Genre : Art criticism
Kind : eBook
Book Rating : 763/5 ( reviews)

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Book Synopsis Russian and Soviet Views of Modern Western Art by : Ilia Dorontchenkov

Download or read book Russian and Soviet Views of Modern Western Art written by Ilia Dorontchenkov. This book was released on 2009. Available in PDF, EPUB and Kindle. Book excerpt:

100 Years On: Revisiting the First Russian Art Exhibition of 1922

2022-12-12 Art
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Release : 2022-12-12
Genre : Art
Kind : eBook
Book Rating : 650/5 ( reviews)

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Book Synopsis 100 Years On: Revisiting the First Russian Art Exhibition of 1922 by : Isabel Wünsche

Download or read book 100 Years On: Revisiting the First Russian Art Exhibition of 1922 written by Isabel Wünsche. This book was released on 2022-12-12. Available in PDF, EPUB and Kindle. Book excerpt: The First Russian Art Exhibition (Erste Russische Kunstausstellung), which opened at the Galerie van Diemen in Berlin on October 15, 1922, and later travelled to Amsterdam, introduced a broad Western audience to the most recent artistic developments in Russia. The extensive show – more than a thousand works, including paintings, graphic works, sculptures, stage designs, architectural models, and works of porcelain – was remarkably inclusive in its scope, which ranged from traditional figurative painting to the latest constructions of the Russian avant-garde. Coming on the heels of the Treaty of Rapallo, the exhibition was a first cultural step towards bilateral relations between two young and yet internationally isolated new states – the Weimar Republic and the Russian Soviet Republic. Moving away from the narrow focus on the avant-garde, the volume presents new research that examines the exhibition's broader historical scope and cultural implications. The reception of the exhibition within artistic circles in Germany, Europe, the United States, and Japan in the 1920s is addressed, as well as the disposition of many of the works exhibited. The combination of longer, thematic essays and short features, along with reproductions of newly identified works and a selection of unpublished archival materials make this book valuable to both a scholarly and a general readership.

The Oxford Handbook of Russian Religious Thought

2020-06-13 Religion
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Release : 2020-06-13
Genre : Religion
Kind : eBook
Book Rating : 447/5 ( reviews)

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Book Synopsis The Oxford Handbook of Russian Religious Thought by : George Pattison

Download or read book The Oxford Handbook of Russian Religious Thought written by George Pattison. This book was released on 2020-06-13. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of Russian Religious Thought is an authoritative new reference and interpretive volume detailing the origins, development, and influence of one of the richest aspects of Russian cultural and intellectual life - its religious ideas. After setting the historical background and context, the Handbook follows the leading figures and movements in modern Russian religious thought through a period of immense historical upheavals, including seventy years of officially atheist communist rule and the growth of an exiled diaspora with, e.g., its journal The Way. Therefore the shape of Russian religious thought cannot be separated from long-running debates with nihilism and atheism. Important thinkers such as Losev and Bakhtin had to guard their words in an environment of religious persecution, whilst some views were shaped by prison experiences. Before the Soviet period, Russian national identity was closely linked with religion - linkages which again are being forged in the new Russia. Relevant in this connection are complex relationships with Judaism. In addition to religious thinkers such as Philaret, Chaadaev, Khomiakov, Kireevsky, Soloviev, Florensky, Bulgakov, Berdyaev, Shestov, Frank, Karsavin, and Alexander Men, the Handbook also looks at the role of religion in aesthetics, music, poetry, art, film, and the novelists Dostoevsky and Tolstoy. Ideas, institutions, and movements discussed include the Church academies, Slavophilism and Westernism, theosis, the name-glorifying (imiaslavie) controversy, the God-seekers and God-builders, Russian religious idealism and liberalism, and the Neopatristic school. Occultism is considered, as is the role of tradition and the influence of Russian religious thought in the West.

Russian Orientalism in a global context

2023-06-27 Art
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Release : 2023-06-27
Genre : Art
Kind : eBook
Book Rating : 224/5 ( reviews)

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Book Synopsis Russian Orientalism in a global context by : Maria Taroutina

Download or read book Russian Orientalism in a global context written by Maria Taroutina. This book was released on 2023-06-27. Available in PDF, EPUB and Kindle. Book excerpt: This volume features new research on Russia’s historic relationship with Asia and the ways it was mediated and represented in the fine, decorative and performing arts and architecture from the mid-eighteenth century to the first two decades of Soviet rule. It interrogates how Russia’s perception of its position on the periphery of the west and its simultaneous self-consciousness as a colonial power shaped its artistic, cultural and national identity as a heterogenous, multi-ethnic empire. It also explores the extent to which cultural practitioners participated in the discursive matrices that advanced Russia’s colonial machinery on the one hand and critiqued and challenged it on the other, especially in territories that were themselves on the fault lines between the east and the west.

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