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Schumann's Virtuosity

2016-09-19 Music
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Release : 2016-09-19
Genre : Music
Kind : eBook
Book Rating : 096/5 ( reviews)

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Book Synopsis Schumann's Virtuosity by : Alexander Stefaniak

Download or read book Schumann's Virtuosity written by Alexander Stefaniak. This book was released on 2016-09-19. Available in PDF, EPUB and Kindle. Book excerpt: “A valuable resource for musicologists, theorists, pianists, and aestheticians interested in reading about Schumann’s views on virtuosity.” —Notes Considered one of the greatest composers—and music critics—of the Romantic era, Robert Schumann (1810–1856) played an important role in shaping nineteenth-century German ideas about virtuosity. Forging his career in the decades that saw abundant public fascination with the feats and creations of virtuosos (Liszt, Paganini, and Chopin among others), Schumann engaged with instrumental virtuosity through not only his compositions and performances but also his music reviews and writings about his contemporaries. Ultimately, the discourse of virtuosity influenced the culture of Western “art music” well beyond the nineteenth century and into the present day. By examining previously unexplored archival sources, Alexander Stefaniak looks at the diverse approaches to virtuosity Schumann developed over the course of his career, revealing several distinct currents in nineteenth-century German virtuosity and the enduring flexibility of virtuosity discourse.

Robert Schumann: Piano Concerto

2023-11-30 Music
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Release : 2023-11-30
Genre : Music
Kind : eBook
Book Rating : 891/5 ( reviews)

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Book Synopsis Robert Schumann: Piano Concerto by : Julian Horton

Download or read book Robert Schumann: Piano Concerto written by Julian Horton. This book was released on 2023-11-30. Available in PDF, EPUB and Kindle. Book excerpt: Offering a concise introduction to one of the most important and influential piano concertos in the history of Western music, this handbook provides an example of the productive interaction of music history, music theory and music analysis. It combines an account of the work's genesis, Schumann's earlier, unsuccessful attempts to compose in the genre and the evolving conception of the piano concerto evident in his critical writing with a detailed yet accessible analysis of each movement, which draws on the latest research into the theory and analysis of nineteenth-century instrumental forms. This handbook also reconstructs the Concerto's critical reception, performance history in centres including London, Vienna, Leipzig and New York, and its discography, before surveying piano concertos composed under its influence in the century after its completion, including well-known concertos by Brahms, Grieg, Tchaikovsky and Rachmaninov, as well as lesser-known music by Scharwenka, Rubinstein, Beach, Macdowell and Stanford.

The Cambridge Companion to Schumann

2007-06-28 Music
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Release : 2007-06-28
Genre : Music
Kind : eBook
Book Rating : 379/5 ( reviews)

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Book Synopsis The Cambridge Companion to Schumann by : Beate Perrey

Download or read book The Cambridge Companion to Schumann written by Beate Perrey. This book was released on 2007-06-28. Available in PDF, EPUB and Kindle. Book excerpt: This Companion is an accessible introduction to Schumann: his time, his temperament, his style and his œuvre. An international team of scholars explores the cultural context, musical and poetic fabric, sources of inspiration and interpretative reach of key works from the Schumann repertoire ranging from his famous lieder and piano pieces to chamber, orchestral and dramatic works. Additional chapters address Schumann's presence in nineteenth- and twentieth-century composition and the fascinating reception history of his late works. Tables, illustrations, a detailed chronology and advice on further reading make it an ideally informative handbook for both the Schumann connoisseur and the music lover. An excellent textbook for the university student of courses on key composers of nineteenth-century Western Classical music, it is an invaluable guide for all who are interested in the thought, aesthetics and affective power of one of the most intriguing figures of a culturally rich and formative period.

Piano Concerto in A Minor, Op. 54

2005-05-03 Music
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Release : 2005-05-03
Genre : Music
Kind : eBook
Book Rating : 008/5 ( reviews)

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Book Synopsis Piano Concerto in A Minor, Op. 54 by : Robert Schumann

Download or read book Piano Concerto in A Minor, Op. 54 written by Robert Schumann. This book was released on 2005-05-03. Available in PDF, EPUB and Kindle. Book excerpt: Editor Thomas Labí© has produced a new critical edition of Robert Schumann's Piano Concerto in A Minor, Op. 54 based on the autograph manuscript and the composer's personal copy of the first printed edition. Labí© has included extensive historical background, helpful performance suggestions, expert fingering and a new orchestral reduction for second piano, making this among the most comprehensive editions available of Schumann's only published piano concerto.

Robert Schumann and the Piano Concerto

2005 Music
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Release : 2005
Genre : Music
Kind : eBook
Book Rating : 475/5 ( reviews)

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Book Synopsis Robert Schumann and the Piano Concerto by : Claudia Macdonald

Download or read book Robert Schumann and the Piano Concerto written by Claudia Macdonald. This book was released on 2005. Available in PDF, EPUB and Kindle. Book excerpt: This study follows the aesthetic of the sublime from Burke and Kant, through Wordsworth and the Shelleys, into Thackeray, Dickens, Eliot and Hardy. Exploring the continuities between the romantic and Victorian "periods" that have so often been rather read as differences, the book demonstrate that the sublime mode enables the transition from a paradigm of overwhelming power exemplified by the body of the king to the pervasive power of surveillance utilized by the rising middle classes. While the domestic woman connected with the rise of the middle class is normally seen as beautiful, the book contends that the moral authority given to this icon of depth and interiority is actually sublime. The binary of the beautiful and the sublime seeks to contain the sublimity of womanhood by insisting on sublimity's masculine character. This is the book's most important claim: rather than exemplifying masculine strength, the sublime marks the transition to a system of power gendered as feminine and yet masks that transition because it fears the power it ostensibly accords to the feminine. This aesthetic is both an inheritance the Victorians receive from their romantic predecessors, and, more importantly, a broad historical phenomenon that questions the artificial boundaries between romantic and Victorian.

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