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Religion, Theatre, and Performance

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Release : 2011-12-21
Genre : Performing Arts
Kind : eBook
Book Rating : 403/5 ( reviews)

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Book Synopsis Religion, Theatre, and Performance by : Lance Gharavi

Download or read book Religion, Theatre, and Performance written by Lance Gharavi. This book was released on 2011-12-21. Available in PDF, EPUB and Kindle. Book excerpt: The intersections of religion, politics, and performance form the loci of many of the most serious issues facing the world today, sites where some of the world’s most pressing and momentous events are contested and played out. That this circumstance warrants continued, thoughtful, and imaginative engagement from those within the fields of theatre and performance is one of the guiding principles of this volume. This collection features a diverse set of perspectives, written by some of the top scholars in the relevant fields, on the many modern intersections of religion with theatre and performance. Contributors argue that religion can no longer be conceived of as a cultural phenomenon that is safely sequestered in the "private sphere." It is instead an explicitly public force that stimulates and complicates public actions, and thus a crucial component of much performance. From mystic theologies of acting to the neuroscience of spirituality in rituals to the performance of secularism, these essays address a broad variety of religious traditions, sharing a common conception of religion as a crucial object of discourse—one that is formed by, and significantly formative of, performance.

The Performance of Religion

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Release : 2017-01-12
Genre : Art
Kind : eBook
Book Rating : 575/5 ( reviews)

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Book Synopsis The Performance of Religion by : Cia Sautter

Download or read book The Performance of Religion written by Cia Sautter. This book was released on 2017-01-12. Available in PDF, EPUB and Kindle. Book excerpt: This book explores how religious values are acted out and reflected on in classic Western theatre, with a particular emphasis on the plays put on during the Globe Theatre‘s yearlong season of 'Shakespeare and the Bible'. Each chapter includes ethnographic overviews of the performance of these plays as well as historical and theological perspectives on the issues they address. The Performance of Religion treads new ground in bringing performance and religious studies scholarship into direct conversation with one another. As such, it is essential reading for any academic with an interest in theology, religion and ethics and their expression in culture through the performing arts.

Theatre and Religion on Krishna’s Stage

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Release : 2009-05-25
Genre : Performing Arts
Kind : eBook
Book Rating : 589/5 ( reviews)

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Book Synopsis Theatre and Religion on Krishna’s Stage by : D. Mason

Download or read book Theatre and Religion on Krishna’s Stage written by D. Mason. This book was released on 2009-05-25. Available in PDF, EPUB and Kindle. Book excerpt: Theatre and Religion on Krishna s Stage examines the history and form of India's râs lila folk theatre, and discusses how this theatre functions as a mechanism of worship and spirituality among Krishna devotees in India. From analyses of performances and conversations with performers, audience, and local scholars, Mason argues that râs lila actors and audience alike actively assume roles that locate them together in the spiritual reality that the play represents. Correlating Krishna devotion and theories of religious experience, this book suggests that the emotional experience of theatrical fiction may arise from the propensity of audiences to play out roles of their own through which they share a performance's reality.

Theatre: A Very Short Introduction

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Release : 2014-10-23
Genre : Performing Arts
Kind : eBook
Book Rating : 612/5 ( reviews)

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Book Synopsis Theatre: A Very Short Introduction by : Marvin Carlson

Download or read book Theatre: A Very Short Introduction written by Marvin Carlson. This book was released on 2014-10-23. Available in PDF, EPUB and Kindle. Book excerpt: From before history was recorded to the present day, theatre has been a major artistic form around the world. From puppetry to mimes and street theatre, this complex art has utilized all other art forms such as dance, literature, music, painting, sculpture, and architecture. Every aspect of human activity and human culture can be, and has been, incorporated into the creation of theatre. In this Very Short Introduction Marvin Carlson takes us through Ancient Greece and Rome, to Medieval Japan and Europe, to America and beyond, and looks at how the various forms of theatre have been interpreted and enjoyed. Exploring the role that theatre artists play — from the actor and director to the designer and puppet-master, as well as the audience — this is an engaging exploration of what theatre has meant, and still means, to people of all ages at all times. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

The Performative Ground of Religion and Theatre

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Release : 2018-10-26
Genre : Religion
Kind : eBook
Book Rating : 826/5 ( reviews)

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Book Synopsis The Performative Ground of Religion and Theatre by : David V. Mason

Download or read book The Performative Ground of Religion and Theatre written by David V. Mason. This book was released on 2018-10-26. Available in PDF, EPUB and Kindle. Book excerpt: Religious practitioners and theatregoers have much in common. So much, in fact, that we can say that religion is often a theatrical phenomenon, and that theatre can be a religious experience. By examining the phenomenology of religion, we can in turn develop a better understanding of the phenomenology of theatre. That is to say, religion can show us the ways in which theatre is not fake. This study explores the overlap of religion and theatre, especially in the crucial area of experience and personal identity. Reconsidering ideas from ancient Greece, premodern India, modern Europe, and the recent century, it argues that religious adherents and theatre audiences are largely, themselves, the mechanisms of their experiences. By examining the development of the philosophy of theatre alongside theories of religious action, this book shows how we need to adjust our views of both. Featuring attention to influential notions from Plato and Aristotle, from the Natyashastra, from Schleiermacher to Sartre, Bourdieu, and Butler, and considering contemporary theories of performance and ritual, this is vital reading for any scholar in religious studies, theatre and performance studies, theology, or philosophy.

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