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Author :
Release : 1832
Genre :
Kind : eBook
Book Rating : /5 ( reviews)
Book Synopsis Registres de l'Opéra Comique. Journal général by :
Download or read book Registres de l'Opéra Comique. Journal général written by . This book was released on 1832. Available in PDF, EPUB and Kindle. Book excerpt:
Author :
Release : 1831
Genre :
Kind : eBook
Book Rating : /5 ( reviews)
Book Synopsis Registres de l'Opéra Comique. Journal général de comptabilité by :
Download or read book Registres de l'Opéra Comique. Journal général de comptabilité written by . This book was released on 1831. Available in PDF, EPUB and Kindle. Book excerpt:
Author : David Charlton
Release : 1986-03-06
Genre : Biography & Autobiography
Kind : eBook
Book Rating : 29X/5 ( reviews)
Book Synopsis Grétry and the Growth of Opéra-comique by : David Charlton
Download or read book Grétry and the Growth of Opéra-comique written by David Charlton. This book was released on 1986-03-06. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1986, this major study in English explores Grétry and opéra-comique between 1768 and 1791.
Author :
Release : 1829
Genre :
Kind : eBook
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Book Synopsis Registres de l'Opéra Comique. Journal et caisse by :
Download or read book Registres de l'Opéra Comique. Journal et caisse written by . This book was released on 1829. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Nancy November
Release : 2022-04-19
Genre : Music
Kind : eBook
Book Rating : 890/5 ( reviews)
Book Synopsis String Quartets in Beethoven’s Europe by : Nancy November
Download or read book String Quartets in Beethoven’s Europe written by Nancy November. This book was released on 2022-04-19. Available in PDF, EPUB and Kindle. Book excerpt: String Quartets in Beethoven’s Europe is the first detailed study of string quartets in late-eighteenth- and early-nineteenth-century Europe. It brings together the work of nine scholars who explore little-studied aspects of this multi-faceted genre. Together, this book’s chapters deal with compositional responses to Beethoven’s string quartets and the prestige of the genre; varied compositional practices in string quartet writing, with a particular emphasis on texture and performance elements; and the reception of Beethoven’s string quartets ca. 1800. They include discussions of quartets composed for the amateur and connoisseur markets in Beethoven’s Europe; virtuosity, the French Violin School, and the quatuor brillant; the relationship between quartet composers and their audiences during Beethoven’s era; and the cross-pollination of quartet styles in Europe’s musical centers such as Vienna, Paris, and St. Petersburg.
