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Red-light Novels of the late Qing

2007-05-31 History
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Release : 2007-05-31
Genre : History
Kind : eBook
Book Rating : 595/5 ( reviews)

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Book Synopsis Red-light Novels of the late Qing by : Chloë Starr

Download or read book Red-light Novels of the late Qing written by Chloë Starr. This book was released on 2007-05-31. Available in PDF, EPUB and Kindle. Book excerpt: Chinese literature has traditionally been divided by both theorists and university course providers into ‘classical’ and ‘modern.’ This has left nineteenth-century fiction in limbo, and allowed negative assessments of its quality to persist unchecked. The popularity of Qing dynasty red-light fiction – works whose primary focus is the relationship between clients and courtesans, set in tea-houses, pleasure gardens, and later, brothels – has endured throughout the twentieth century. This volume explores why, arguing that these novels are far from the ‘low’ work of ‘frustrated scholars’ but in their provocative play on the nature of relations between client, courtesan and text, provide an insight into wider changes in understandings of self and literary value in the nineteenth century.

Red-Light Novels of the Late Qing

2007 History
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Release : 2007
Genre : History
Kind : eBook
Book Rating : 291/5 ( reviews)

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Book Synopsis Red-Light Novels of the Late Qing by : Chloë F. Starr

Download or read book Red-Light Novels of the Late Qing written by Chloë F. Starr. This book was released on 2007. Available in PDF, EPUB and Kindle. Book excerpt: Chloe Starr's book offers a comprehensive literary reading of six nineteenth-century Chinese red-light novels and assesses how and why they alter our view of late Qing fiction and the authorial self.

If Babel Had a Form

2022-04-05 Literary Criticism
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Release : 2022-04-05
Genre : Literary Criticism
Kind : eBook
Book Rating : 20X/5 ( reviews)

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Book Synopsis If Babel Had a Form by : Tze-Yin Teo

Download or read book If Babel Had a Form written by Tze-Yin Teo. This book was released on 2022-04-05. Available in PDF, EPUB and Kindle. Book excerpt: “The likeness of form between Chinese and English sentences,” writes the American Sinologist Ernest Fenollosa around 1906, “renders translation from one to the other exceptionally easy.” If Babel Had a Form asks not if his claim may be true, but what its phantasmic surprise may yet do. In twentieth-century intersections of China and Asia with the United States, translations did more than communicate meaning across politicized and racializing differences of language and nation. Transpacific translation breached the regulative protocols that created those very differences of human value and cultural meaning. The result, Tze-Yin Teo argues, saw translators cleaving to the sounds and shapes of poetry to imagine a translingual “likeness of form” but not of meaning or kind. At stake in this form without meaning is a startling new task of equivalence. As a concept, equivalence has been rejected for its colonizing epistemology of value, naming a broken promise of translation and false premise of comparison. Yet the writers studied in this book veered from those ways of knowing to theorize a poetic equivalence: negating the colonial foundations of the concept, they ignited aporias of meaning into flashpoints for a radical literary translation. The book’s transpacific readings glean those forms of equivalence from the writing of Fenollosa, the vernacular experiments of Boxer Scholar Hu Shi, the trilingual musings of Shanghai-born Los Angeles novelist Eileen Chang, the minor work of the Bay Area Korean American transmedial artist Theresa Cha, and a post-Tiananmen elegy by the exiled dissident Yang Lian. The conclusion returns to the deconstructive genealogy of recent debates on translation and untranslatability, displacing the axiom of radical alterity for a no less radical equivalence that remains—pace Fenollosa—far from easy or exceptional. Ultimately, If Babel Had a Form illuminates the demanding force of even the slightest sameness entangled in the translator’s work of remaking our differences.

Writing Gender in Early Modern Chinese Women's Tanci Fiction

2021-06-15 Literary Criticism
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Release : 2021-06-15
Genre : Literary Criticism
Kind : eBook
Book Rating : 601/5 ( reviews)

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Book Synopsis Writing Gender in Early Modern Chinese Women's Tanci Fiction by : Li Guo

Download or read book Writing Gender in Early Modern Chinese Women's Tanci Fiction written by Li Guo. This book was released on 2021-06-15. Available in PDF, EPUB and Kindle. Book excerpt: Women’s tanci, or “plucking rhymes,” are chantefable narratives written by upper-class educated women from seventeenth-century to early twentieth-century China. Writing Gender in Early Modern Chinese Women’s Tanci Fiction offers a timely study on early modern Chinese women’s representations of gender, nation, and political activism in their tanci works before and after the Taiping Rebellion (1850 to 1864), as well as their depictions of warfare and social unrest. Women tanci authors’ redefinition of female exemplarity within the Confucian orthodox discourses of virtue, talent, chastity, and political integrity could be bourgeoning expressions of female exceptionalism and could have foreshadowed protofeminist ideals of heroism. They establish a realistic tenor in affirming feminine domestic authority, and open up spaces for discussions of “womanly becoming,” female exceptionalism, and shifting family power structures. The vernacular mode underlying these texts yields productive possibilities of gendered self-representations, bodily valences, and dynamic performances of sexual roles. The result is a vernacular discursive frame that enables women’s appropriation and refashioning of orthodox moral values as means of self-affirmation and self-realization. Validations of women’s political activism and loyalism to the nation attest to tanci as a premium vehicle for disseminating progressive social incentives to popular audiences. Women’s tanci marks early modern writers’ endeavors to carve out a space of feminine becoming, a discursive arena of feminine appropriation, reinvention, and boundary-crossings. In this light, women’s tanci portrays gendered mobility through depictions of a heroine’s voyages or social ascent, and entails a forward-moving historical progression toward a more autonomous and vested model of feminine subjectivity.

Popular Magazines and Fiction in Shanghai, 1914–1925

2021-12-02 History
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Release : 2021-12-02
Genre : History
Kind : eBook
Book Rating : 797/5 ( reviews)

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Book Synopsis Popular Magazines and Fiction in Shanghai, 1914–1925 by : Peijie Mao

Download or read book Popular Magazines and Fiction in Shanghai, 1914–1925 written by Peijie Mao. This book was released on 2021-12-02. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the rise of Shanghai-based popular magazines produced by the “Mandarin Ducks and Butterflies School” in early twentieth-century China. It examines the national, gender, family, and social imaginaries constructed and negotiated through a complex network of relationships between popular writers, magazine editors, and their intended readers, which were represented in various forms of popular narratives, including patriotic stories, war/military stories, family narratives, domestic fiction, utopian writings, and industrial-business stories. The author argues that the national imagination, social ideals, and the notions of ideal womanhood and the new family, were intrinsically linked and integral to the search for cultural identity of the emerging Chinese “middle society” and an expression of their collective sensibilities, experiences, and aspirations. This book suggests that the cultural imaginaries configurated in these magazine stories articulated a shared quest for modernity, one that emphasized sentiment, quotidian experience, the pursuit of the modern family and individual success, strengthening of the nation, and the reinvention of cultural tradition. Popular magazines and fiction, therefore, became uniquely instrumental in catalyzing the process of Chinese modernity, which emerged and developed along the symbiotic interrelations between the private and the public, the traditional and the modern, and the real and the imaginary.

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