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Quotation and Cultural Meaning in Twentieth-Century Music

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Release : 2003-04-17
Genre : Music
Kind : eBook
Book Rating : 092/5 ( reviews)

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Book Synopsis Quotation and Cultural Meaning in Twentieth-Century Music by : David Metzer

Download or read book Quotation and Cultural Meaning in Twentieth-Century Music written by David Metzer. This book was released on 2003-04-17. Available in PDF, EPUB and Kindle. Book excerpt: Throughout the twentieth century, musicians frequently incorporated bits of works by other musicians into their own compositions and performances. When a musician borrows from a piece, he or she draws upon not only a melody but also the cultural associations of the original piece. By working with and altering a melody, a musician also transforms those associations. This book explores that vibrant practice, examining how musicians used quotation to participate in the cultural dialogues sustained around such areas as race, childhood, madness, and the mass media.

Quotation and Cultural Meaning in Twentieth-century Music

Download Quotation and Cultural Meaning in Twentieth-century Music PDF Online Free

Author :
Release : 2003
Genre : Music
Kind : eBook
Book Rating : /5 ( reviews)

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Book Synopsis Quotation and Cultural Meaning in Twentieth-century Music by : David Joel Metzer

Download or read book Quotation and Cultural Meaning in Twentieth-century Music written by David Joel Metzer. This book was released on 2003. Available in PDF, EPUB and Kindle. Book excerpt:

Twentieth-Century Music in the West

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Release : 2022-10-06
Genre : Music
Kind : eBook
Book Rating : 899/5 ( reviews)

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Book Synopsis Twentieth-Century Music in the West by : Tom Perchard

Download or read book Twentieth-Century Music in the West written by Tom Perchard. This book was released on 2022-10-06. Available in PDF, EPUB and Kindle. Book excerpt: This is the first introductory survey of western twentieth-century music to address popular music, art music and jazz on equal terms. It treats those forms as inextricably intertwined, and sets them in a wide variety of social and critical contexts. The book comprises four sections – Histories, Techniques and Technologies, Mediation, Identities – with 16 thematic chapters. Each of these explores a musical or cultural topic as it developed over many years, and as it appeared across a diversity of musical practices. In this way, the text introduces both key musical repertoire and critical-musicological approaches to that work. It historicises music and musical thinking, opening up debate in the present rather than offering a new but closed narrative of the past. In each chapter, an overview of the topic's chronology and main issues is illustrated by two detailed case studies.

Global Mandatory Fair Use

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Release : 2020-11-05
Genre : Law
Kind : eBook
Book Rating : 457/5 ( reviews)

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Book Synopsis Global Mandatory Fair Use by : Tanya Aplin

Download or read book Global Mandatory Fair Use written by Tanya Aplin. This book was released on 2020-11-05. Available in PDF, EPUB and Kindle. Book excerpt: Examining a neglected aspect of international copyright law, this book highlights the obligation on nations to maintain broad copyright exceptions.

The Ashgate Research Companion to Minimalist and Postminimalist Music

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Release : 2016-03-23
Genre : Music
Kind : eBook
Book Rating : 557/5 ( reviews)

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Book Synopsis The Ashgate Research Companion to Minimalist and Postminimalist Music by : Keith Potter

Download or read book The Ashgate Research Companion to Minimalist and Postminimalist Music written by Keith Potter. This book was released on 2016-03-23. Available in PDF, EPUB and Kindle. Book excerpt: In recent years the music of minimalist composers such as La Monte Young, Terry Riley, Steve Reich and Philip Glass has, increasingly, become the subject of important musicological reflection, research and debate. Scholars have also been turning their attention to the work of lesser-known contemporaries such as Phill Niblock and Eliane Radigue, or to second and third generation minimalists such as John Adams, Louis Andriessen, Michael Nyman and William Duckworth, whose range of styles may undermine any sense of shared aesthetic approach but whose output is still to a large extent informed by the innovative work of their minimalist predecessors. Attempts have also been made by a number of academics to contextualise the work of composers who have moved in parallel with these developments while remaining resolutely outside its immediate environment, including such diverse figures as Karel Goeyvaerts, Robert Ashley, Arvo Pärt and Brian Eno. Theory has reflected practice in many respects, with the multimedia works of Reich and Glass encouraging interdisciplinary approaches, associations and interconnections. Minimalism’s role in culture and society has also become the subject of recent interest and debate, complementing existing scholarship, which addressed the subject from the perspective of historiography, analysis, aesthetics and philosophy. The Ashgate Research Companion to Minimalist and Postminimalist Music provides an authoritative overview of established research in this area, while also offering new and innovative approaches to the subject.

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