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Postopera: Reinventing the Voice-Body

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Release : 2016-03-09
Genre : Music
Kind : eBook
Book Rating : 199/5 ( reviews)

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Book Synopsis Postopera: Reinventing the Voice-Body by : Jelena Novak

Download or read book Postopera: Reinventing the Voice-Body written by Jelena Novak. This book was released on 2016-03-09. Available in PDF, EPUB and Kindle. Book excerpt: Both in opera studies and in most operatic works, the singing body is often taken for granted. In Postopera: Reinventing the Voice-Body, Jelena Novak reintroduces an awareness of the physicality of the singing body to opera studies. Arguing that the voice-body relationship itself is a producer of meaning, she furthermore posits this relationship as one of the major driving forces in recent opera. She takes as her focus six contemporary operas - La Belle et la Bête (Philip Glass), Writing to Vermeer (Louis Andriessen, Peter Greenaway), Three Tales (Steve Reich, Beryl Korot), One (Michel van der Aa), Homeland (Laurie Anderson), and La Commedia (Louis Andriessen, Hal Hartley) - which she terms 'postoperas'. These pieces are sites for creative exploration, where the boundaries of the opera world are stretched. Central to this is the impact of new media, a de-synchronization between image and sound, or a redefinition of body-voice-gender relationships. Novak dissects the singing body as a set of rules, protocols, effects, and strategies. That dissection shows how the singing body acts within the world of opera, what interventions it makes, and how it constitutes opera’s meanings.

Postopera: Reinventing the Voice-Body

Download Postopera: Reinventing the Voice-Body PDF Online Free

Author :
Release : 2016-03-09
Genre : Music
Kind : eBook
Book Rating : 202/5 ( reviews)

GET EBOOK


Book Synopsis Postopera: Reinventing the Voice-Body by : Jelena Novak

Download or read book Postopera: Reinventing the Voice-Body written by Jelena Novak. This book was released on 2016-03-09. Available in PDF, EPUB and Kindle. Book excerpt: Both in opera studies and in most operatic works, the singing body is often taken for granted. In Postopera: Reinventing the Voice-Body, Jelena Novak reintroduces an awareness of the physicality of the singing body to opera studies. Arguing that the voice-body relationship itself is a producer of meaning, she furthermore posits this relationship as one of the major driving forces in recent opera. She takes as her focus six contemporary operas - La Belle et la Bête (Philip Glass), Writing to Vermeer (Louis Andriessen, Peter Greenaway), Three Tales (Steve Reich, Beryl Korot), One (Michel van der Aa), Homeland (Laurie Anderson), and La Commedia (Louis Andriessen, Hal Hartley) - which she terms 'postoperas'. These pieces are sites for creative exploration, where the boundaries of the opera world are stretched. Central to this is the impact of new media, a de-synchronization between image and sound, or a redefinition of body-voice-gender relationships. Novak dissects the singing body as a set of rules, protocols, effects, and strategies. That dissection shows how the singing body acts within the world of opera, what interventions it makes, and how it constitutes opera’s meanings.

Vocal Projections

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Release : 2018-10-18
Genre : Performing Arts
Kind : eBook
Book Rating : 272/5 ( reviews)

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Book Synopsis Vocal Projections by : Maria Pramaggiore

Download or read book Vocal Projections written by Maria Pramaggiore. This book was released on 2018-10-18. Available in PDF, EPUB and Kindle. Book excerpt: Vocal Projections: Voices in Documentary examines a previously neglected topic in the field of documentary studies: the political, aesthetic, and affective functions that voices assume. On topics ranging from the celebrity voice over to ventriloquism, from rockumentary screams to feminist vocal politics, these essays demonstrate myriad ways in which voices make documentary meaning beyond their expository, evidentiary and authenticating functions. The international range of contributors offers an innovative approach to the issues relating to voices in documentary. While taking account of the existing paradigm in documentary studies pioneered by Bill Nichols, in which voice is equated with political rhetoric and subjective representation, the contributors move into new territory, addressing current and emerging research in voice, sound, music and posthumanist studies.

Staging Voice

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Release : 2021-12-24
Genre : Performing Arts
Kind : eBook
Book Rating : 07X/5 ( reviews)

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Book Synopsis Staging Voice by : Michal Grover-Friedlander

Download or read book Staging Voice written by Michal Grover-Friedlander. This book was released on 2021-12-24. Available in PDF, EPUB and Kindle. Book excerpt: Staging Voice is a unique approach to the aesthetics of voice and its staging in performance. This study reflects on what it would mean to take opera’s decisive attribute—voice—as the foundation of its staged performance. The book thinks of staging through the medium of voice. It is a nuances exploration, which brings together scholarly and directorial interpretations, and engages in detail with less frequently performed works of major and influential 20th-century artists—Erik Satie, Bertolt Brecht and Kurt Weill—as well as exposes readers to an innovative experimental work of Evelyn Ficarra and Valerie Whittington. The study is intertwined throughout with the author’s staging of the works accessible online. This book will be of great interest to students and scholars in voice studies, opera, music theatre, musicology, directing, performance studies, practice-based research, theatre, visual art, stage design, and cultural studies.

Contemporary Opera in Flux

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Release : 2024-10-15
Genre : Music
Kind : eBook
Book Rating : 586/5 ( reviews)

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Book Synopsis Contemporary Opera in Flux by : Yayoi U Everett

Download or read book Contemporary Opera in Flux written by Yayoi U Everett. This book was released on 2024-10-15. Available in PDF, EPUB and Kindle. Book excerpt: In twelve essays, Contemporary Opera in Flux discusses a series of shifts that, taken together, have radically redefined the production and reception of opera. Focusing on productions involving late twentieth- and twenty-first century scores and libretti, the contributors draw on conversations with members of creative teams and studies of archival material, dipping into a historical record that remains in flux as composers, librettists, directors, and designers revisit existing work and create anew. The contributors to this volume push the boundaries of contemporary opera scholarship by examining works that disrupt operatic conventions; tackle sociopolitical issues such as drug trafficking, racial injustice, and cultural trauma; and advance underrepresented works by female, African-American, Asian, and avant-garde composers around the globe. Contemporary Opera in Flux bridges the gaps between expanding literature on opera, theater, new music, postmodern dramaturgy, and posthuman aesthetics, while also confronting larger questions of identity, representation, and narrative agency that are at the forefront of contemporary music scholarship. This collection of essays engages critically with the past out of a conviction that, amid general public perceptions of opera as anachronistic or elitist, contemporary opera has emerged as an artistic incubator for experimentation.

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