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Popular Music in France from Chanson to Techno

2017-07-05 Music
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Release : 2017-07-05
Genre : Music
Kind : eBook
Book Rating : 682/5 ( reviews)

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Book Synopsis Popular Music in France from Chanson to Techno by : Hugh Dauncey

Download or read book Popular Music in France from Chanson to Techno written by Hugh Dauncey. This book was released on 2017-07-05. Available in PDF, EPUB and Kindle. Book excerpt: In France during the 1960s and 1970s, popular music became a key component of socio-cultural modernisation as the music/record industry became increasingly important in both economic and cultural terms in response to demographic changes and the rise of the modern media. As France began questioning traditional ways of understanding politics and culture before and after May 1968, music as popular culture became an integral part of burgeoning media activity. Press, radio and television developed free from de Gaulle's state domination of information, and political activism shifted its concerns to the use of regional languages and regional cultures, including the safeguard of traditional popular music against the centralising tendencies of the Republican state. The cultural and political significance of French music was again revealed in the 1990s, as French-language music became a highly visible example of France's quest to maintain her cultural 'exceptionalism' in the face of the perceived globalising hegemony of English and US business and cultural imperialism. Laws were passed instituting minimum quotas of French-language music. The 1980s and 1990s witnessed developing issues raised by new technologies, as compact discs, the minitel telematics system, the internet and other innovations in radio and television broadcasting posed new challenges to musicians and the music industry. These trends and developments are the subject of this volume of essays by leading scholars across a range of disciplines including French studies, musicology, cultural and media studies and film studies. It constitutes the first attempt to provide a complete and up-to-date overview of the place of popular music in modern France and the reception of French popular music abroad.

Popular Music in France from Chanson to Techno

2017-07-05 Music
Download Popular Music in France from Chanson to Techno PDF Online Free

Author :
Release : 2017-07-05
Genre : Music
Kind : eBook
Book Rating : 690/5 ( reviews)

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Book Synopsis Popular Music in France from Chanson to Techno by : Hugh Dauncey

Download or read book Popular Music in France from Chanson to Techno written by Hugh Dauncey. This book was released on 2017-07-05. Available in PDF, EPUB and Kindle. Book excerpt: In France during the 1960s and 1970s, popular music became a key component of socio-cultural modernisation as the music/record industry became increasingly important in both economic and cultural terms in response to demographic changes and the rise of the modern media. As France began questioning traditional ways of understanding politics and culture before and after May 1968, music as popular culture became an integral part of burgeoning media activity. Press, radio and television developed free from de Gaulle's state domination of information, and political activism shifted its concerns to the use of regional languages and regional cultures, including the safeguard of traditional popular music against the centralising tendencies of the Republican state. The cultural and political significance of French music was again revealed in the 1990s, as French-language music became a highly visible example of France's quest to maintain her cultural 'exceptionalism' in the face of the perceived globalising hegemony of English and US business and cultural imperialism. Laws were passed instituting minimum quotas of French-language music. The 1980s and 1990s witnessed developing issues raised by new technologies, as compact discs, the minitel telematics system, the internet and other innovations in radio and television broadcasting posed new challenges to musicians and the music industry. These trends and developments are the subject of this volume of essays by leading scholars across a range of disciplines including French studies, musicology, cultural and media studies and film studies. It constitutes the first attempt to provide a complete and up-to-date overview of the place of popular music in modern France and the reception of French popular music abroad.

Popular Music In Contemporary France

2003 History
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Author :
Release : 2003
Genre : History
Kind : eBook
Book Rating : 652/5 ( reviews)

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Book Synopsis Popular Music In Contemporary France by : David L. Looseley

Download or read book Popular Music In Contemporary France written by David L. Looseley. This book was released on 2003. Available in PDF, EPUB and Kindle. Book excerpt: While music lovers from all over the world have tried to recreate the ambience of French caf(r)s by playing music from stars such as Piaf, Tr(r)net and Chevalier, intellectuals, sociologists and policy makers in France have been embroiled in passionate d ebate about just what constitutes OCyrealOCO French music. In the late 1950s and 1960s a wave of Anglo-American rock OCynOCO roll and pop hit Europe and disrupted French popular music forever. The cherished sounds of the chanson were sidelined, fragmented or merged with pop styles and instrumentation. From this point on, French music and music culture have been splintered into cultural divides OCo pop culture vs high culture; mass culture vs OCyauthenticOCO popular culture; national culture vs Americanization . This book investigates the exciting and innovative segmentation of the French music scene and the debates it has spawned. From an analysis of the chanson as national myth, to pop, rap, techno and the State, this book is the first full-length study to make sense of the complexity behind the history of French popular music and its relation to OCyauthenticOCO cultural identity."

National Myth and the First World War in Modern Popular Music

2016-12-09 History
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Release : 2016-12-09
Genre : History
Kind : eBook
Book Rating : 396/5 ( reviews)

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Book Synopsis National Myth and the First World War in Modern Popular Music by : Peter Grant

Download or read book National Myth and the First World War in Modern Popular Music written by Peter Grant. This book was released on 2016-12-09. Available in PDF, EPUB and Kindle. Book excerpt: This book looks at the role of popular music in constructing the myth of the First World War. Since the late 1950s over 1,500 popular songs from more than forty countries have been recorded that draw inspiration from the War. National Myth and the First World War in Modern Popular Music takes an inter-disciplinary approach that locates popular music within the framework of ‘memory studies’ and analyses how songwriters are influenced by their country’s ‘national myths’. How does popular music help form memory and remembrance of such an event? Why do some songwriters stick rigidly to culturally dominant forms of memory whereas others seek an oppositional or transnational perspective? The huge range of musical examples include the great chansonniers Jacques Brel and Georges Brassens; folk maestros including Al Stewart and Eric Bogle; the socially aware rock of The Kinks and Pink Floyd; metal legends Iron Maiden and Bolt Thrower and female iconoclasts Diamanda Galás and PJ Harvey.

Protest Music in France

2016-04-08 Music
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Release : 2016-04-08
Genre : Music
Kind : eBook
Book Rating : 19X/5 ( reviews)

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Book Synopsis Protest Music in France by : Barbara Lebrun

Download or read book Protest Music in France written by Barbara Lebrun. This book was released on 2016-04-08. Available in PDF, EPUB and Kindle. Book excerpt: Barbara Lebrun traces the evolution of 'protest' music in France since 1981, exploring the contradictions that emerge when artists who take their musical production and political commitment 'seriously', cross over to the mainstream, becoming profitable and consensual. Contestation is understood as a discourse shaped by the assumptions and practices of artists, producers, the media and audiences, for whom it makes sense to reject politically reactionary ideas and the dominant taste for commercial pop. Placing music in its economic, historical and ideological context, however, reveals the fragility and instability of these oppositions. The book firstly concentrates on music production in France, the relationships between independent labels, major companies and the state's cultural policies. This section provides the material background for understanding the development of rock alternatif, France's self-styled 'subversive' genre of the 1980s, and explains the specificity of a 'protest' music culture in late-twentieth-century France, in relation to the genre's tradition in the West. The second part looks at representations of a 'protest' identity in relation to discourses of national identity, focusing on two 1990s sub-genres. The first, chanson néo-réaliste, contests modernity through the use of acoustic instruments, but its nostalgic 'protest' raises questions about the artists' real engagement with the present. The second, rock métis, borrows from North African and Latino rhythms and challenges the 'neutral' Frenchness of the Republic, while advocating multiculturalism in problematic ways. A discussion of Manu Chao's career, a French artist who has achieved success abroad, also allows an exploration of the relationship between transnationalism and anti-globalization politics. Finally, the book examines the audiences of French 'protest' music and considers festivals as places of 'non-mainstream' identity negotiation. Based on first-hand interviews, this section highlights the vocabulary of emotions that audiences use to make sense of an 'alternative' performance, unveiling the contradictions that underpin their self-definition as participants in a 'protest' culture. The book contributes to debates on the cultural production of 'resistance' and the representation of post-colonial identities, uncovering the social constructedness of the discourse of 'protest' in France. It pays attention to its nation-specific character while offering a wider reflection on the fluidity of 'subversive' identities, with potential applications across a range of Western music practices.

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