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Paratext Printed with New English Plays, 1660–1700

2024-01-31 Literary Criticism
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Release : 2024-01-31
Genre : Literary Criticism
Kind : eBook
Book Rating : 494/5 ( reviews)

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Book Synopsis Paratext Printed with New English Plays, 1660–1700 by : Robert D. Hume

Download or read book Paratext Printed with New English Plays, 1660–1700 written by Robert D. Hume. This book was released on 2024-01-31. Available in PDF, EPUB and Kindle. Book excerpt: This Element Paratext printed with new English plays has a lot to tell us about what playwrights were attempting to do and how audiences responded, thereby contributing substantially to our understanding of larger patterns of generic evolution across two centuries. The presence (or absence) of twelve elements needs to be systematically surveyed. (1) Attribution of authorship; (2) generic designation; (3) performance auspices; (4) government license authorizing publication; (5) dedication; (6) prefaces of various sorts; (7a-b-c) list of characters (three types); (8) actors' names (sometimes with descriptive characterizations-very helpful for deducing intended authorial interpretation); (9) location of action; (10) prologue and epilogue for first production. Surveying these results, we can see that much of the generic evolution traceable in the later seventeenth century gets undone during the eighteenth-a reversal largely attributable to the Licensing Act of 1737. This title is also available as Open Access on Cambridge Core.

Paratext Printed with New English Plays, 1660-1700

2024-02-01 Literary Criticism
Download Paratext Printed with New English Plays, 1660-1700 PDF Online Free

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Release : 2024-02-01
Genre : Literary Criticism
Kind : eBook
Book Rating : 124/5 ( reviews)

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Book Synopsis Paratext Printed with New English Plays, 1660-1700 by : Robert D. Hume

Download or read book Paratext Printed with New English Plays, 1660-1700 written by Robert D. Hume. This book was released on 2024-02-01. Available in PDF, EPUB and Kindle. Book excerpt: This Element Paratext printed with new English plays has a lot to tell us about what playwrights were attempting to do and how audiences responded, thereby contributing substantially to our understanding of larger patterns of generic evolution across two centuries. The presence (or absence) of twelve elements needs to be systematically surveyed. (1) Attribution of authorship; (2) generic designation; (3) performance auspices; (4) government license authorizing publication; (5) dedication; (6) prefaces of various sorts; (7a-b-c) list of characters (three types); (8) actors' names (sometimes with descriptive characterizations-very helpful for deducing intended authorial interpretation); (9) location of action; (10) prologue and epilogue for first production. Surveying these results, we can see that much of the generic evolution traceable in the later seventeenth century gets undone during the eighteenth-a reversal largely attributable to the Licensing Act of 1737. This title is also available as Open Access on Cambridge Core.

Prologues and Epilogues of Restoration Theater

2013-04-11 Performing Arts
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Release : 2013-04-11
Genre : Performing Arts
Kind : eBook
Book Rating : 775/5 ( reviews)

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Book Synopsis Prologues and Epilogues of Restoration Theater by : Diana Solomon

Download or read book Prologues and Epilogues of Restoration Theater written by Diana Solomon. This book was released on 2013-04-11. Available in PDF, EPUB and Kindle. Book excerpt: Often perceived as merely formulaic or historical documents, dramatic prologues and epilogues – players’ comic, poetic bids for the audience’s good opinion – became essential parts of Restoration theater, appearing in over 90 percent of performed and printed plays between 1660 and 1714. Their popularity coincided with the rise of the English actress, and Prologues and Epilogues of Restoration Theater unites these elements in the first book-length study on the subject. It finds that these paratexts provided the first sanctioned space for actresses in Britain to voice ideas in public, communicate directly with other women, and perform comedy – arguably the most powerful type of speech, and one that enabled interrogation of misogynist social practices. This book provides a taxonomy of prologues and epilogues with a corresponding appendix, and demonstrates through case studies of Anne Bracegirdle and Anne Oldfield how the study of prologues and epilogues enriches Restoration theater scholarship. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.

The Oxford Handbook of Eighteenth-Century Satire

2019-07-30 Literary Criticism
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Release : 2019-07-30
Genre : Literary Criticism
Kind : eBook
Book Rating : 702/5 ( reviews)

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Book Synopsis The Oxford Handbook of Eighteenth-Century Satire by : Paddy Bullard

Download or read book The Oxford Handbook of Eighteenth-Century Satire written by Paddy Bullard. This book was released on 2019-07-30. Available in PDF, EPUB and Kindle. Book excerpt: Eighteenth century Britain thought of itself as a polite, sentimental, enlightened place, but often its literature belied this self-image. This was an age of satire, and the century's novels, poems, plays, and prints resound with mockery and laughter, with cruelty and wit. The street-level invective of Grub Street pamphleteers is full of satire, and the same accents of raillery echo through the high scepticism of the period's philosophers and poets, many of whom were part-time pamphleteers themselves. The novel, a genre that emerged during the eighteenth century, was from the beginning shot through with satirical colours borrowed from popular romances and scandal sheets. This Handbook is a guide to the different kinds of satire written in English during the 'long' eighteenth century. It focuses on texts that appeared between the restoration of the Stuart monarchy in 1660 and the outbreak of the French Revolution in 1789. Outlier chapters extend the story back to first decade of the seventeenth century, and forward to the second decade of the nineteenth. The scope of the volume is not confined by genre, however. So prevalent was the satirical mode in writing of the age that this book serves as a broad and characteristic survey of its literature. The Oxford Handbook of Eighteenth-Century Satire reflects developments in historical criticism of eighteenth-century writing over the last two decades, and provides a forum in which the widening diversity of literary, intellectual, and socio-historical approaches to the period's texts can come together.

British Literature and Print Culture

2013 Business & Economics
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Release : 2013
Genre : Business & Economics
Kind : eBook
Book Rating : 439/5 ( reviews)

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Book Synopsis British Literature and Print Culture by : Sandro Jung

Download or read book British Literature and Print Culture written by Sandro Jung. This book was released on 2013. Available in PDF, EPUB and Kindle. Book excerpt: The complexity of print culture in Britain between the seventeenth and nineteenth century is investigated in these wide-ranging articles. The essays collected here offer examinations of bibliographical matters, publishing practices, the illustration of texts in a variety of engraved media, little studied print culture genres, the critical and editorial fortunes of individual works, and the significance of the complex interrelationships that authors entertained with booksellers, publishers, and designers. They investigate how all these relationships affected the production of print commodities and how all the agents involved in the making of books contributed to the cultural literacy of readers and the formation of a canon of literary texts. Specific topics include a bibliographical study of Aphra Behn's Oroonoko and its editions from its first publication to the present day; the illustrations of John Bunyan's Pilgrim's Progress and the ways in which the interpretive matrices of book illustration conditioned the afterlife and reception of Bunyan's work; the almanac and the subscription edition; publishing history, collecting, reading, and textual editing, especially of Robert Burns's poems and James Thomson's The Seasons; the "printing for the author" practice; the illustrated and material existence of Sir Walter Scott's Waverley novels, and the Victorian periodical, The Athenaeum. Sandro Jung is Research Professor of Early Modern British Literature and Director of the Centre for the Study of Text and Print Culture at Ghent University. Contributors: Gerard Carruthers, Nathalie Collé-Bak, Marysa Demoor, Alan Downie, Peter Garside, Sandro Jung, Brian Maidment, Laura L. Runge.

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