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Author : Paula James
Release : 2011-10-06
Genre : History
Kind : eBook
Book Rating : 66X/5 ( reviews)
Book Synopsis Ovid's Myth of Pygmalion on Screen by : Paula James
Download or read book Ovid's Myth of Pygmalion on Screen written by Paula James. This book was released on 2011-10-06. Available in PDF, EPUB and Kindle. Book excerpt: >
Author : Paula James
Release : 2011-10-06
Genre : History
Kind : eBook
Book Rating : 508/5 ( reviews)
Book Synopsis Ovid's Myth of Pygmalion on Screen by : Paula James
Download or read book Ovid's Myth of Pygmalion on Screen written by Paula James. This book was released on 2011-10-06. Available in PDF, EPUB and Kindle. Book excerpt: Why has the myth of Pygmalion and his ivory statue proved so inspirational for writers, artists, philosophers, scientists, and directors and creators of films and television series? The 'authorised' version of the story appears in the epic poem of transformations, Metamorphoses, by the first-century CE Latin poet Ovid; in which the bard Orpheus narrates the legend of the sculptor king of Cyprus whose beautiful carved woman was brought to life by the goddess Venus. Focusing on screen storylines with a Pygmalion subtext, from silent cinema to Buffy the Vampire Slayer and Lars and the Real Girl, this book looks at why and how the made-over or manufactured woman has survived through the centuries and what we can learn about this problematic model of 'perfection' from the perspective of the past and the present. Given the myriad representations of Ovid's myth, can we really make a modern text a tool of interpretation for an ancient poem? This book answers with a resounding 'yes' and explains why it is so important to give antiquity back its future.
Author : Mark William Padilla
Release : 2024-03-18
Genre : Art
Kind : eBook
Book Rating : 920/5 ( reviews)
Book Synopsis Classical Vertigo by : Mark William Padilla
Download or read book Classical Vertigo written by Mark William Padilla. This book was released on 2024-03-18. Available in PDF, EPUB and Kindle. Book excerpt: Alfred Hitchcock’s Vertigo has dazzled and challenged audiences with its unique aesthetic design and startling plot devices since its release in 1958. In Classical Vertigo: Mythic Shapes and Contemporary Influences in Hitchcock’s Film, Mark William Padilla analyzes antecedents including: (1) the film’s source novel, D’entre les morts (Among the Dead), (2) the earlier symbolist novel, Rodenbach’s Bruges-la-morte, and (3) the first-draft screenplay of Maxwell Anderson, a prominent Broadway dramatist and Hollywood scenarist from the 1920s to the 1950s. The presence of Vertigo amid these texts reveals and clarifies how themes from Greco-Roman antiquity emerge in Hitchcock’s project. Padilla analyzes narrative figures such as Prometheus and Pandora, Persephone and Hades, and Pygmalion and Galatea, as well as themes like the dark plots of Greek tragedy, to reveal how Hitchcock used allusive form to construct an emotionally powerful experience with an often-minimalist script. This analysis demonstrates that Vertigo is a multifaceted work of intertextuality with artistic and cultural roots extending into antiquity itself.
Author : Martin M. Winkler
Release : 2020-01-30
Genre : History
Kind : eBook
Book Rating : 405/5 ( reviews)
Book Synopsis Ovid on Screen by : Martin M. Winkler
Download or read book Ovid on Screen written by Martin M. Winkler. This book was released on 2020-01-30. Available in PDF, EPUB and Kindle. Book excerpt: The first study of Ovid, especially his Metamorphoses, as inherently visual literature, explaining his pervasive importance in our visual media.
Author : Ricardo Apostol
Release : 2018-10-19
Genre : Literary Criticism
Kind : eBook
Book Rating : 577/5 ( reviews)
Book Synopsis Locating Classical Receptions on Screen by : Ricardo Apostol
Download or read book Locating Classical Receptions on Screen written by Ricardo Apostol. This book was released on 2018-10-19. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores film and television sources in problematic conversation with classical antiquity, to better understand the nature of artistic reception and classical reception in particular. Drawing inspiration from well-theorized fields like adaptation studies, comparative literature, and film, the essays in this collection raise questions fundamental to the future of reception studies. The first section, ‘Beyond Fidelity’, deals with idiosyncratic adaptations of ancient sources; the second section, ‘Beyond Influence’, discusses modern works purporting to adapt ancient figures or themes that are less straightforwardly ancient than they may at first appear; while the last section, ‘Beyond Original’, uses films that lack even these murky connections to antiquity to challenge the notion that studying reception requires establishing historical connections between works. As questions of audience, interpretation, and subjectivity are central to most contemporary fields of study, this is a collection that is of interest to a wide variety of readers in the humanities.
