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Ottoman Empire and European Theatre Vol. I

2013-06-15 Music
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Release : 2013-06-15
Genre : Music
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Book Rating : 670/5 ( reviews)

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Book Synopsis Ottoman Empire and European Theatre Vol. I by : Michael Hüttler

Download or read book Ottoman Empire and European Theatre Vol. I written by Michael Hüttler. This book was released on 2013-06-15. Available in PDF, EPUB and Kindle. Book excerpt: The first volume of the book series Ottoman Empire and European Theatre focuses on the period between 1756 and 1808, the era of W. A. Mozart (1756-1791) and Sultan Selim III (1761-1808). These historical personalities, whose life-spans overlap, were towering figures of their time: Mozart as an extraordinary composer and Selim III as both a politician and a composer. Inspired by the structure of opera, the forty-four contributions of Volume I are arranged in eight sections, entitled Ouverture, Prologue, Acts I-V and Epilogue. The Ouverture includes the opening speeches of diplomats, politicians, and scholars as well as a memorial text for the "Genius of Opera", Turkish prima donna Leyla Gencer (1928-2008). The Prologue, "The Stage of Politics", features texts by distinguished historians who give an historical overview of the Ottoman Empire and Europe in the late eighteenth century, from both Turkish and Austrian points of view. Act I features texts concerning "Diplomacy and Theatre", and Act II takes the reader to "Europe South, West and North". Act III has contributions concerning theatre in "Central Europe", while Act IV deals with "Mozart" and the world of the seraglio. Act V turns our attention to the Ottoman "Sultan Selim III", and the Epilogue considers literary and theatrical adventures of "The Hero in the Sultan's Harem". Contributions by Metin And, Emre Araci, Tülay Artan, Esin Akalin, Thomas Betzwieser, Annemarie Bönsch, Emil Brix, Christian Brunmayr, Bertrand Michael Buchmann, Aysin Candan, Helga Dostal, Erich Duda, Wolfgang Greisenegger, Heidemaria Gürer, Matthew Head, Caroline Herfert, Bent Holm, Frank Huss, Michael Hüttler, Nadja Kayali, Hans-Peter Kellner, Alexandre Lhâa, Isabelle Moindrot, Ilber Ortayli, Zeynep Oral, Cemal Öztas, William F. Parmentier, Matthias J. Pernerstorfer, Gabriele C. Pfeiffer, Walter Puchner, Günsel Renda, Mustafa Fatih Salgar, Ulrike Schneider, Selin Ipek, Käthe Springer-Dissmann, Suna Suner, Marianne Travén, B. Babür Turna, Derek Weber, Mehmet Alaaddin Yalçinkaya, Selim Yenel.

Ottoman Empire and European Theatre Vol. III

2015-08-05 Music
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Release : 2015-08-05
Genre : Music
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Book Rating : 735/5 ( reviews)

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Book Synopsis Ottoman Empire and European Theatre Vol. III by : Michael Hüttler

Download or read book Ottoman Empire and European Theatre Vol. III written by Michael Hüttler. This book was released on 2015-08-05. Available in PDF, EPUB and Kindle. Book excerpt: On 3 May 1810 George Gordon, Lord Byron, swam like the mythic Leander from Sestos on the European side of the Hellespont to Abydos on the Asian shore. The hero of his poem "Don Juan" has lived in “feminine disguise” in the sultan's harem for more than a century. To commemorate Byron's Don Juan, the third volume of the "Ottoman Empire and European Theatre" series focuses on the image of the harem in literature and theatre. Nineteen international contributors explore historical conceptions of the Ottoman harem and seraglio in British, French and South East European sources from the late seventeenth to the nineteenth centuries. Contributions by Jennifer L. Airey, Gönül Bakay, Michael Chappell, Anne Greenfield, Isobel Grundy, Bent Holm, Michael Hüttler, Hans Peter Kellner, Emily M. N. Kugler, Andreas Münzmay, Domenica Newell-Amato, Walter Puchner, Marian Gilbart Read, Käthe Springer, Stefanie Steiner, Laura Tunbridge, Himmet Umunc, Hans Ernst Weidinger, Mi Zhou.

Lettre de Bession, substitut de l'agent national du district de la campagne de Commune-Affranchie, aux municipalités et comités révolutionnaires du même district, pour annoncer une circulaire du Comité de salut public qui enjoint aux communes de rappeler dans leur correspondance administrative leur ancien nom avec le nouveau

1793
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Release : 1793
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Book Synopsis Lettre de Bession, substitut de l'agent national du district de la campagne de Commune-Affranchie, aux municipalités et comités révolutionnaires du même district, pour annoncer une circulaire du Comité de salut public qui enjoint aux communes de rappeler dans leur correspondance administrative leur ancien nom avec le nouveau by :

Download or read book Lettre de Bession, substitut de l'agent national du district de la campagne de Commune-Affranchie, aux municipalités et comités révolutionnaires du même district, pour annoncer une circulaire du Comité de salut public qui enjoint aux communes de rappeler dans leur correspondance administrative leur ancien nom avec le nouveau written by . This book was released on 1793. Available in PDF, EPUB and Kindle. Book excerpt:

Ottoman Empire and European Theatre Vol. II

2014-06-30 Music
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Release : 2014-06-30
Genre : Music
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Book Rating : 700/5 ( reviews)

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Book Synopsis Ottoman Empire and European Theatre Vol. II by : Michael Hüttler

Download or read book Ottoman Empire and European Theatre Vol. II written by Michael Hüttler. This book was released on 2014-06-30. Available in PDF, EPUB and Kindle. Book excerpt: The Time of Joseph Haydn: From Sultan Mahmud I to Sultan Mahmud II (r.1730-1839), the second volume of Ottoman Empire and European Theatre, explores the relationship between Western playwrights, composers and visual artists of the eighteenth-century and Turkish-Ottoman culture, as well as the interest of Ottoman artists in European culture. Twenty-seven contributions by renowned experts shed light on the mutual influences that affected society and art for both Europeans and Ottomans. Successor to the first volume of the series, The Age of Mozart and Sultan Selim III (1756-1808), this book examines the compositions of Joseph Haydn (1732-1809) and his contemporaries along with events in the Ottoman political era during the time span from Sultan Mahmud I (b.1696, r.1730-1754) to Sultan Mahmud II (b.1785, r.1808-1839). Taking Haydn's Türkenopern ('Turkish operas') Lo speziale (1768) and L'incontro improvviso (1775) as the departure point, the articles collected in this publication reflect the growth of research in the area of cultural transfers between the Ottoman Empire and non-Ottoman Europe, as expressed in theatre, music and the visual arts. Contributions by: Emre Aracı, Annemarie Bönsch, Reinhard Buchberger, Bertrand Michael Buchmann, Necla Çıkıgil, Caryl Clark, Matthew Head, Caroline Herfert, Bent Holm, Michael Hüttler, Hans-Peter Kellner, Adam Mestyan, Isabelle Moindrot, Walter Puchner, Günsel Renda, Geoffrey Roper, Orlin Sabev, Çetın Sarıkartal, Käthe Springer-Dissmann, Suna Suner, Frances Trollope, Hans Ernst Weidinger, Daniel Winkler, Larry Wolff, Mehmet Alaaddin Yalçınkaya, Netice Yıldız, Clemens Zoidl.

Ottoman Empire and European Theatre Vol. IV

2016-05-23 Art
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Release : 2016-05-23
Genre : Art
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Book Rating : 901/5 ( reviews)

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Book Synopsis Ottoman Empire and European Theatre Vol. IV by : Michael Hüttler

Download or read book Ottoman Empire and European Theatre Vol. IV written by Michael Hüttler. This book was released on 2016-05-23. Available in PDF, EPUB and Kindle. Book excerpt: The book series “Ottomania” researches cultural transfers between the Ottoman Empire and Europe, with the performing arts as its focus. In Ottoman Empire and European Theatre, vol. IV: Seraglios in Theatre, Music and Literature, the series continues to explore one of the most popular subjects of eighteenth-century art: the seraglio and its harem. This volume provides a deeper understanding of the seraglio's various manifestations in the artworks, music and theatre of the Austrian/ Habsburg and central European regions, including interconnections with Italy and France, from the sixteenth to the nineteenth centuries. The studies examine descriptions of the seraglio by European diplomats, the seraglio's visual traces in European artworks, and depictions of the seraglio in eighteenth-century Austrian Singspiele. They also consider seraglios from the Ottoman point of view and investigate the music of the seraglio in eighteenth-century opera.

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