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Opera in Theory and Practice, Image and Myth

2003-11-01 Music
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Release : 2003-11-01
Genre : Music
Kind : eBook
Book Rating : 924/5 ( reviews)

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Book Synopsis Opera in Theory and Practice, Image and Myth by : Lorenzo Bianconi

Download or read book Opera in Theory and Practice, Image and Myth written by Lorenzo Bianconi. This book was released on 2003-11-01. Available in PDF, EPUB and Kindle. Book excerpt: The History of Italian Opera marks the first time a team of scholars has worked together to investigate the entire Italian operatic tradition, rather than limiting its focus to major composers and their masterworks. Including both musicologists and historians of other arts, the contributors approach opera not only as a distinctive musical genre but also as a form of extravagant theater and a complex social phenomenon. This sixth volume in the series centers on the sociological and critical aspects of opera in Italy, considering the art in the context of an Italian literary and cultural canon rarely revealed in English and American studies. In its six chapters, contributors survey critics' changing attitudes toward opera over several centuries, trace the evolution of formal conventions among librettists, explore the historical relationships between opera and Italian literature, and examine opera's place in Italian popular and national culture. In perhaps the volume's most striking contribution, German scholar Carl Dahlouse offers his most important statement on the dramaturgy of opera.

Opera in Theory and Practice, Image and Myth

2003-11-01 Music
Download Opera in Theory and Practice, Image and Myth PDF Online Free

Author :
Release : 2003-11-01
Genre : Music
Kind : eBook
Book Rating : 924/5 ( reviews)

GET EBOOK


Book Synopsis Opera in Theory and Practice, Image and Myth by : Lorenzo Bianconi

Download or read book Opera in Theory and Practice, Image and Myth written by Lorenzo Bianconi. This book was released on 2003-11-01. Available in PDF, EPUB and Kindle. Book excerpt: The History of Italian Opera marks the first time a team of scholars has worked together to investigate the entire Italian operatic tradition, rather than limiting its focus to major composers and their masterworks. Including both musicologists and historians of other arts, the contributors approach opera not only as a distinctive musical genre but also as a form of extravagant theater and a complex social phenomenon. This sixth volume in the series centers on the sociological and critical aspects of opera in Italy, considering the art in the context of an Italian literary and cultural canon rarely revealed in English and American studies. In its six chapters, contributors survey critics' changing attitudes toward opera over several centuries, trace the evolution of formal conventions among librettists, explore the historical relationships between opera and Italian literature, and examine opera's place in Italian popular and national culture. In perhaps the volume's most striking contribution, German scholar Carl Dahlouse offers his most important statement on the dramaturgy of opera.

Opera in Theory and Practice, Image and Myth

2003-11 Music
Download Opera in Theory and Practice, Image and Myth PDF Online Free

Author :
Release : 2003-11
Genre : Music
Kind : eBook
Book Rating : 927/5 ( reviews)

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Book Synopsis Opera in Theory and Practice, Image and Myth by : Lorenzo Bianconi

Download or read book Opera in Theory and Practice, Image and Myth written by Lorenzo Bianconi. This book was released on 2003-11. Available in PDF, EPUB and Kindle. Book excerpt: The History of Italian Opera marks the first time a team of scholars has worked together to investigate the entire Italian operatic tradition, rather than limiting its focus to major composers and their masterworks. Including both musicologists and historians of other arts, the contributors approach opera not only as a distinctive musical genre but also as a form of extravagant theater and a complex social phenomenon. This sixth volume in the series centers on the sociological and critical aspects of opera in Italy, considering the art in the context of an Italian literary and cultural canon rarely revealed in English and American studies. In its six chapters, contributors survey critics' changing attitudes toward opera over several centuries, trace the evolution of formal conventions among librettists, explore the historical relationships between opera and Italian literature, and examine opera's place in Italian popular and national culture. In perhaps the volume's most striking contribution, German scholar Carl Dahlouse offers his most important statement on the dramaturgy of opera.

Opera on Stage

2002-07-01 Music
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Release : 2002-07-01
Genre : Music
Kind : eBook
Book Rating : 917/5 ( reviews)

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Book Synopsis Opera on Stage by : Lorenzo Bianconi

Download or read book Opera on Stage written by Lorenzo Bianconi. This book was released on 2002-07-01. Available in PDF, EPUB and Kindle. Book excerpt: The History of Italian Opera marks the first time a team of expert scholars has worked together to investigate the Italian operatic tradition in its entirety, rather than limiting its focus to individual eras or major composers and their masterworks. Including both musicologists and historians of other arts, the contributors approach opera not only as a distinctive musical genre but also as a form of extravagant theater and a complex social phenomenon-resulting in the sort of panoramic view critical to a deep and fruitful understanding of the art. Opera on Stage, the second book of this multi-volume work to be published in English-in an expanded and updated version-focuses on staging and viewing Italian opera, from the court spectacles of the late sixteenth century to modern-day commercial productions. Mercedes Viale Ferrero describes the history of theater and stage design, detailing the evolution of the art well into the twentieth century. Gerardo Guccini does the same for stage and opera direction and the development of the director's role as an autonomous creative force. Kathleen Kuzmick Hansell discusses the interrelationships between theatrical ballet and Italian opera, from the age of Venetian opera to the early twentieth century. The visual emphasis of all three contributions is supplemented by over one hundred illustrations, and because much of this material-on the more "spectacular" visual aspects of Italian opera-has never before appeared in English, Opera on Stage will be welcomed by scholars and opera enthusiasts alike.

The Oxford Handbook of the Operatic Canon

2020-09-18 Music
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Release : 2020-09-18
Genre : Music
Kind : eBook
Book Rating : 215/5 ( reviews)

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Book Synopsis The Oxford Handbook of the Operatic Canon by : Cormac Newark

Download or read book The Oxford Handbook of the Operatic Canon written by Cormac Newark. This book was released on 2020-09-18. Available in PDF, EPUB and Kindle. Book excerpt: Opera has always been a vital and complex mixture of commercial and aesthetic concerns, of bourgeois politics and elite privilege. In its long heyday in the eighteenth and nineteenth centuries, it came to occupy a special place not only among the arts but in urban planning, too this is, perhaps surprisingly, often still the case. The Oxford Handbook of the Operatic Canon examines how opera has become the concrete edifice it was never meant to be, by tracing its evolution from a market entirely driven by novelty to one of the most canonic art forms still in existence. Throughout the book, a lively assembly of musicologists, historians, and industry professionals tackle key questions of opera's past, present, and future. Why did its canon evolve so differently from that of concert music? Why do its top ten titles, all more than a century old, now account for nearly a quarter of all performances worldwide? Why is this system of production becoming still more top-heavy, even while the repertory seemingly expands, notably to include early music? Topics range from the seventeenth century to the present day, from Russia to England and continental Europe to the Americas. To reflect the contested nature of many of them, each is addressed in paired chapters. These complement each other in different ways: by treating the same geographical location in different periods, by providing different national or regional perspectives on the same period, or by thinking through similar conceptual issues in contrasting or changing contexts. Posing its questions in fresh, provocative terms, The Oxford Handbook of the Operatic Canon challenges scholarly assumptions in music and cultural history, and reinvigorates the dialogue with an industry that is, despite everything, still growing.

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