Author : Victor Pierobon
Release : 2021-07-26
Genre : Fiction
Kind : eBook
Book Rating : 37X/5 ( reviews)
GET EBOOK
Book Synopsis 关于成为 时空大师 (On Becoming Master of Time and Space) by : Victor Pierobon
Download or read book 关于成为 时空大师 (On Becoming Master of Time and Space) written by Victor Pierobon. This book was released on 2021-07-26. Available in PDF, EPUB and Kindle. Book excerpt: Wǒ gēnjù kuàyuè duōnián de gè zhǒng fēicháng duǎnzàn de suíjī qīngxǐng hé qīngxǐng de jīnglì xiěle zhè běn shū. Chūzì 2004 nián yuánshǐ chūbǎn nián (biāotí wèi “Just-a-Position, On Becoming Master of Time and Space”). Wǎngluò bǎn shì zài 2014 nián zhīhòu wánchéng de, suǒyǐ wǒ xiūgǎile wǒ de pínglùn, jí “duì [zhāngjié biāotí] de pínglùn”. Zhèxiē 2004 nián zhīqián de suíjī jīnglì bìxū ànzhào luójí shíjiān xiàn jìn háng fēnlèi, yǐbiàn cóngzhōng huòdé yīxiē yìyì. Yǒu 5 gè wánquán xūgòu de zhāngjié (Dear Death,Dear God,End Notes,The Drive,The Battle of the Brain Hemispheres) wéi běn shū biānzhīle yīgè gùshì hé yīgè jiélùn. Yīxiē gèng lìng rén kùnhuò de zhāngjié zài “duì [zhāngjié biāotí] de pínglùn” xià yǒu wǒ de shìhòu xiǎngfǎ, yǐ shǐ tāmen yìyú lǐjiě. Rúguǒ nín duì wǒ zì 2005 nián yǐlái de biànhuà gǎndào hàoqí, nín kěyǐ zài jiānádà túshū guǎn hé dǎng'àn guǎn zhǎodào běn shū de yuánshǐ bǎnběn. 1966 Nián, wǒ 18 suì, jīngguò 3 nián de shíjiàn, huàle yīgèrén de liánhuā zīshì, zài tā shēn chū de shǒubì pífū xià chāle yī gēn zhǎng mù gùn. Wǒ shì zài yìshí dào wǒ de xiūxíng bùnéng yòng yú gè rén yìzhì zhīhòu cái huà de. Wèile gèngjiā shénshèng dì yìshí dào shàngdì de zhǐyì, yīgè rén bìxū yǒngyuǎn wánquán zūnshǒu tā de zhǐyì bìng bāngzhù tārén. Zhè běn shū qīngxǐng de rènshí dào, rènhé “shíjiān hé kōngjiān de zhǔrén” dōu bìxū tōngguò “zuòwéi shàngdì zhīzǐ de gòngtóng chuàngzào zhě qīngtīng shàngdì de shēngyīn”, jiāng zìjǐ de yìzhì wánquán chénfú yú shàngdì de zhǐyì. Yīxiē zhāngjié de qítā túhuà shì wǒ yòng qiānbǐ kuàisù huìzhì de, yǐ miáohuì tǐyàn de chǎngjǐng huò qíngxù. Hěn bàoqiàn qián liǎng zhāng yǒudiǎn máogǔsǒngrán. Qíyú de bìng bù kěpà. 我根据跨越多年的各种非常短暂的随机清醒和清醒的经历写了这本书。出自 2004 年原始出版年（标题为“Just-a-Position, On Becoming Master of Time and Space”）。网络版是在 2014 年之后完成的，所以我修改了我的评论，即“对[章节标题]的评论”。这些 2004 年之前的随机经历必须按照逻辑时间线进行分类，以便从中获得一些意义。有 5 个完全虚构的章节（Dear Death、Dear God、End Notes、The Drive、The Battle of the Brain Hemispheres）为本书编织了一个故事和一个结论。一些更令人困惑的章节在“对[章节标题]的评论”下有我的事后想法，以使它们易于理解。如果您对我自 2005 年以来的变化感到好奇，您可以在加拿大图书馆和档案馆找到本书的原始版本。 1966 年，我 18 岁，经过 3 年的实践，画了一个人的莲花姿势，在他伸出的手臂皮肤下插了一根长木棍。我是在意识到我的修行不能用于个人意志之后才画的。为了更加神圣地意识到上帝的旨意，一个人必须永远完全遵守他的旨意并帮助他人。这本书清醒地认识到，任何“时间和空间的主人”都必须通过“作为上帝之子的共同创造者倾听上帝的声音”，将自己的意志完全臣服于上帝的旨意。一些章节的其他图画是我用铅笔快速绘制的，以描绘体验的场景或情绪。 很抱歉前两章有点毛骨悚然。其余的并不可怕。 I wrote this book based on a variety of very short random waking and lucid experiences spanning many years. From the original publication year 2004 (under the title “Just-a-Position, On Becoming Master of Time and Space”). The web editions were done after 2014 so I revised my comments i.e. “Comments on [Chapter Title]”. These random pre-2004 experiences had to be sorted into a logical timeline to make some sense out of them. There are 5 entirely fictitious chapters (Dear Death, Dear God, End Notes, The Drive, The Battle of the Brain Hemispheres) that were created to weave a story and a conclusion for this book. Some of the more perplexing chapters have my afterthoughts under “Comments on [Chapter Title]” to make them comprehensible. You can find the original version of this book at the Library and Archives Canada in case you are curious about what I have changed since 2005. The drawing depicting a man in a lotus position with a long wooden stick inserted under his outreached arm’s skin was drawn by me in 1966 at age 18, done after 3 years of practice. I drew it after realizing that my practice must not be used for self’s will. To become more divinely aware of God’s will one must forever abide solely by His Will and help others. The book is a sober realization that any “master of time and space” must entirely surrender one’s will to God’s Will by “listening to God, as a co-creator son of God. The other drawings for some of the chapters were quickly drawn in pencil by me to depict the scene or mood of the experience. I am sorry that the first two chapters are a bit gruesome. The rest are not gruesome.
