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Nonhuman voices in Anglo-Saxon literature and material culture

2017-07-07 Literary Criticism
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Release : 2017-07-07
Genre : Literary Criticism
Kind : eBook
Book Rating : 006/5 ( reviews)

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Book Synopsis Nonhuman voices in Anglo-Saxon literature and material culture by : James Paz

Download or read book Nonhuman voices in Anglo-Saxon literature and material culture written by James Paz. This book was released on 2017-07-07. Available in PDF, EPUB and Kindle. Book excerpt: This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book is available as an open access ebook under a CC-BY-NC-ND licence. Nonhuman voices in Anglo-Saxon literature and material culture uncovers the voice and agency possessed by nonhuman things across Anglo-Saxon literature and material culture. It makes a new contribution to ‘thing theory’ and rethinks conventional divisions between animate human subjects and inanimate nonhuman objects in the early Middle Ages. Anglo-Saxon writers and craftsmen describe artefacts and animals through riddling forms or enigmatic language, balancing an attempt to speak and listen to things with an understanding that these nonhumans often elude, defy and withdraw from us. But the active role that things have in the early medieval world is also linked to the Germanic origins of the word, where a þing is a kind of assembly, with the ability to draw together other elements, creating assemblages in which human and nonhuman forces combine.

Materializing Englishness in Early Medieval Texts

2022-06-02 Literary Criticism
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Release : 2022-06-02
Genre : Literary Criticism
Kind : eBook
Book Rating : 845/5 ( reviews)

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Book Synopsis Materializing Englishness in Early Medieval Texts by : Jacqueline Fay

Download or read book Materializing Englishness in Early Medieval Texts written by Jacqueline Fay. This book was released on 2022-06-02. Available in PDF, EPUB and Kindle. Book excerpt: The aim of this book is to restore to the story of Englishness the lively material interactions between words, bodies, plants, stones, metals, and soil, among other things, that would have characterized it for the early medieval English themselves. In particular, each chapter demonstrates how a productive collapse, or fusion, between place and history happens not only in the intellectual realm, in ideas, but is also a material concern, becoming enfleshed in encounters between early medieval bodies and a host of material entities. Through readings of texts in a wide variety of genres including hagiography, heroic poetry, and medical and historical works, the book argues that Englishness during this period is an embodied identity emergent at the frontier of material and textual interactions that serve productively to occlude history, religion, and geography. The early medieval English body thus results from the rich encounter between the lived environment—climate, soil, landscape features, plants—and the textual-discursive realm that both determines what that environment means and is also itself determined by the material constraints of everyday life.

Medieval literary voices

2022-07-05 Literary Criticism
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Release : 2022-07-05
Genre : Literary Criticism
Kind : eBook
Book Rating : 486/5 ( reviews)

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Book Synopsis Medieval literary voices by : Louise D’Arcens

Download or read book Medieval literary voices written by Louise D’Arcens. This book was released on 2022-07-05. Available in PDF, EPUB and Kindle. Book excerpt: Voice is a fleeting physical phenomenon that leaves behind traces of its existence. Medieval literary voices offers a wide-reaching approach to the concept of literary voices, both the vanished authorial ones and the implicit textual ones. Its impressive lineup deepens our understanding of how literary voices evoke the elusive voices lurking beyond the text, capturing the absent authorial voice, the traces of scribal voices and the soundscape of the uttered text. It explores multiple dimensions of medieval voice and vocalisations, and the interactions between literary voices and their authorial, scribal and socio-political settings. It contends that through the theorizing of literary voices we can begin to understand the ways in which medieval voices mediate or proclaim an embodied selfhood or material presence, how they dictate or contest moral conventions, and how they create and sustain narrative soundscapes.

Old English Medievalism

2022-11-22
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Release : 2022-11-22
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Kind : eBook
Book Rating : 500/5 ( reviews)

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Book Synopsis Old English Medievalism by : Rachel A. Fletcher

Download or read book Old English Medievalism written by Rachel A. Fletcher. This book was released on 2022-11-22. Available in PDF, EPUB and Kindle. Book excerpt: An exploration across thirteen essays by critics, translators and creative writers on the modern-day afterlives of Old English, delving into how it has been transplanted and recreated in the twentieth and twenty-first centuries.

The Contemporary Medieval in Practice

2019-10-07 History
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Release : 2019-10-07
Genre : History
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Book Rating : 660/5 ( reviews)

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Book Synopsis The Contemporary Medieval in Practice by : Clare A. Lees

Download or read book The Contemporary Medieval in Practice written by Clare A. Lees. This book was released on 2019-10-07. Available in PDF, EPUB and Kindle. Book excerpt: Contemporary arts, both practice and methods, offer medieval scholars innovative ways to examine, explore, and reframe the past. Medievalists offer contemporary studies insights into cultural works of the past that have been made or reworked in the present. Creative-critical writing invites the adaptation of scholarly style using forms such as the dialogue, short essay, and the poem; these are, the authors argue, appropriate ways to explore innovative pathways from the contemporary to the medieval, and vice versa. Speculative and non-traditional, The Contemporary Medieval in Practice adapts the conventional scholarly essay to reflect its cross-disciplinary, creative subject. This book ‘does’ Medieval Studies differently by bringing it into relation with the field of contemporary arts and by making ‘practice’, in the sense used by contemporary arts and by creative-critical writing, central to it. Intersecting with a number of urgent critical discourses and cultural practices, such as the study of the environment and the ethics of understanding bodies, identities, and histories, this short, accessible book offers medievalists a distinctive voice in multi-disciplinary, trans-chronological, collaborative conversations about the Humanities. Its subject is early medieval British culture, often termed Anglo-Saxon Studies (c. 500–1100), and its relation with, use of, and re-working in contemporary visual, poetic, and material culture (after 1950). ‘The Contemporary Medieval in Practice is both wise and unafraid to take risks. Fully embedded in scholarship yet reaching into unmapped territory, the authors move across disciplines and forge surprising links. Thought-provoking and evocative, this is a book that will have an impact that far belies its modest length.’ – Linda Anderson, Newcastle University

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